Hi everyone and welcome to all the new and old readers who are returning! It’s been wonderful to see your names and social avatars again. Thank you for coming back to Aiden & Elisa, and for your comments to me. You support and encouragement means a lot. Without much delay, here is Chapter 9. Tic toc…
9
Stardust
Living with the truth turns out to be harder than I imagined. It’s harder because now I know exactly how much he couldn’t bear to be with me after the attack. It’s harder because there is absolutely nothing I can do to change that. And it’s harder because now I don’t dream of him at all. And that’s the worst part; it’s like losing him all over again.
Still, as difficult as living with the truth is, it’s easier than living with myself. Because harder than everything else are the what-if’s. What if I hadn’t believed him when he told me he reported Javier? What if I had looked closer? What if, instead of forcing myself on him after the attack, I had left as he asked? What if! What if! What if! Like a sledgehammer to the brain, shattering all my rules.
The only things getting me through are Oxford and Reagan’s visit in three days. Of course, we all have to live through Javier’s trial in forty-eight hours first. I cannot think about that. I grab Dad’s lab coat and run out of the cottage for the bus stop even though it’s only five in the morning. But today—after two days of orientation—is my first time working in my father’s lab at Oxford. And although things like joy and excitement are beyond me, I cannot bear the idea of embarrassing my dad.
Walking at dawn alone, without him, feels like the Portland airport, but worse. It’s as though losing him was a cataclysmic event, a big bang that could not be contained in one continent. It has expanded now, radiating through the planet, finding me here in my little, peaceful town, pulverizing whatever flimsy structure I had managed to build.
But the moment I step on the bus, I feel a little stronger, las though Oxford’s hard limestone permeates my skin. By the time the bus drops me off at the University Center, I am centered too.
On the outside, the Chemistry Building looks calm and quiet. But inside, it’s teeming with life. Apparently Oxford does not sleep even in the summer. Students are huddled over books, clutching thermoses of caffeinated drinks, eyes bloodshot with shadows underneath. At least here my face will blend right in. Researchers are stretching their arms in the air, twisting their backs side-to-side, loosening the night’s knots. And behind closed office doors, I’m certain there are professors poring through papers or staring into space at concepts the rest of us cannot see. The entire building is humming with single-minded pursuit of knowledge, with the thrill of discovery within. There is no space in its vast horizons for lost loves, immigration trials, or past crimes. Oxford has its eyes on the vistas of possibilities, on the finite rules of science that survive any big bang, that explain everything. And because of that, Oxford is perfect for me.
But am I perfect for it? As I enter the cavernous state-of-the-art lab that could fit Denton’s in one of its fume hoods, I’m not at all certain. At least ten researchers are there already and when they spare a moment to look up, they all stare.
“Ah, Elisa! Here you are!” Edison calls, striding toward me from one of the cryogenic freezers. “I was beginning to fear you had lost your way.” Clearly, 6:30 in the morning is too late for this crowd. I’m sure Dad used to come to work later, but then again he had Mum and me. Edison is betrothed to science.
“I’m sorry,” I mumble, mortification draping over Dad’s lab coat that I’m wearing.
“Ah, not at all, not all. Like father, like daughter, I reckon. Peter would get in late too, but accomplished twice as much as us, the brain of his.”
Not wanting to waste another second, I start scuttling to the closest empty lab desk, but Edison chuckles. “No, my dear girl, you’re this way, with me.” And he starts marching the length of the lab at a pace that is only technically not running. I scramble behind him, feeling inquisitive eyes on my back, probably relieved that I, the flake, will not be anywhere near their experiments.
“Here we are,” says Edison, opening a door to a lab within the lab—like a heart chamber. I expect to see more futuristic technology, but this lab is homier, with a warmer glow than the harsh fluorescents of the Goliath around us. And, at the very front, as though he is waiting for me, stands a man, probably in his thirties, wearing a white lab coat identical to mine, except the initials: GRK. The moment I look at him, I feel the need to squint. He has lustrous blond hair as though a thousand sunrays are weaved in each strand. His skin is golden and his eyes a butterscotch hazel. He is so lanky that, clad in his brilliant white coat, he could be a neon beam himself. And he is the only one not staring. He is simply smiling.
“Elisa, welcome to the lab where many seasoned chemists wish they could brew. This is Bia.” Edison says the name of the Greek goddess of force and energy with reverence. “And this is my chief researcher, Graham Knightley.”
I’ve been practicing a smile and I employ it now as I reach for Mr. Knightley’s hand, expecting it to be hot due to his sunny appearance but it’s cold, like a true lab resident. “Hello, I’m Elisa Snow. It’s nice to meet you, Mr. Knightley.”
“Graham, please! And I know who you are. We’ve all been very eager to meet you.”
If he meant this as reassurance, it has the opposite effect on me. All I can think about is how I am going to embarrass my dad next. What was I thinking taking this on in my current state? I should have worked at the local pub for a while or forever as there are no dreams left for me. But before I can panic thoroughly enough to submit my resignation, Edison claps his hands once, as if to call attention, and says something that changes everything.
“Now, Elisa, you know your father and I had this dream of inventing proteins that are easy to digest but accomplish big things. Like the protein that fights hunger, which you’ve already developed.” He inclines his head to me while I use every brain cell to block memories of selling that protein to him to buy my green card. “Well, shortly before Peter’s accident, we had another idea: develop a protein that fights fear.” Edison whispers this last word, as though it’s an incantation or some secret gospel. For him, it is. As it instantly becomes for me. It triggers a memory of Dad in those last few weeks locked up in our library in that fervor that took over his brain sometimes. He would never tell me the idea that possessed him until he thought it through or found a way, no matter how much I questioned him. “You’ll know soon enough, Eliser,” he’d say. But he never had a chance to tell me that time. He died before the answer came. But I’m still here: how can I resist finding the answer for him? If I cannot dream my own dreams, maybe I can dream my father’s.
“Did Peter tell you about this idea?” asks Edison with a fanatical gleam in his eyes, as though he can read thoughts.
“No.” I shake my head, disappointing him no doubt. “I just remembered that he was in one of his zones right before—” I swallow. “But he never told me what it was.”
“Oh.” The gleam in Edison’s eyes disappears, but he recovers quickly. “No matter. I think he may have made more progress than you realize. So, here in Bia, Graham and I are continuing this work. Every day, every night—for the last four years. We get close sometimes, then lose it right at the moment we inject the 2-AG molecule in the peptide bonds. It combusts into flames. This one is tricky—trickier than anything else I’ve tried. But with you here, maybe we have a chance. Perhaps something will occur to you that has not done to us. And imagine if we do succeed!” Edison’s eyes glint again. “Imagine brewing a life with no fear. What that would mean to you, to me, to so many.”
To my dad, I finish in my mind. It’s impossible not to feel that I will let Edison down; how could I ever do in a summer what my father wasn’t able to in his life? But how could I not try? How could I not give it every day and every night of what remains of my existence? This is the last thing I have from him.
Time becomes a blur then. Edison leaves for a lecture, and Graham and I work side-by-side, as he shows me their progress, their challenges, and where they’ve gotten stuck. He works quickly, elegantly, his gloved fingers handling the equipment with fluidity, like piano keys.
Every once in a while, he mentions Dad: “Professor Snow would have seen right through this” or “I think he’d have done it this way.” At some point, we both start talking to Dad out loud and neither of us seems to think this is mental. But mostly, we work in a companionable silence trying to reduce the elusive 2-AG molecule into any form compatible with peptides that doesn’t combust. Testing one compound here, another there—like a new musical note in a melody. Many look at chemistry and see fumes, liquids, beakers, flasks, burners. But that’s not what chemistry is: it’s music. Each element, each atom is a note. Each piece of equipment is an instrument. Mix these two compounds together, and they hiss. Mix those two others, and they babble. Throw this fifth substance in, and they ring like trumpets. Find the right formula, and you have a concert. A concert that feeds you when you’re hungry. A concert that makes you brave. Someday, perhaps a concert that keeps you young. But it’s always music—chemistry is the soundtrack to life.
“Break?” Graham asks after a while.
“No, it didn’t. See? The peptide is still intact.”
“No, I mean, take a break with me?” Graham annunciates slowly, as if thinks I might have forgotten how to speak English.
“Oh! No, no, no!” I say quickly like he suggested I should swallow the liquefied peptides. Who needs a break? What could I possibly allow myself to think? Not to mention I’m not ready to converse casually with people who are not Reagan. Graham’s eyes widen a fraction so I amend to keep him from seeing the madness within. “I mean, thank you, but I’d really like to finish this first. I might—”
“Eliser, it has waited four years, it can wait forty minutes. Besides, I’m famished.” He smiles, but I’m frozen solid. “What’s the matter?” He frowns when I don’t move, probably questioning my mental stability at this point.
“My dad used to call me that sometimes,” I whisper, remembering Dad laughing at his own pun: Eliser—Elixir. “I haven’t heard it said out loud in a long time.”
Graham blanches. “I’m very sorry, I should have asked. Only that’s how Professor Snow referred to you and I suppose it stuck—” he clears his throat. “My apologies, I shouldn’t have used it. What would you like to be called?”
Simple manners, yet the question feels suddenly important to me. “Eliser is fine,” I answer, surprising myself. Then again, is it really a surprise? The girl I was, named after Beethoven’s melody, is gone forever; no one will be playing the piano again for me.
Graham waits as though he guesses I’m processing something. Or perhaps he is getting used to everything taking me longer. “A break might be a good idea,” I concede, trying to sound normal as we walk out of Bia.
Without failing, the researchers’ eyes follow us out. By the time we reach the building cafeteria though I realize it’s not just the researchers. A couple of professors come up, shaking my hand, saying, “Welcome back! Welcome back!” The kind-faced woman who prepares our lunch grins at me. “Ham and mustard for your sarnie, dear?” she asks. I can only nod as I realize she is guessing I like my sandwich like my dad. Even the elderly groundskeeper weeding the quad when we go to eat outside looks up and tips his hat. “Bless my soul! It’s Peter and Clare’s girl! Welcome home, child! Welcome home!” I keep my practiced smile glued firmly on my face but it must not be very convincing because Graham picks up his pace, leading us to the ancient oak tree on the other side of the quad. As we perch on its thick roots, I try to look like I’m unwrapping my sarnie when really I am trying to breathe. All these people—each a molecule in my parents’ life—happy to see me, and all I can think is they have it wrong. I’m back, yet I feel gone too long.
“All right there, Eliser?” Graham prompts. The fact that he has eaten half his sarnie is a clue as to how long I’ve been drifting.
“Oh, sorry. It’s just all this. They all . . .” I can’t find words to explain what I’m feeling.
“Stare, smile, and welcome you back with open arms?” Graham finishes for me. “Come on, it could be worse. Besides, it’s only your first week here. By Friday, they’ll have moved on to something new.”
That should comfort me, but it does not. “It’s not just that. Even Edison . . . he—I don’t know how to put it.” What is the feeling Edison gives me sometimes? Like I’m not meeting expectations? Or like I am? I can’t decipher it.
Graham sets down his sarnie on the paper plate and turns to me. In the sun, he is even brighter. “Listen. I, Edison, the others—we can’t imagine how hard it must have been losing your parents. But you have to understand, Peter Snow was a legend around here. And your mum curated Ashmole’s manuscripts for heaven’s sakes. Everyone loved them. Their accident rocked Oxford! And now, everyone feels like they’re catching a glimpse of Clare again, or a bit of Peter. It’ll pass. With time, they will see you for you.”
There is no me left, I want to say. He is missing the real problem. “I’m more worried about disappointing Edison, about not being able to do this. I’ve only just graduated, and you two are light years ahead of me. Shouldn’t I be scrubbing beakers in Goliath instead of helping you in Bia?”
“Ah, yes!” Graham nods. “Feeling inadequate at Oxford—that’s novel. No one’s ever felt that before. Definitely not me. And especially not Edison.” He winks with sarcasm, probably trying to lighten the mood.
It does not work. I don’t mind not keeping up with the brainiacs. I mind embarrassing my dad. I mind failing at his dream. These are things I cannot tell Graham, but he must have a sense—he is one of the brainiacs after all—because he speaks again after a few more bites. “Listen, Eliser! I was born to study chemistry. I have no passion or interest in anything else, and I’m told I’m not brilliant with emotional conversations either. But I do know one thing: you can work day and night, you can study harder than anyone else, you can sacrifice everything, and you still won’t achieve something that does not live in you. To me, to Edison, and the other researchers, Peter Snow was a chemistry god, and mortals can’t do what gods can. But to you, he was only your dad. And whether you think that’s enough or not, he lives in you. So don’t do what Edison or anyone else expects: do what you and your dad would do. And all will be well.” He frowns at the last words, as if he is assuring himself as much as me.
I turn his words in my head. Could the answer be there in their simple precision?
“Do you still live at the cottage?” Graham asks abruptly, like he has reached his capacity for emotional reassurance.
“How did you know about the cottage?”
He gives me a look that can only be described as an eye roll. “Everyone knows about the rose cottage.”
And how it was abandoned. “Yes, I’m still there.”
“Well, after you’ve adjusted a bit, you could invite some of the profs and researchers—not all, mind, some of us can be positively cutthroat—and you can start forming your own relationships, hm? And if you finally finish that sarnie so we can get back to work, I might even be persuaded to leave the lab for a few hours and come over to help you with deep emotional things.” He chuckles, pointing at my sandwich. I wrap it back quickly and hop up.
“I’m ready.”
“Can I have that if you won’t eat it?” Graham asks, quite serious. For some reason, I think of Javier—of that big-brotherly feeling I always had around him. They are opposites, Javier and Graham, in every way: Javier is dark where Graham gleams golden. Javier lives for art, and Graham lives for science. Javier sees straight to one’s soul, Graham sees the molecules. Javier is losing everything in two days, and Graham is only starting. Yet they’ve both given me the same thing: a sketch for the next step.
I think about that while riding the last bus back to Burford, nine hours later. We all have before-and-afters that change us forever. Our personal big bangs—massive explosions in our skies that form and transform our galaxies from the ashes and dust left behind. And we go on, each time a new star, gravitating across the universe until our orbit collides with other stars, and we form constellations we call families, friends, love. My constellations have imploded—one by one, each star was extinguished. I have been rotating around their void, searching for a trajectory of some kind. I’m not a star, only a cloud of ash left behind. But what if it’s not all ash—what if it’s the stardust of those bright, bold stars?
I see a solution then. Maybe I can use what’s left of my energy to ignite the stardust back to light. Use my orbit to make Dad’s dream come true, care for Mum’s roses, help Javier’s family, and let him live free of me without guilt. And if I can do all that, maybe my lost stars will shine again. And maybe that’s enough in the end to transform this existence from inertia into life.
The cottage is quiet when I go in, Mum’s roses fast asleep in their beds, tucked under the velvet sky blanket, with the moon as a side lamp. As I switch on the lights, I wonder if the cottage sees in me what I see in it: no more dust or cobwebs, warmer, with some signs of life. Fresh-cut roses here, open books and empty teacups there, a little fire in the beehive fireplace, trainers on the doorstep. At least the cottage must think I’m alive.
I make some spaghetti, tapping my foot while the water is boiling, eager to kindle my stardust. When the pasta is ready, I take the plate with me to Dad’s library.
First: Javier’s family. In two days, their own constellation will implode. I send an email to Bob, my lawyer, to confirm that the trust I set up for the Solises is ready for them to use immediately after the trial. It’s not the same as having their brother, but it will help. Then, after finishing almost all of the spaghetti in thought, I text Maria. I cannot call her while she is living with his parents; I won’t ever let my orbit collide with his again, no matter how distantly.
“Mamá, it’s me. I’m sorry I haven’t called, I will soon. I know the next two days will be very hard. But please remember what I told you before I left: no matter what happens, you, Antonio, and the girls will be okay. I may be gone, but you’re in my heart. I’ll take care of you. I love you, corazon y alma.”
I stare at the inadequate text, wishing I could tell them about the money but Bob was strict that I could not before the trial. The message bubble becomes green as it’s delivered internationally, and I picture it arriving in her phone, in his childhood home, beeping in her hand or by her ear. She’ll be looking at it now, dabbing her tearful eyes, whispering “Bendita, bendita.” As I wipe my eyes along with her image, a bubble floats on my screen:
“Isa, amorcita! I miss you. I love you. You here in mi corazon. Reagan says you hurt and no talk. Be strong, hija. Be strong. Eat your comida. Sleep your sleep. God is good. God will save all my children. God will bring you all back to me. I go to church now for pray with Stella. Call me, hija, I miss your voice!”
A tear drops on my phone screen. All her world is about to end, and she’s telling me to eat and sleep. I will never regret giving up my green card so she can live, and live well. Another tear drops on Stella’s name—his mum. The only other woman in the world who has borne the brunt of his startle reflex and the exile that follows. Who knows some of what I’m feeling. Maybe Maria and Stella will form their own constellation—two mothers with sons alive but lost. I send Maria a heart emoji and turn on Bod.
Second up: Javier himself. I cannot save him, but I can avenge him. I draft a full account to The Oregonian, exposing Feign’s fraud and telling them about the true Da Vinci. Javier’s genius will be known even if he will not be there to see it. I save the draft and schedule to send it Friday after Javier’s trial is over. None of us will have anything more to lose by then. I write to Oxford next, asking about their fine art program admissions for international students living in Mexico. Although America would be Javier’s dream, I know the universities there will not admit him after he is deported. But Oxford might—Javier has no past here. And, with his family secure and my cottage as a home, maybe he can pursue his art. Maybe his star can finally shine.
It’s near midnight now but I don’t feel tired. I still have Dad’s dream left. I dig out all of Dad’s notepads from every single shelf and drawer and stack them into towers on the floor, like miniature skyscrapers. And then start reading. Flipping through the pages, tracing every scribble and covalent bond with my finger, looking for anything he might have wanted, wished, or thought about the protein of bravery. But I can’t find anything—some of it I can’t even read or understand. My eyes start to itch, even though I’ve only made it through two of the fifteen towers. Oddly the lack of progress calms me. I have many years ahead to fill with this dream.
But as my eyelids start to droop and another dreamless night stretches before me, I can’t ignore the star I’ve been avoiding. His. He is the hardest of them all. Because his most powerful wish is to be able forget, and I have no proteins for that. But there was one other thing he wanted: me to forget him, me to stay away. And I will, but not because he is a monster. I will leave him because it’s best for him and best for me. I see it now so crystal clear. The end of love is never in anger. Love ends only when it’s the right thing. And this is right even though the agony sears me to my cells. I stand then, not surprised by where my feet are taking me. I think I’ve known since the field epiphany it would come to this. A goodbye to the man I know, not the one I heard that day.
The safe in the wall clicks open at the code, and the aged envelopes Benson gave me tumble forward. “You were brilliant, Benson. I just wasn’t quick enough to see it,” I whisper as I grab their rough, commissary paper, hands trembling so hard I almost drop them. The pain in my chest changes—it doesn’t throb; it suffocates, wringing my veins and airways until I can’t breathe. But I clutch the envelopes to that spot between my lungs he first brought to life, keeping the eyes on the periodic table until I find oxygen again. Then, gently as though the edges will slice me, I tear the envelopes with Mum’s letter opener. The reddish coarse sand trickles on my fingers. And like that very first time I read his words, I sink on the floor.
April 14, 2003
My All,
I come to you the way we come home. With dust on the skin and fire in the blood. It’s always dark when I come to you, the shamal winds wailing, the sand cycloning in places you haven’t touched (probably for the best). The light is always on above our door, the curtain is always moving. I raise my hand to knock, but I don’t want to knock gently. I want to pound with my fist on the door, tear it off its hinges, and make the foundations whimper. I want the night to go deaf from my arrival. I don’t want to enter, I want to burst into your arms and there I can kneel, molding into your small hands back into the man you believe me to be.
I want to go blind from your eyes. I have no idea what color they are (I have tried blue, green, brown, black—nothing fits you). I want my eardrums to rupture at your cry when you finally see me. I hope you yell at me, hit me, slap me. “What the hell took you so long?” I hope you tell me.
And I will stand there, absorbing your blows more than any bullet, with no words. No words for your face, for the smell of you, for the crackling fire in the fireplace.
“So help me God, Aiden Hale, what took you so long?” you will yell again, furious.
But I will not answer you. How could I tell you that I had deserts to cross, oceans to swim, thousands to murder, more to free, bleeding brothers to carry on my back for miles and miles and miles before I came to you? You will never hear that outside of these letters. I have made an oath to give only music to your ears (and some really filthy words).
So instead, I will look at your face. I loved you at first sight. At last sight. I didn’t need to see all of you to know that I was yours. Probably only a single strand of your hair blowing in the wind, or your hand peeking from your sleeve, or maybe even your shadow, and I loved you. This is how I want to love. In a way that will finish me at the end of the desert, at the end of the war. At the end of it all, I want to die because of you.
“Are you going to answer or will you just stand there gawking at me?” you will shout.
I will reach for that strand of hair I first saw and kiss it. “Bed,” I will say.
Yours,
Aiden
Dawn breaks outside the cottage, the first ray of sun filtering through the library window. All the letters are open, each word tattooed forever on my retinas. They all start and end the same: “my all” and “yours.” In between are the words of a fairytale, of a man and a woman who could only be together in letters and paintings. And that’s where they should always remain, in a happiness we could not give them in life. I tuck all the letters back in their envelopes and place them in the safe.
“Be well,” I tell them.
But as I shuffle the rest of the safe contents to close the door, another speckle of stardust falls out: a torn piece of paper with Dad’s script, so rushed he must have barely finished it before locking it in:
“Fifth time. Not December. Add love.”
I stare at the words. To anyone else they would make no sense. I don’t know what they mean either, but I know what they are: Dad’s code when he discovered something. I lock it back in the safe as outside, a new day starts in England, ticking away the hours to Javier’s fate.
©2021 Ani Keating
