NINETY DAYS: CHAPTER 17 – WAR

Hello again friends! Hope you’re having a wonderful Sunday. It’s sunny in Portland and warm enough for shorts, which are a nice change from pandemic sweats.  Here is Chapter 17 as war starts for our couple. I hope it gives you a good break today from everything you are facing in your lives. Thank you as always to everyone for reading and writing to me. xo, Ani

17

War

The lab that has studied Aiden’s mind since childhood is the size of Goliath. A dizzying number of screens glow from the vast white walls and the runway of white desks lining them—neuroscientists apparently use computers like chemists use vials. Monitors hang even from the ceiling. In each corner are clusters of futuristic equipment that looks like it belongs at the helm of a starship. But more overwhelming than all this is the platoon of neuroscientists waiting for us. Seven white coats stand in line as we walk in, two more are on video screens projected on the wall and—the only colorful wink in the white expanse—Corbin is smiling at us from yet another video screen straight from Portland.

“Aiden, Elisa, great to see you!” He waves at us in a checkered sage shirt.

“Victor,” Aiden nods at him. I wave back but I’m riveted by the woman standing in front of the line of the white coats. She is Amazonian in stature, white and silver from the crown of her short, swept back hair to her grey eyes and eyelashes. Her skin is ivory lace, each wrinkle a neural pathway leading to her steady, penetrating gaze. She is regarding me with gravitas, and I see a flicker of recognition in her eyes.

Aiden pulls me close as he introduces me with unrestrained pride. “Doctor Helen, this is my Elisa. Elisa, this is Doctor Brahms or Doctor Helen to me.”

“You are a daughter of Oxford,” Doctor Helen states like an edict. Even her voice is regal, with a ring of authority that silences the beeps and signals tweeting from the monitors.

I have to resist the urge to bow. “You knew my parents, Doctor?” My voice bends with the reflexive reverence she inspires.

“I did. I’m very sorry for your loss.”

“Thank you,” I whisper as Aiden’s hand clutches my waist.

“Your mother was my favorite,” she adds in her commanding tone. “She helped restore Ashmole six-eleven—the very first manuscript in existence to discuss human memory.” She turns her dignified gaze on Aiden. “That was the manuscript I had to unearth the day I met you.”

At her words, the icy expanse of the lab’s tundra thaws for me, as though Mum’s warm hands are molding it to back to spring. Aiden smiles. “April twelve, 1987, six thirty, I believe. You said to my mother there was no such thing as fate to explain me.”

Doctor Helen’s grey eyes shift with a sort of wonderment when she looks at him. “I have yet to see evidence of fate. But I’ll allow serendipity. Speaking of both . . .” She turns to her team and they rumble as one. “We have a lot to do. Let’s get started.” She pivots royally to her desk, her lab coat billowing like a mantle behind her as the other researchers scramble to catch up with her ringing footsteps.

Aiden and I take our white seats in front of her—the white is so absolute, I wonder if it’s intentional to avoid triggers—and Doctor Helen introduces us to the rest of the platoon. “On the screens behind me are Doctors Nagapan and O’Connor from Edinburgh. You already know Doctor Corbin, of course, and this is our Oxford team.” She pulls out a binder from below her desk and I thaw further. It’s the only warm, personal detail against the white blank slate. The binder is covered with a collage of Van Gogh’s most famous prints—the wheat field with crows, the vase of sunflowers, the blue irises, the French Alps, his self-portrait—Javier would like it. She flips the binder open with a thud.

“Right then,” she announces. “Our plan today is to test Elisa’s calming effect on Aiden and see whether it’s simply placebo or whether there is scientific evidence of it. This will help us implement an experiment for the next eighty-seven days to reconsolidate Aiden’s memories with the hypothesis that the traumatic ones generally, and his startle reflex in particular, will decrease in intensity once allowed to freely associate with Elisa’s effect on him. Questions?” She reels all this so quickly that I have to blink a few times to realize she is looking at me—who else would have a hard time understanding this in such company?

“Umm, why does it matter whether my effect is placebo or real if it helps Aiden?” is the first question I manage, feeling utterly out of my depth. Chemicals are so predictable—memories and emotions are like fate.

But Doctor Helen regales me with a stately smile. “Excellent question, indeed. Therapeutically, Doctor Corbin would say perhaps it doesn’t matter in the short-term. But for this experiment to hold in the long run, as I understand you both wish, your effect must be real and significant at that. Any other questions?” More rapid-fire decrees, but I also can’t help but feel she wants me to keep asking. Next to me, Aiden is beaming with pride as though I’m the Einstein of neuroscience, not a blob of nerves.

“Ah . . . how do you plan to test my calming effect?” Me again, the Einstein. Except abruptly I feel exposed, riddled with a new fear I did not expect. We have taken for granted my calming effect. It’s our lodestar weapon—the mother of our bombs. Is that about to be eliminated too like the protein was this morning? And then what do we have left but our love and Aiden’s strength?

“You’ll see shortly. Aiden, did you bring the scent we requested?”

“I did,” he answers and nods at me. With trembling fingers, I hand my precious vial of Aeternum, feeling like I’m cutting out an artery of my heart. One of Doctor Helen’s assistants takes it from me with hairy bear fingers instead of the gentle, rose-breeze hold it deserves.

“Please be careful!” I urge before I can control my tongue.

“Don’t worry, Elisa, we only need a microliter of it.” Doctor Helen nods at her bear mercenary who marches out of the lab, taking my artery with him. But I can’t even stare behind it because Doctor Helen fires at us again. “Any more questions?”

Aiden asks his first. “How do you plan to trigger my startle reflex without me seeing it coming if it has to be in a controlled setting?”

Personally, I think it’s a brilliant question at the crux of the matter, but Doctor Helen simply waves her hand. “Obviously, I cannot tell you that, but trust me, I have a plan. I have known you for twenty-eight years, Aiden.”

“And this plan,” he retorts as his chair creaks with tension. “Guarantees Elisa’s safety?”

She doesn’t even blink. “It does. And if you need further reason to believe that, I owe it to her mother.”

That seems to pacify him for the moment while my nerves are buzzing like the hundreds of monitors around me. “And your sleep?” Corbin pipes up. “Have you tested it together with Für Elise?”

I clap my eyes on the Van Gogh prints, and let Aiden handle this one. “We have,” he answers in his controlled tone. “Two nights so far. Full eight hours the first, only three last night, but that was an exception and it’s changing tonight. No nightmares. Little movement. Some increased . . . nocturnal activity.”

The Starry Night is a true masterpiece, isn’t it?

“Full eight hours, really? That’s two hours extra than just Für Elise alone. Let’s keep track of that. Now, what is this increase in nocturnal activity?”

Artists are so warm unlike my next of kin in science who decide to torture me more with questions about our nocturnal activities—all of which make Corbin gleefully happy and Aiden monosyllabic with Aidenisms. I stare at Van Gogh’s self-portrait in the asylum, feeling like our most precious moments, our secret parts—every touch, every caress—is being siphoned into their clinical files. And although I know they’re our allies, maybe even generals in this war, my nerves disappear and abruptly I feel anger. Anger at science, anger at fate that Doctor Helen says doesn’t exist.

Finally the interminable discussion of nocturnal activities ends and Doctor Helen stands. The rest of them stand with her—very clearly not daring to blink without her command. “Aiden, you know this next part. We’ll need your heart rate and brain electrical activity. Elisa, you may stay with him for this. We’ll instruct you on next steps when you’re finished. Everyone except Morse, out with me.” She closes her Van Gogh binder and strides out of the lab with her court of scientists at the same time that the Edinburgh team and Corbin turn off their screens. The only one left is old Morse. He is a Graham-thin fellow in his seventies with wispy, static white hair; Aiden clearly likes him.

“How have you been keeping, Morse?” Aiden asks as he stands, holding out his hand for me. I take it, clueless about where we’re going, wishing I could take the Van Gogh binder with me.

“Oh, older and slower, Master Aiden. You are the one with the exciting life. Falling in love—golly gumdrops, I thought the monarchy would fall before I saw that.”

Master Aiden winks at me. “Old Morse is a monarchist. He’s been handling this part of the circus since I was seven. No one could get me to sit still for this back then except him. You’ll see why.”

I smile at old Morse as though he is Aiden’s Mr. Plemmons. He shuffles with us across the colossal lab to a monitor the size of a windshield, which is attached to a dashboard of countless buttons and dials the way a cockpit looks on TV. Next to it are two more white chairs.

“Morse has to attach a few electrodes on me, Elisa. Have a seat.” Aiden brushes my cheek and starts unbuttoning his blue shirt. I fall down on the chair and with every pore of his revealed skin—the warm skin I love, the skin I have kissed more times than I can count—the anger returns. Anger that his golden skin has to be exposed under harsh fluorescents, attached to electrodes in the cold, sterile air of this lab, only so that we can be together. Only for this simple, human dream of being in love.

“I’m fine,” Aiden assures me, seeing it all on my face. Shirtless now, he takes the chair in front of me and old Morse starts hooking him to a wheat field of wires over Aiden’s temples where the bead of sweat glimmered as he was climbing the oak, over his forehead I kissed only this morning, through his hair where I knot my fingers when we make love, over his chest where I rest my cheek. When Morse glues the next one over Aiden’s heart, I stand, unable to sit still.

“Elisa, love, this doesn’t hurt, I promise. Old Morse knows what he’s doing.”

“Oh, I know, I just want to look around.”

I glare at the blank monitor screen attached to Aiden’s electrodes, its beeps cawing around us like the wheat field crows. And suddenly I become Van Gogh’s sunflowers—firing seeds like bullets at the world. I am his cypress tree darkening your sky so my star can glow. And I can understand preferring an asylum to a world that did this to my love.

“Don’t touch the red, dear! You don’t want to fry Master Aiden’s brain now, do you?” Old Morse cautions me as I hover over the dashboard where the wires are ready to extract the inner Aiden, reducing the wonder that is him to more beeps. How could I have been excited for this? How could I have bounced on my car seat this morning? Now all I feel are murders of crows diving in and out of me.

“Of course not!” I spit out more sunflower seeds, glaring at the row of red buttons on the dashboard—the blood hue feels jarring to Van Gogh’s colors swirling in me.

But Aiden is perfectly still. His eyes are the blue irises, lightening and darkening as I flit in and out of his vision.  His torso is the inverse mountaintop of the French Alps despite the adhesive discs on his skin. His eyes are following me with concern, and he opens his hand in invitation for me to sit back down. I perch like a raven on the chair next to him and grip his warm, strong hand in both of mine.

“Please relax,” he says as though he sees all the madness inside. “I’ve done this dozens of times, although I’ve never enjoyed it until now. And in about three minutes, you get to meet my brain. You love that part. Think about that, okay?” The dimple winks like the starriest star of the Starry Night as he tries to comfort me. The man who needs peace the most is trying to assure me. At that, the rippling stops inside me, and the crows disappear. I am here for him, not the other way around. I force my body to be still like his, willing my calm effect to fall around him like a shield. Finally the last electrode is attached, old Morse flips a switch on the dashboard, and the monitor glows to life. After a flicker, Aiden’s brain waves oscillate brilliant blue on the huge screen and right below them, in gold, is his heartbeat.

“Oh!” I gasp, my hands flying to my mouth, all anger draining out of me.

Shh, listen,” Aiden says with a smile and I cup my ear as we did with the willows. After a static whirr, I can hear his mind speak. It’s a humming sound, a bit like soft waterfall and echoing wind. And every few flickers of the brain waves, his heart beeps as though not wanting to be outshone. Except this beep sounds like a piano note—not a caw—to me, more beautiful than Für Elise.

“Can you make out words from this one?” Aiden’s eyes are dancing in response to the wonder he must be seeing in mine. Peripherally, I register old Morse leaving us but I’m lost in the music of Aiden’s mind and heart. Mmm, ding,

“Mine,” I decide, eyes on the monitor. How could I have wanted to shatter it five minutes ago?

“Yours.” The waves flutter gently on the screen and my eyes fly to Aiden’s face—he is smiling. “Come here, Elisa,” he murmurs as if we’re in our warm bed, the only two people in the world. He pulls me on his lap and takes my face in his hands. His eyes seem to take in the moment, as his scent washes over me—headier than the Aeternum perfume. Then his lips brush against mine. At the some moment, a beep chimes from his heart.

“Oh!” I gasp again, eyes flitting to the monitor, lips glued to his. The gold line of his heart is spiking. His hands tighten on my face, bringing me entirely back to him, as he parts my mouth with his tongue. More beeps ding—the song of our kiss—and I close my eyes, listening. Ding, ding, ding. We chuckle together, mouth to mouth.

“Look,” he whispers, freeing my face as his lips start their favorite trail along my jawline to my ear, inhaling the perfume there. I open my eyes and gaze at the screen even as my eyelids want to flutter close. But I cannot blink because the heart waves are swelling and dipping. Then suddenly the beeps go wild—I panic but then I feel his body hardening against me on his lap. He chuckles again. “This, I have to see.” He meets this part of himself—the visual transcription of his desire for me—with curiosity. I hope he can turn it into self-love, I hope he can see what I see.

“Now you look,” I tell him and let my lips travel over his sculpted jaw down to the hollow on his throat away from the electrodes. The dings go mental, and his waterfall laughter washes over us. How are we ever going to pull apart?

But Doctor Helen’s brisk voice blasts through the lab over some sound system. “All right, you two. We need a baseline reading. Some neutral thoughts would help, Aiden. Elisa, if you could go across the room. In fact, if you could please wait outside the lab altogether while we finish. You can see Aiden afterwards.”

“Look what you did.” Aiden grins while I spring away from his lap, cheeks burning.

“They could see us?” I whisper in mortification.

“Of course not. They must have just received the data, and they know how to interpret it. Go on, love, I’ll finish here soon.”

I leave him there with all my strength, looking back at his face every few slowing beeps—his smile is fading with each step I take. The moment the heavy lab doors close behind me, the wound starts to fester again. I pace at the threshold, arms around my torso. If it hurts so much when we’re only apart for a few minutes, how will I live with it if this experiment doesn’t work?

One of Doctor Helen’s assistants enters a room down the hall, and I sprint behind him to sneak. The metal door has a narrow glass pane at the top, and I have to rise on my tiptoes to reach it. Even then I can only see more screens on the wall showing the monitor in the lab. To my untrained brain, it appears Aiden’s brain activity and heart lines are straighter than when I was there. I stare at every slight undulation, barely breathing.

“All right, Aiden, we have what we need. Morse will clear you and I’ll give you time to go to the fMRI room for the next part,” Doctor Helen says from behind the closed door. I race back to Aiden’s lab for a glimpse of him. The moment he comes out in his jeans and open shirt, all electrodes and adhesive discs gone, I can tell from his guarded eyes that he is not excited about this part. But he smiles when he sees me and pulls me against him with a sort of urgency.

“What happens now?” I ask as he starts walking down another white hallway opposite from the kiss lab. His long stride is slower.

“This is when they scan this beast.” He points at his temple.

Before I can find any useful words, he has stopped by yet another white door at the end of the hall. “I have to go in, Elisa. I’ll see you on the other side.” He kisses my hair and then he is gone without a smile. The door closes behind him with a click. A spike of fear lances the wound’s raw edges, rooting me here, palms against the cold door. There is no audible movement for a while, then it sounds like another door is opening within the same room. The sound releases my feet and I dash back to the control center, reaching on my tiptoes to see. But all the screens on the wall are dark. No one says a word as my toes start to wobble . . . Phosphorus, 30.974 . . . silver, 107.87 . . .

“Aiden, can you hear me?” Doctor Helen finally calls from behind the door. I can’t hear Aiden respond, but she must because she adds, “Very well. This will be hard, but you know the process. Lie still, blink and swallow as little as possible, and look at the photographs that will appear on the screen right above you. Forty-five minutes as usual, but after that, Elisa will join you. Try to hold on to that. We start in . . . three, two, one.”

Then the room goes dark and there is total silence. Not a single syllable or movement. Not one sound to tell me what is happening to Aiden. The pain in my chest rises up my throat, constricting it with panic. The white hallway becomes a tunnel of ice, and my teeth start chattering. It takes exactly one minute to realize I cannot breathe through forty-four more minutes of this. Without a second thought, I pound on the door. One of the researchers opens it with wide outraged eyes, but I’m past caring.

“I have to see,” I say, my own voice sounding foreign to my ears.

“Let her in,” Doctor Helen calls, and I step inside quietly, squishing myself into the corner behind the door. The control room is pitch-black except the monitors. Each scientist is at his or her desk, studying their own screens displaying numbers and patterns I cannot comprehend. One central monitor shows what I assume is Aiden’s brain and the way blood is flowing through it like a storm. Doctor Helen sits at the helm of the room, her back to everyone else, but that’s exactly what I need. Because I can see the wide screen she is commanding where a reel of photographs plays with eye-watering speed. I try to blink as little as possible as I realize these must be the images she is feeding Aiden in the MRI machine. They seem innocuous at first, without a visible pattern to me. Traffic light, Christmas tree, chess set, a blue bike, on and on, a few hundred. Then abruptly my own face startles me—the photo of me sleeping, the only one Aiden had before he came to England. And after my face, the reel changes—people now. Some I know, some I don’t, some I can guess: Aiden’s parents, Benson, Cora, James, two others I assume to be Hendrix and Jazzman, a military headshot of a young Black man in his Marine blues, countless unknown others, again in the hundreds, again with no pattern I can decipher. Then the reel changes quickly a third time—these images are more familiar, warming me. An Aeternum rose, a stave of music from Für Elise, Javier’s fateful painting of my jawline, a Baci chocolate, purple eyes . . . My eyes fill with tears as I realize she is feeding Aiden every image he must associate primarily with me.

I almost miss the next abrupt change of the reel from my tears. Then once I see it, I wish I had never seen. Because the images they are blasting on Aiden now are of terror, gruesome to the extreme. A military helmet splattered with human brains, disembodied torn human limbs, an imploded rib cage glistening in the sun, half a little boy, a flayed corpse, a face that once must have been human before it was peeled, eyes gauged out, nose, lips, and ears scraped off, and the young Black Marine who, with a strangle in my throat, I conclude must be Marshall.

“Stop!” I shout, bolting to my feet, my voice echoing in the control room as all the scientists except Doctor Helen gasp and leap off their seats. I jump forward to—what, do something, anything to the screen of horror—but the bear assistant throws himself in front of me, glaring in disbelief. “Don’t show Aiden those! Please!” I cry, trying to get around him.

But it’s Doctor Helen who speaks in an even tone never looking away from the screen or stopping the reel of terror. “We have to, Elisa. Now, please, we need quiet, or I’ll ask you to leave.”

The bear blocks my view of the screen, towering over me until I fall back on my corner and sink to the floor. He flits back to his desk, freeing my line of sight again. I should close my eyes, but I don’t because if Aiden has to see these, so will I. My stomach heaves violently, bile rising to my clamped teeth—over and over until my insides are burning with acid. A knifepoint pain stabs through my skull, dulling even the throbbing in my chest. I clamp my arms around my knees, pressing my back against the corner, rocking in place to fight off the shudders, as Doctor Helen triggers Aiden’s traumatic memories, searing his retinas while he is captive in the MRI machine with hundreds of sickening, macabre images. It’ll be over soon. It’ll be over soon, my love. Only twenty minutes left. Then we can go back to the cottage where Mum’s magic will help you, and you can sleep while I go back to Bia—to the lab that is trying to fight fear, not inflict it.

Doctor Helen changes the reel again, now alternating the horrific images with the images Aiden associates with me. Marshall—my face, flayed corpse—my face, dismembered body—Aeternum, on and on. Bile rises again and I grip my skull as I stare in horror at what he is living through for us. Then the speed of the reel skyrockets until the images become so blurry I can no longer distinguish them from each other.

“Is he truly processing at this speed?” Doctor O’Connor’s voice pipes through a speakerphone, and I realize the computer is feeding the same images to him in Scotland. Rage burns my throat as I try to find air now that the images have blurred for me.

“Yes, he is,” Doctor Helen responds in a majestic tone that makes me want to scream. “He is extraordinary. We cannot explain him.”

“But maybe we can help him,” Corbin says over the phone with a protective edge and, if he were here, I would hug him. Or ask him to hug me.

Doctor Helen does not respond in any way. Her silence strangles me more than the reel of terror, more than the failed oxytocin this morning. Is she silent because she doesn’t think we can win? Because she doesn’t think we can save Aiden?

“Last wave,” she announces and, for some reason, they all sit up straighter while I shrink smaller. The reel is still too fast for me so I fix my eyes on the image of Aiden’s brain. The brain I wanted so much to meet. The brain that is absorbing image after image of trauma so that Aiden and I can be together. But now that it’s here in front of me, I only see Aiden’s heart.

At long last the reel stops, landing with the image of me sleeping. My face fills the screen—calm and peaceful, hopefully filtering that peace straight into Aiden’s mind.

“Aiden,” Doctor Helen speaks on her microphone, and I jump to my feet again, fighting off dizziness. There is no response from him whatsoever. “The worst is over. Remain still and keep your eyes on Elisa’s photo.” Then she turns to me. “Elisa, if you could join Aiden now in the fMRI room, please? Richard will show you. Quickly. We need to capture these next few minutes.”

I barely hear her last words because I’m already bursting out the door, not waiting for Richard who runs after me. I streak down the hall toward the last room Aiden entered, but Richard leaps in front of me.

“Miss Snow!” he cries, hands out to stop me. “You have to remove your clothing in this room first and all metal from your body. The MRI machine is very strong. There are lockers for your valuables and another door that will lead you straight to it.”

“Fine, fine,” I shout, ducking past him and shoving open the door. It’s some sort of antechamber, but I see Aiden’s belt, shoes, and clothes folded neatly on a bench. I rip off my blouse and jeans, cursing the underwire of my bra. My only valuable—Dad’s watch—goes inside a locker, and I throw a gown over me. Then I wrench open the other door, plunging down another endless hall to the clearly labeled MRI room. I burst through those doors too, wanting nothing but to take Aiden in my arms away from all these computers and horror. But I can’t because he is still inside an astronautic-looking MRI pod.

“Elisa, are you in?” Doctor Helen’s voice blares through an overhead speaker.

“I am,” I gasp, hoping she can hear me.

“Good. Aiden, this part is new to you, too. We have never done this before. We will slide out the bed so that you’re out of the bore waist down. Then we will continue the imaging, so don’t talk or move. Starting in . . . three, two, one.” She counts evenly and the MRI bed rolls out, exposing Aiden’s long legs and narrow waist. He is covered with a pale blue sheet except his toes.

“Now, continue to remain as still as you can. I’ll ask Elisa to come stand next to you and say your name when she’s there. Do not speak. Elisa, now please.”

I sprint to Aiden, forcing myself to say his name as I normally would, not gasp it. I hope I sounded calm, I hope he can hear me.

“Very good,” Doctor Helen coaches. “Aiden, same orders: no movement or talking—we are still imaging. You will be smelling Elisa’s perfume in . . . three, two, one.” A stream of air blasts everywhere, making me shiver in my thin gown, but not because it’s cold. Because the scent of Aeternum floods the room and presumably the MRI bore. I gulp it, closing my eyes, gathering all my strength from every corner of my mind like he gathered roses across the globe for me. The perfume fortifies me like a tonic, and I brace myself for whatever comes next.

“Now then,” Doctor Helen speaks. “Elisa, please take Aiden’s hand gently and again say his name when you do so. Aiden, continue not to move, no matter how much you might want to. In . . . three, two, one.”

I reach under the blue sheet and find his hand. It’s curled into a shuddering granite fist. I wrap both my hands around it. “Aiden,” I say, and the shaking slows a fraction, but the fist remains locked.

“Well done,” says Doctor Helen. “Now the last part. Elisa, I’d like you to talk to Aiden. I want you to describe the present moment to him as if he is unable to see it. Bring him back to you, as it were. Aiden, your job is to focus every single thought on Elisa, continue to watch her image on the screen, and stay away from the images you just saw as much as possible. Feel what you need to feel, but listen to her voice and continue to stay still. We will start in . . . three, two, one.”

Wait, I want to call. Wait, I’m not ready. But Aiden is stuck in some horror while I scramble to find words. I draw another gulp of Aeternum air, and start. “Hi, my love,” I say, not caring who else hears except him. “I’m here. Where is here, you might ask. Here is a white room, with four white walls, smelling like the most beautiful memory in the world. Or in practical terms, like hundreds of Aeternum roses that you shipped for me from Kenya because I had never seen them. Isn’t that incredible? But more incredible than that is this moment right here. Just the two of us, you inside this white MRI machine under a blue sheet and me in a matching blue gown standing next to you in my rose socks, holding each other’s hand because this moment right here is your our fight and I’m so proud of you. That’s why this moment is more important even than Aeternum night. And also because I can see your toes. I’ve never told you, but I love your toes. Who knew there was such a specific type of love? But there it is, making my own toes wiggle in response. There’s some track lighting too—it’s a bit harsh, you wouldn’t like it, but I like it because it lets me see some of you even if you are under a sheet. I hope you’re not cold. It’s a little nippy here. But my hands are warm around yours so think about that and come back to me when ready. I’ll be right here. I love you.”

I stop talking, worried I said too much, too little, too fast, too slow. I don’t know—but I tried to deploy some of our collected weapons: our love, humor, his fighting spirit. Maybe that helped. The fist stopped shaking and has opened.

“Excellent work, both of you.” Dr. Helen’s voice booms over the intercom. “We have what we need. Aiden, you can relax but try to stay in the moment. We’ll give you some time and privacy, and then we’ll discuss.”

The static of the microphone cuts off and the MRI bed slides out, jettisoning Aiden in front of me. I immediately find his eyes—they’re bottomless ocean blue, the depths ravaged by the horrors the images must have triggered, but they are lightening. Specks of turquoise are already flickering.

“Thank you,” he says, and the hell he must have lived through is in his voice, too. It’s slow, hoarse, the way one might sound after a long illness. He takes a shuddering breath and stretches, searching his body that tenses here and there. I give him time as he opens and closes his hands, rolls his wrists and shoulders, wiggles his toes. He smiles then—a worn, exhausted smile that barely lifts the corners of his lips, but a smile still. “Toes?”

“Toes and everything.”

I sit on the edge of the narrow MRI bed, ready to give him more time but he opens his arms—they seem heavy. “Come here,” he says as he did before.

I lift his sheet—he is wearing his grey briefs underneath—and lie gently on top of him because the MRI table is too narrow for both of us. His heartbeat is fast under my ear. He folds his arms around me and I feel his lips in my hair. He is Van Gogh’s Alps again but this time in wrought iron, shoulders rippling like the wheat field, skin frozen like the Alps’ snow, breathing wounded and clipped. He doesn’t talk. I search through our weapons to help him stay in the moment and find one. His words of self-love. “You’re loyal. You’re strong. You’re loving. You’re fucking smart. You’re an excellent fighter. You always win. You’re thoughtful. You are loved.”

And Aiden comes back with a shaky breathless sound that could be a chuckle. His fingers trace my spine over the thin cotton of the gown. I lift my head and watch his eyes clear as they gaze back at me until they beam with my turquoise. At that moment, he kisses me lightly, holding his mouth to mine. I follow his lead, and at length his body comes to life. The heaviness becomes strength—I feel it in his hold, in the way his hands clutch my waist, travel up my arms, and knot in my hair. His lips brush along my jawline, down my neck, and he pulls the gown off my shoulder, kissing to the very tip. By the time he is back at my mouth, the Alps of his body are a different mountain—vibrant and warm, rippling with a faint breeze of desire. But he simply holds me, his fingers memorizing my skin.

“It was a lot easier this time . . . with you.” His voice is back to its beautiful husky timbre, although slower.

I kiss above his heart, fighting a shudder at his words. If this was a lot easier, how was it without me? At least he has a three-month break until he has to be inside this torture chamber again. At least the next eighty-seven triggers will be just Aiden and me in our cottage with Mum’s magic. And I’ll do everything I can to make them the best eighty-seven days of his life. A thousand happy memories to each horrific one.

The telltale static of the sound system makes us both tense. “Aiden, Elisa, if you feel ready, could you join us in the control room?” Doctor Helen calls.

We climb off the MRI bed, neither of us looking back at it. We help each other get dressed in the antechamber—not because we need the help, but because we need the touch—and plod down the halls to the neuroscientists.

But only Doctor Helen and her Van Gogh binder are in the command center now, as well as Corbin over the phone. We take the two seats in front of her, never releasing each other’s hand. Did we win this battle? Or are we about to lose more?

“Aiden, how are you feeling?” she starts with him, as she should. Yet, I taste anger in my tongue. Even if she’s trying to help us, she will always be Doctor Pain to me now.

“Better,” he answers politely. “Much better than five years ago when we last did this.”

“That’s wonderful,” says Corbin; it sounds like he is clapping. “Well done, both of you.”

“You certainly look better and sooner,” Doctor Pain agrees. “And that’s a good place to start. With the encouraging news.” She bestows a nearly invisible smile on us—noticeable only because the gravitas of her face is so absolute. I grip Aiden’s hand tighter. “There is little doubt now that Elisa’s calming effect is more than placebo. It’s very much real to you and its impact on your brain is no different than a powerful injection of serotonin.”

“Of course it’s real. It’s too strong to be anything but,” Aiden responds with conviction as if he never doubted this part, while I draw the first effortless breath since smelling the Aeternum. We get to keep the mother of bombs.

Doctor Pain gives him one stately nod. “That strength, however, is hard to quantify. But based on the fear-related brain areas with heightened CREB protein, we guess Elisa’s effect reduces your terror by about twenty-thirty percent.”

Something about her words tickles a memory of my own but I have no power to chase it because she just drained me with her last two words. “That’s all?” I ask, unable to control the fear in my voice.

“That can’t be right,” Aiden argues. “It feels a lot stronger than that. You saw how quickly she brought me back. About half the time of my best record on medication.”

“I saw. And it’s possible that Elisa’s effect is stronger—our experiment is limited by laboratory conditions. We tried to approximate her presence as much as possible inside the MRI bore with her picture, smell, voice, and touch, but we were lacking the sense of taste and of course the sum of her and the two of you alone together without my voice interfering which of course you associate with unpleasantness and pain. But the point is that we are unable to give it beyond twenty-thirty percent.”

When neither of us can speak—I because all I hear is eighty percent chance of losing this war, Aiden for whatever reason that’s making his jaw clench—Doctor Pain continues. “That said, there is something surprising we discovered about Elisa’s effect on you. It appears to be particularly effective at counteracting images of war.” She gives us another regal smile that I cannot return.

“What does that mean?” I ask. “Is that good or bad?”

The regal smile remains, but her eyes seem to soften when she turns to me. “I believe it to be encouraging.”

“By all means, take your time to explain,” Aiden says in his arctic tone, and I have a mad Van Goghian desire to laugh, if I could move my face.

Doctor Pain’s near-smile becomes more visible. “It means that although Javier’s painting is what brought Elisa’s effect to life, it was very clearly conceived a lot earlier by you yourself, Aiden. We believe it goes back to your war letters. In a nutshell, when you were surrounded by war atrocities, you calmed yourself by writing letters to an unknown woman. And your powerful memory started to associate the idea of being in love with this mysterious woman with being at peace. When Javier practically handed such a woman to you in a frame, he completed a process that had already started twelve years before. That’s why Elisa is able to bring you back from images of war much more quickly. Because you chose her. Your memory itself gave her that power. And I hope in the end that will make a difference.”

“How big a difference?” Aiden’s voice is soft now, perhaps with the same wonder, the same H-O-P-E that is flooding me. Somehow knowing that my effect on Aiden is by his mind’s own choice makes me feel like we belong together in a real, not magical way.

“Unknown. All of this is conjecture at this point. We are not operating within known scientific concepts when it comes to you.”

“But you have designed an action plan for us?” Aiden prompts.

“We have. You just did your first session of it. You’ll need to trigger yourself with traumatic images and have Elisa bring you back to the present moment as she did now but to the full extent of your senses, every day for the next eighty-seven days, at the same time, the same place away from the bedroom or anywhere you associate with rest.”

Aiden nods tensely in understanding, but I no longer feel the chair underneath me. “Excuse me, what do you mean ‘first session’? What do you mean ‘traumatic images’?”

Aiden’s thumb rubs my palm as if to comfort me, but she picks up a box from the desk and brings it on her lap, glancing at me with a trace of concern. I watch in horror as she takes out a monitor wearable over the eyes, like a virtual reality headset, and hands it to Aiden. “This has been uploaded with all the images you saw during the fMRI. You will have to watch them every day, Aiden. I’m very sorry, but it’s the best way.”

“No!” I gasp, jumping to my feet again and grabbing the headset before it can touch his fingertips.

“Elisa, be careful with that!” Doctor Pain’s clinical tone betrays the first note of anxiety as she stretches out her hand. The Van Gogh in me wants to smash the implement of torture on the polished floor. I clutch it to my chest instead.

“Love, what’s the matter?” Aiden rises on his feet too, brushing my cheek—still slower than his usual reflexes. “This isn’t like you.”

“I don’t want you watching these images again. I saw them, Aiden. They’re awful.”

Where the prospect of watching the reel of terror eighty-seven more times didn’t shake him, hearing I watched it once does. He blanches and his entire frame locks in horror. “You saw them?” The strangled question is clearly meant for me but he turns his lethal gaze on Doctor Pain, and for a moment he looks truly frightening. He looks exactly like the Marine who lived the atrocities I only saw in pictures.

“It wasn’t her fault,” I intervene despite my own problems with the regal neuroscientist. “I barged in after snooping. And yelled at everyone.” I peek at Doctor Pain, face hot enough to power all the monitors. “I’m very sorry about that, Doctor.”

“It’s quite understandable.” She nods and meets Aiden’s sniper glare without flinching. “She had a right to see them. This is her fight, too. She clearly loves you very much.”

He turns his eyes back to me, but they’re wild with anxiety now. He cups my neck, except it feels like he is checking for vital signs. “Are you all right?”

“How could I be all right, Aiden? I’m worried sick about you. Watching these horrors every day is torture.”

His hands come around my face, light as if I might break. “Love, please sit. Don’t worry about me, I can handle it,” he pleads. His voice is tender with the concern I’m adding to the agony that must already be burning him. I drop on the chair, gripping the torture headset. He sits down too but shifts his chair so close to me that our arms are touching. His hands are open, ready to catch the monitor that will brutalize him in case I drop it.

“Doctor, please!” I look only at Doctor Pain now, and all my anger at her drains away, all that’s left is terror for him. “This is too much. Why can’t Aiden simply summon a memory on his own instead of watching these? I thought that was the plan.”

“I’m sorry, Elisa, that was our initial idea but it won’t work based on the tests we just ran. Aiden’s brain is too powerful for that, his memory too smart, too quick and adaptable. We have to meet it at its level, while combining exposure therapy with reconsolidation. Please trust that we considered all other methods.”

A total silence follows her words, and I wish Corbin would speak or Mum and Dad would alight from above to put an end to this, to show us another path that doesn’t involve Aiden walking barefoot through the fires of Iraq to come to me. But Aiden pries the implement of torture from my grip—pries it by gently opening each finger one by one—and takes it from me.

“I’ll do it,” he says with finality, leaving no room for argument. There is no hesitation in his voice, no fear. Nothing but resolve.

“Wait!” I gasp again. “Can’t he at least alternate—one day with images, one day by himself? Or would it help if I watched with him on a TV or something? Please?”

“Over my dead body!” Aiden snarls, angling himself as though to hide me from the world. He holds the headset of horror behind his back where he knows very well no one will reach.

Doctor Pain’s face softens in a maternal way that startles me, and she takes my hand. Her touch is not cold, as I expected it to be—it’s warm and tender, like crimpled organza. “Elisa, daughter of Clare, you are so very much like your mother even though everyone says you have Peter’s talent. How I wish I could say to you there was an easier way. But Aiden’s startle reflex is too strong, child. This is the best method that stands a chance at helping him. Many others are more traumatizing or dangerous if you can believe me.”

Abruptly, she becomes Doctor Helen again. Next to me, Aiden relaxes now that she has ruled in favor of him being the only one to watch the horror. “How high is that chance?” he asks. “Knowing that I’ll do this regardless.”

Doctor Helen releases my hand, but the maternal edge stays on her face when she looks at him. “Unknown. Unknown how high. Unknown if it will work at all. Science can’t give you any answers for this. You will have to give the answers to science.”

I grip Aiden’s hand again, and Doctor Helen sees it. “But you do have a choice.” She regards us both now, and the gravitas returns to her face.

“We do?” I whisper, and I no longer know to whom. To science or magic?

Doctor Helen is the only one who answers. “Of course. There is always a choice. Option one, you do this—you stand to risk everything or gain everything. Option two, do nothing—continue as you are but risk Elisa’s safety and Aiden’s sanity if another attack happens again. Option three, you say goodbye now—you lose each other, but perhaps someday science discovers something new, although we cannot promise that will happen.”

A deep chill falls over the control room—or perhaps it’s just me. And the space feels cavernous, but perhaps it’s the wound in my chest that just ripped wide open. The air feels muddy and liquid too—but maybe it’s the river water. And I don’t see the overhead track lighting—it’s extinguished like the dark void before and the dark void after Aiden. No stars, just endless night.

I realize now that Aiden and I have turned toward each other reflexively. His eyes find mine, agonized as though he is back in the MRI.

“We’ll give you a moment,” Doctor Helen’s voice sounds faded but Corbin speaks for the first time.

“One second, Doctor, if I could add my two cents. You are the memory expert and I’ll defer to you on that. But in my experience, Aiden and Elisa’s connection to each other is just as unique on its own right. We cannot underestimate the risk of significant new trauma to them if they lose each other. I fear they would also lose themselves.”

His words light a single candle in the darkness. A candle like the one that burned by Romeo and Juliet.

“Well said,” Doctor Helen agrees. “Aiden and Elisa, you have a difficult choice before you. We’ll leave you alone now so you can decide.”

The door closes behind her as our foreheads fall against each other. Aiden sets down the headset of torture, and wraps both my hands in his—fingers knotted together like the branches of his oak tree that we climbed today. Was it only today? Has it only been one day of war?

“They say it’s a difficult choice,” he says. “But to me, that’s the easiest part. Option one is the only option I can live with. I cannot risk your safety or give you up without all my fight.”

“Are you sure, my love? It’s too much pain, you would be hurting too much.”

“We knew this would be hard.”

“Not this hard. We didn’t know you would have to watch those horrible images every day. Was that M-Marshall?” Despite my resolve to be strong for him, tears fill my eyes. I try to wipe them, but he is there first. He dries them with his fingertips before they spill and pulls me gently onto his lap, folding his arms around me like he is trying to fit me inside his heart.

“Yes, but he is gone, love. No matter how hard I’ve tried to keep him here, he’s gone. All of it is gone, and I’m trying to lay it to rest. I’m just sorry you saw them. I’m sorry they’re in your head. I’m sorry they touched any part of you. I’m sorry I’ve dragged this torment in your life. I’m sorry I am the way I am—”

I place my hand over his mouth. “Please, don’t.”

His eyes rage with acute conflict between fury that I know it’s at himself and desperation to give me what I want.  His jaw is flexing as if to contain all the sorries left unsaid. He takes my hand from his lips and rests it on his cheek. “You’re right,” he finally says. “I’m sorry for so many things that don’t matter anymore. All that matters now is us. Do you choose option one? Will you still fight with me now that you’ve seen all this?”

The direct question leaves me breathless—because it was never really a question. “Of course I will. I promised you that.”

He shakes his head, eyes still agonized. “Not because you promised. I’d understand if you change your mind. A part of me still wants you to—you’d be better off. But I will never force your hand again. Do you want to fight with me now that you know what it will take? Do you have faith in me, Elisa, to overcome all that?”

He asks that last question in a hard, jagged tone—a counterpoint to the vulnerability he must be feeling. I realize with horror that, in my fear for him, I’ve made him question this most axiomatic truth, instead of protecting him as I was trying to do. I grab his face not at all gently like he does with me. “Aiden, I have faith in you most of all. Your strength and our love are the reasons I said yes. Nothing I’ve seen today changes that. If anything, I’m more in awe of you. And I didn’t think I could love you more but I do. Don’t you ever question any of that. Of course I want to fight with you.”

He nods as much as he can in my tenacious grip, his eyes no doubt seeing the pure truth in mine. But his arms tighten around me like a vise. “That’s all I needed to hear. All those images, I can watch them every day, every hour if I have to, if I know you’re on the other side waiting for me.”

“I will be. And after you watch them, we will make the rest of the day so happy that even you will forget what you saw.”

He releases my finger-hooks from his beautiful face, bending it to mine. Love is a strange, powerful weapon. We are in a clinical, cold room, surrounded with monitors whirring with danger, bombarded by the beeps of the risks we’re taking, suffocated by horrific images of the enemy ahead and the enemy within, yet we both smile as our lips meet. And the monitors go silent—there is only the soft sound of our mouths and our breath, hitching with desire, not fear. Or maybe it’s not love. Maybe it’s madness. Maybe we are not in Van Gogh’s paintings. Maybe we are Van Gogh himself—cutting off ears, eyes, and hearts for each other’s love. Whatever it is though, I don’t care as long as I am with him.

He breaks the kiss first, but seems as unsteady as me. “Let’s call them in so we can go home. You need sleep and I need you.”

Sleep is not in the formula for me this summer, but he doesn’t need to know that right now. He sets me back on my chair and strides out of the door to locate Doctor Helen while I sit here processing how a room that seared him with so much cruelty became a place of love. When they return, Aiden sits next to me, arm around my shoulders while Doctor Helen dials Corbin to join over the phone.

“Elisa, Aiden says you have made your choice,” Doctor Helen starts.

I nod, smiling that he waited for us to tell them together. “We choose option one.”

Neither of them seems surprised by this. “In that case,” Doctor Helen says with significance. “Three rules. First, self-care. This will take its toll. In Aiden’s case particularly, sleep is crucial as the memories begin to reconsolidate. Continue to follow the routine of that first night and keep track of everything. Let us know if you start noticing any changes.”

“We will,” Aiden nods.

“Second, endorphins. Live the life you want to live as fully as possible, and stay in the moment. That’s the point of all this. We stand a much better chance if Aiden has as many happy memories as he has traumatic ones.”

“We will,” I promise while Aiden’s fingers draw a happy circle on my shoulder.

“And third—the startle reflex.”

The happy fingers stop and Aiden turns into stone at the mention of the formidable foe. His hand in mine closes into the shuddering fist again. Doctor Helen nods, her face severe as she notices his lockdown. “I’m sure we don’t need to explain how imperative it is that you guard against the startle reflex during this time.”

Corbin interjects in a forceful tone. “I couldn’t agree more. For both Elisa’s safety and Aiden’s mental health.”

Identical shudders run through Aiden and me at the same time—probably for different reasons. I shudder at the fear in Corbin’s voice when he talks about Aiden. I’m sure Aiden is over there in his chair terrified for me.

As if he feels the shudders himself, Corbin continues, “To help with that, we think you should implement some safety measures since you’ll be living without Benson. Maybe things like pepper spray or some other method to incapacitate Aiden should the startle get triggered during this process.”

Aiden is nodding in vigorous agreement before Corbin has finished while all I hear is incapacitate Aiden. “Agreed. Benson and I are already working on some options.”

I watch Aiden terrified about what options of self-incapacitation the most self-loathing man in the universe is contemplating. At my look, he backtracks quickly. “Correction, Victor. Elisa and I will be working on some options.”

He rubs the goose bumps under my sleeve, raising his eyebrows at me as if to ask, is that better? I nod, somewhat relieved, while Corbin chuckles. “My wife wishes I could learn as fast as you, Aiden.”

Aiden smiles, but his turquoise eyes that have absorbed so much trauma today stay on me. Abruptly I want to leave. I want to go back to the cottage—just us and Mum’s roses that will heal him as he sleeps, while I try to be Dad and solve the protein that can protect him when he is awake.

Seeing the urgency in my eyes, Aiden stands. “We need to go,” he announces. “It’s been a long day.”

Things wrap up quickly then. One minute, we’re collecting the box with the torture headset, the next Corbin is gone and Doctor Helen is walking us through the door.

“We’ll be in touch to schedule the next scan. In the meantime, here is your perfume,” she says, giving me back my treasure that immediately warms my fingertips. “Oh, and I thought you both might like this.”  She takes a polaroid out of the Van Gogh binder and hands it to us. “It’s a picture of your kiss,” she explains as I take it with trembling fingers.

There, on the black glossy paper are Aiden’s electric blue brain waves and his golden heart line, spiking and swelling as we were kissing.

“May it bring you both calm when you feel the most fear.” Doctor Helen casts the words like a benediction.

From her binder, Van Gogh’s brushstrokes look suddenly ordinary compared to the brushstrokes of Aiden’s mind, but my own brain waves are abruptly spiking. Because Doctor Helen may have just given me another gift.

“Thank you!” I say with fervor.

©2021 Ani Keating

NINETY DAYS: CHAPTER 13 – OPEN

Hey gang, new chapter for you! It has one of my favorite scenes in it, wonder if you’ll like it as well.  Thanks as always for reading and writing to me–love hearing from you. I had some questions about whether Aiden & Elisa’s story will be finished in this book. Yes, it will–their love was always going to be two books. I think after you read the ending, you will agree. 🙂 Lots of love, and hope you’re having a great week. xo, Ani

13

Open

Three simultaneous things wake me up: a buzz from a phone, a feeling of electricity on my skin, and a soft chuckle. Aiden. I don’t need to open my eyes to know he is real this time. His smell, his arms caging me protectively on top of his sculpted body still on the floor of his hotel room are more perfect than any dream I can muster.

“Welcome back,” he says, sensing me awake, his fingers trailing along my spine. His deep sultry drawl brings back a deluge of memories about everything that just happened on this floor, and electricity flurries everywhere from my toes to my matted hair.

“Mmm, have I been out long?”

“Just your usual post-orgasm coma. You even snored this time—the cutest little snore.” He chuckles again. A wave of blush must burn even his skin because he brushes his fingertips over my cheek. “I’ve missed your blush, but I don’t see what you have to be embarrassed about. I love that I can knock you fast asleep like your piano piece does with me. It’s good to know we have at least that effect in common.”

Everything inside me opens at his words—arteries, veins, airways—and abruptly I feel like my air, my blood flow, my heartbeat have doubled. Living twice: once for me, once for this dream of sleeping next to him. A dream so powerful, so forbidden that it sings for me like a siren song, always beaconing, never reaching. Until now.

“Are you okay?” He tips up my face to examine me. Can he hear my heart thundering?

“Is it tonight?” The words come out as a whisper, as though my voice already wants us to be asleep.

He understands what I mean immediately. I can tell from the way his eyes move with years of fear and practiced self-denial. “Elisa, love, I . . . can’t bear the idea of hurting you. We haven’t tested it with anyone in bed with me, let alone with anyone who affects me as you do. Can’t we wait the ninety days to see where we land?”

“But Corbin has given us the plan for sleeping. He wouldn’t suggest it if he thought it would be dangerous.”

“Corbin admits he can’t make guarantees. What if he is wrong about the sleep part? I can’t take that chance with you. Do you have the faintest idea of what you mean to me?”

“I know what you mean to me. And you’re not supposed to think of what-ifs. We have to live in the present moment. We have to do the opposite.”

“And we will with everything else. We’ll spend time with Javier and Reagan, we’ll go out, do whatever you want to do while I’m awake and can control myself. But we can’t do the opposite with your safety.”

“You won’t hurt me in your sleep. I don’t think you’re capable of it after what we’ve been through.”

But I’m losing him with arguments. The jaw is starting to flex. “Elisa, do we need a detailed review of everything that happened two weeks ago? I’m still the same man who . . . ” He shudders. “Nothing has changed yet.”

“That was different. I triggered your reflex while you were awake. This time you’ll have your medicine and you’ve never been able to sleep as deeply before Für Elise, you said so yourself.”

“Exactly. We don’t know. It’s too risky for you.” His hands turn into fists at the small of my back.

I give up reasoning and try my best weapon. “Please, Aiden. It’s all I want. I want it so much it hurts.”

I hate the torture that strikes in his eyes at my words. They tear asunder in conflict between never being able to resist what I want and always wanting to save me. But those are not the rules anymore. And he knows it. I watch as the battle slowly resolves and his side loses. He nods once as though he cannot bring himself to say the word, “yes.”

I cannot speak with the way my lungs are bursting; it feels like my ribs are cracking with the purest form of happiness. So I kiss him, pouring all my words into my lips, feeling his warm cinnamon breath washing over my face. He kisses me back just as urgently, as I knew he would. “Isn’t there a small part of you that is happy about this?” I finally manage when I can breathe again.

He brushes his knuckles along my jawline. “You can never know.”

His phone buzzes again, breaking the spell. But I hug this little victory tight in my mind, hide it deep inside my heart where it will beat with me all day until tonight.

“Javier and Reagan are awake. They’re asking for you.”

“Yes!” I bolt up. “Let’s go see them right now. Oh bloody hell, my hair!”

His lips lift in the smile I love best. “It is beyond all description.” And to my surprise, he snaps a photo of it with his phone.

“Aiden, don’t! It’s ridiculous.”

He chuckles. “Come on, let’s get you cleaned up.”

As soon as we are vertical, the full extent of the devastation we have caused with our big bang becomes apparent. My old pajamas are in shreds. One of my wellingtons is on the dresser where it has kicked down a crystal vase of spray roses, the other is nowhere to be seen. My torn knickers are dangling from the chandelier. The buttons of his jeans are everywhere, including in his hair. One of his Timberland boots is on the bed, the other on one of his suitcases, which has collapsed open onto the floor. The nightstand has dragged away sideways from the wall exactly where he was pinning down my wrists. The lamp on it is knocked over, my picture frame too.

“Thank heavens this survived,” Aiden says, sauntering in nothing but flawless golden skin to the nightstand and straightening my frame. The sight of him, especially after my victory, makes me want to demolish the room some more, but I have bigger problems.

“Umm, I might have to wear your clothes back to the cottage. It’s going to scandalize the whole town, not to mention Javier.”

His eyes sparkle. “I’d never allow such infamy. I brought you your clothes.”

“My clothes?”

“Yes, all my gifts that you left behind—the dresses, Powell’s books. I couldn’t bear to keep them.”

Really? They’re here?”

He smiles at my obvious delight. “In that big duffel over there.” How could I have ever left them? Abruptly I miss them so much. “I need a woman minute,” I tell him, rushing for the restroom to clean up as soon as possible so I can wear his gifts. His chuckle follows me like a shadow.

The restroom is domed, like the spired roof of the Inn, complete with a console sink, a bidet, and a shower over a claw-foot tub. I try to clean up quickly but it’s a lost battle.

“Are you done with your woman minute yet?” Aiden knocks at the door. “It’s been twelve and I miss you.”

I wrench the door open to let him in. “Look at me! The mud won’t come off.”

He really tries not to laugh but it bursts from his lips. “Here, I’ll help you. Mine is a mess too.”

Under the hot shower stream with him running his fingers through my hair, it’s impossible not to recall that first shower I took in England two weeks ago, trying to wash him and all of America off. But this time, almost fused to each other in the tiny tub, it’s as though we are washing off the last two weeks together. He scrubs my strands gently and I shampoo his hair, rivulets of mud, tears, distance all draining away with the soap bubbles. And although we can’t wash off the terror still lining our insides, I feel lighter, stronger—as if his touch is flooding me with oxytocin. Which it probably is.

“Fuck, it won’t leave your scalp!” Aiden is doing battle with the mountain of foam on my head, the V etched deep between his eyebrows. It takes fifteen minutes and all twenty of our fingers for the water to run completely clear. But at least his hair and skin are glistening with droplets like a million diamonds are trying and failing to outshine him. A few drops peck his lips like kisses, but those lips are mine. I reach on my tiptoes for his mouth. He gives everything to me, like always. The familiar static gathers on my skin as though the water is vaporizing from the heat within. But he pulls away right as he starts to turn into gold-plated titanium in my hands.

“We’re never leaving this bathroom if we don’t stop exactly now.”

“Fine. Tell me about Rostóv again. I need him.”

Rostóv has made it to his Moscow family home by the time I open the giant duffel back of my gifts. And then I don’t need Rostóv anymore. Because inside, rolled so precisely he could only have packed them himself, are all the dresses he gave me except the one that was torn during the attack. And all my lingerie. And my graduation trainers engraved with Byron’s “She Walks In Beauty” line. I put on the gray sheath I wore when we went to the rose garden in Portland during the daytime—that was a good day. Then I slide on the trainers, convinced my toes and the fabric are hugging each other.

“I’m ready,” I say to the Adonis next to me in a fresh white shirt over a pair of jeans. But he is hiding something behind his back with a grin.

“I think something is missing,” he answers.

“What is it?” I try to peek, but he shifts, blocking the mystery from view. “Show me!” I try again but he is too fast.

“You have to solve the clue first: if you gave me all the kisses in the world, they would still be too few.”

“Baci!” I squeal and throw myself at him. It’s the quote the chocolates gave me the very first time I introduced Baci to him on our embargo day. He laughs and hands me a big box of them. “There are exactly ninety,” he says. “I counted them myself.”

“Ninety,” I whisper, caressing the clear lid through which the silver-wrapped chocolates are twinkling. Last time he gave me thirty of them accidentally before he even knew about my thirty days. But this time he knows the deadline. And he didn’t dare to buy one more. D-a-r-e. Keep us together, make us brave.

“Have one,” he says. “Let’s see what they start us with this time.”

I wrestle with the lid but he takes it back from me and opens it lest I die from a paper cut. I reach for one with closed eyes, willing it to be positive, and read the waxy little note:

“If love be rough with you, be rough with love.”

“That sounds inspiring for our fight,” I say, looking up at him. “It says it’s from Shakespeare, but I don’t recognize the line.”

“Romeo and Juliet,” he murmurs.

If he feels the chill that whips through me, he does not say anything. Don’t be silly, I tell myself. It’s just your fear. Make us safe, make us brave. But the goose bumps are not leaving.

“You pick another.” I tell him quickly, my own naked Baci completely forgotten.

He smiles—am I imagining the kiss of melancholy at the corner of his mouth? “You know, it’s probably because we’re not doing your ritual with the apples,” he says as he unwraps his. I hold my breath.

“‘Love that moves the sun and other stars,’” he reads. “Whew! Thank you, Dante.”

As though Dante’s sun leaps straight out of the waxy note to beam down on me, the goose bumps disappear. This is ours. Haven’t I been thinking about stars and constellations?

“Seems more consistent with the big bang.” Aiden winks with that uncanny way he has of guessing my thoughts. I take his chocolate and shove it my mouth.

“I choose this one,” I mumble, my mouth full.

“No contest.” He hurls the Romeo and Juliet one on the paper bin and brings his mouth to mine, melting the chocolate together until it is all gone.

Downstairs in the lobby, James and Benson are playing chess on the sofa. Benson is ahead by two moves but stands when he sees us.

“Where to, sir?” he asks Aiden.

“Just to Elisa’s for now. Did we get the EBIDTA reports?” They start talking about Aiden’s work at the concierge desk that Benson must have transformed into a mobile command center in the last couple of hours. I take advantage of their distance to perch on the armchair next to James. He grins. “Well, look’s who neither drenched nor muddy.”

I smile. “I told him, by the way.”

“I figured. Better you than me.”

“I don’t think I ever thanked you properly. If you hadn’t been there…” I shiver at my recklessness. “Well, thank you.”

“You’re welcome.”

“Why didn’t you tell him, James? I’m grateful you didn’t, but I’m curious.” I lower my voice as much as possible to still be audible. He looks at Aiden still at the desk and, above the thick ginger beard, his eyes age in a way Aiden’s do sometimes.

“He’s my brother, Elisa. I know he’s told you about Iraq. Well, he saved my life, he saved all of us except . . . Marshall. And you know what that’s done to him. All of us would give our lives to save him if we could.” His eyes flash back at me, and I see the human sniper Aiden mentioned. “But it sounds like you might be able to. So why didn’t I tell him? Because I couldn’t bring myself to add anymore to the hell he was in. I’ve only seen Storm that fucked up twice. Once after Fallujah, once at the cabin after he had left you. And then he got the call from Benson that you were gone. I don’t know what you were doing that night, but it would have killed my brother if something had happened to you.”

I can’t find the words to respond. They’re lodged with tears I can’t spill here.

“I’ll ask this once,” James whispers so low I can barely hear him, his sniper eyes still on Aiden—he doesn’t seem to need to blink as much as most humans. “Were you trying to hurt yourself, Elisa? Is that why you jumped into the river?”

And I understand then. I understand the deepest, darkest reason why he kept this from his brother. “No, James. I swear to you I was not. I was just stupid and had experimented with a very strong sleeping aid that I concocted myself. I’d never do that to him. I love him.”

I see relief spread over his eyes even though they haven’t left Aiden once. But they zoom on me now and, in that laser gaze, I know he believes me. “Then we’ll never speak of this again.”

Aiden strides to us seconds later. “Plotting how to keep more secrets from me?”

James barks a laugh. “Not this time. After serious consideration, Elisa and I have decided we both value our lives too much to fuck with you again.”

“How long are you staying, James?” I ask, wondering if I have time to know him more and see Aiden around a friend. It must be so good for him.

“Oh, I’m leaving tomorrow. Hendrix and Jazz are flying over and we’ll fish River Spey in Scotland for a while, courtesy of your man.”

“So soon.” I force a smile. “Will you be going?” I ask Aiden, my voice breaking despite my effort to appear calm and collected. He gives me a look that says verbatim “how hard did you hit your head on that floor?”

“No, I’m on partial leave from work and everything else except you,” he says in a tone that confirms the version in my head. “But don’t worry, Cal and the others will stop by before they head stateside. You can meet them all then.”

Yes! That’s brilliant!” I have wanted to meet his friends since the very first time he mentioned them on our second embargo day.

They laugh at my excited tone. I see Benson coming our way though and whisper quickly to James, “Knight to E-3.” His eyes widen, as he traces the chess move that will get him out the checkmate Benson has set up for him.

“Told you,” Aiden says to him with his “this is Gary Kasparov” tone and takes me by the hand. “Let’s go. You can say goodbye to Cal tonight.”

“Actually, I’ll walk with you. I need to pick up some cigars for the trip.”

But all our smiles vanish and we freeze on the inn’s threshold. The shops are now open and people are littering Ivy Lane. Fewer than Portland’s streets, but even one person in danger is too many. Tension snaps back around Aiden’s shoulders, petrifying them into granite slabs under his crisp white shirt. The ripples jolt all way down to his hand clenched around mine. He looks taller, forbidding, indestructible—as he always does when he feels most vulnerable. For a breathless moment, he locks eyes with the narrow alley, memorizing each shop, door, passerby, bench, flowerpot, cobblestone—engraving it in his mind, calculating and anticipating every outcome—all for the simple, beautiful purpose of protecting it.

It lasts only seconds to anyone who might be watching—just a beautiful man holding hands with an awed woman, heading out of their inn. But to the three of us who know what this costs him—know it, yet still not fathom it—it’s endless. With each ripple of his muscles, I want to say, “let’s just stay here in our little bubble, in the bliss of your arms.” But I bite my tongue so hard, I taste blood. Because he needs all my confidence in him right now.

Aiden looks at me then, his eyes searching my jawline that gives him the most calm.

“Let’s go do the opposite,” he says, donning his Raybans. And he takes the first step onto the street.

The next several steps are hard. As the passersby zig-zag to make room for us entering the lane, Aiden’s vigilance sweeps over us like a shield. An elder gentleman brushes past him, and I stifle my gasp. But a fraction of a second before the near-contact, Aiden shifts slightly away, his mind having already anticipated the move. Then a little boy on a green bike shoots toward us but, again, seconds before he enters our radius, Aiden steps fluidly out of the path. “Mum!” a little girl screams, making three of us jump, but not Aiden. He simply tilts his head as though he had expected her cry before being howled. I watch in awe as his impossible mind powers us through in an elegant, nearly invisible dance of hunt and save.

“Damn, Storm!” James says behind us in similar wonder.

Aiden doesn’t respond, but takes my hand and tucks it into his granite arm. I know he means, “stay close.” And I do. I lean my head against the stone of his bicep and feel it soften, mold to my shape, granite giving in to silk.

It gets a little easier then. Not because of my effect, though. Because of his. As we walk further down the lane and the passersby register Aiden’s presence, his beauty is so intense for Burford, so very clearly not from around here, that they instinctively give him a wide, admiring berth, stunned into general paralysis like me. Especially the female of the species, although some men as well.

“That’s interesting,” Aiden says, clearly not having factored the mind-numbing effect of his own beauty in his vast calculations at all. “Must be a Burford thing. People give you a lot more space and move slower, too. That’s good. I didn’t expect that.”

I can’t stop my giggle on time. He looks at me and, even behind the Raybans, I can tell he is thinking I’ve lost my mind to be laughing at such a juncture. “I don’t think it’s Burford, Aiden. I think it’s you. You’ve incapacitated the entire female population on this street. Why, Mrs. Willoughby just walked into that street lamp over there.”

His head flies up toward Mrs. Willoughby as though she might be an incoming missile. Which would be entirely possible if she wasn’t frozen, ogling our direction. Aiden clears his throat. “I don’t think this is the appropriate moment for us to be fucking around, Elisa. Head in the game.”

James chuckles behind us. “I think Elisa’s got a point, Storm. That dude at ten o’clock just tripped. Just come out dick first next time. Problem solved.”

That’s too much for me. Laughter explodes through my lips, drowned by Benson’s and James’ booming barks. Aiden does not dignify our laugh with any response whatsoever. But I know behind the Raybans, his eyes are sweeping the street with this new lens, no doubt noticing every stare, every mouth popped open, every stumble. Noticing it and entirely overwriting it. His Raybans turn on me.

“You find it amusing that the poor unsuspecting folk of your hometown find a violent madman attractive, Elisa?”

“I don’t know the madman you’re referring to, but it’s good to know I’m not the only one you have this effect on.”

Where dick jokes didn’t make him smile, my words do. Or maybe it’s because we have reached the end of Ivy Lane and the field of epiphanies stretches ahead with no passersby or admirers of any kind lurking in the grass.

“Well, I’m off for my cigars. Benson, wanna grab a beer? I don’t think Storm needs us anymore. He’s too pretty.”

Aiden laughs, tension draining out of him now that it’s over. “You’re not my type, Cal. How often do I have to tell you?”

“Why would you say that? Just because I don’t have purple eyes and black hair?”

“That’s exactly why.”

“Come on, Benson, let’s see if Mrs. Willoughby is interested. See you lovebirds later.”

“Thanks you two,” I tell them, and we both watch them stroll easily back up Ivy Lane. Aiden gazes at the road he just walked over blistering torments of torture, coals of capture, and flames of bystander gazes for me. For us. And I think, this is Dante, not Romeo. It has to be.

“What is it?” he asks, noticing my stare or drool.

“Take off your glasses. I miss your eyes.”

He makes a show of removing them dutifully and tucking them in his shirt but I miss it. Because the blue depths are shining with this other victory—so miniscule to everyone else, so significant to us. I take his face in my hands.

“I’m so proud of you,” I tell him and kiss him with the full force of my words. He responds so enthusiastically that we stumble backwards into the field. And his kiss does what it always does—cancels everything but the taste of him, the feel of his mouth that he has only ever shared with me. Each time our tongues dance and our lips brush they tattoo a new memory in his mouth. A memory that is ours alone.

The walk back to the cottage is a breeze after that. Just open space and us. His shoulders sway with his natural grace. His laughter is easier too—cascading over the field of epiphanies, the arched bridge, the trail along the river. Every so often, he snaps a picture of me with his phone. And despite his smile and the high of the day, I don’t understand why the camera click feels like an icy flick against my skin.

“Why do you take pictures of me?” I ask him as he captures me showing him where I camped. “You don’t need them. You never took them before.”

He takes another one of me twirling a blade of grass, and the ice pinches me again, but he doesn’t answer.

“Aiden? Tell me.”

“I want you forever in every way I can have you,” he shrugs, not meeting my eyes.

He doesn’t have to. I know what he means. Forever in paintings, memories, pictures. In case we fail. In case we don’t win. How can I deny him that, no matter how many ice crystals just broke through my skin?

“Present moment, love,” he says, as if he saw every ice pick. “We have to capture it.”

“Present moment,” I repeat.

But the present moment eludes us both when he spies the river boulder that nearly drowned me. He recognizes it immediately from my description. His fists alone could pulverize it into fine sand. How different it looks to me now after James’s words and Aiden’s terror for me. Instead of a foolish stunt, its rounded black curve seems gravelike. A sinister tombstone or the hunchback of an evil sorceress lurking below. It would have killed him, James said. Perhaps it’s the conviction of his voice, or allowing myself to look at this spot that almost ended us both, or perhaps it’s the ice of the camera clicks, but Romeo and Juliet feel closer than Dante now. My life and Aiden’s are entwined by fate and circumstance like two nerves threaded inside a heart chamber. Cut one, and you cut the other. The river laps at the boulder like a dark prophecy. Neither survives if the other dies. Neither dies if the other lives.

Aiden’s hand wraps around my waist, and he leads us away from the boulder toward the cottage. Maybe he needs to get away from this spot as much as I do.

“Do you want to hear four things that will make you smile?” he asks as the boulder’s sickly lapping sound fades.

“Please.”

He tips up my face. “Cal was there, we are here, it’s been a good day, and tonight you get to take my sleep virginity. I hope you’ll be gentle.”

It works immediately. I giggle at the same time that tears spring in my eyes because he is right. Tonight is still coming. Tonight he will be mine exactly as I’ve always wanted.

“I love the giggle but not the tears,” he says. “Now tell me, what kind of dreams do you think we will have on our first night? The only rule is no sleepwalking allowed.”

“I don’t think I’ll be able to sleep at all. I’ll probably just watch you the whole time.”

“Oh, I’ll make sure you pass out. The more knocked out you are, the safer.”

I giggle again. Leave it to Aiden to turn even sex into a safety measure. “How will you manage that with Javier and Reagan? Javier might have an aneurism.”

“I’m working on that part.”

“Have you really never slept with anyone before? Even before Iraq?”

He kisses the top of my head. “Of course not. I never kissed on the mouth before you, but you think I stuck around and spent the night?”

“Why not?”

“Because if I have to remember something forever, it better be something I absolutely love.”

Like us. All his other conquests don’t matter, even if he still remembers them perfectly. The most intimate part of Aiden—his sleep—will belong only to the two of us.

By the time the cottage’s rose-covered roof appears, the boulder is far away and Romeo and Juliet’s quote feels like just another poetry line again, as though the cottage is a counter-curse, folding us within the protective charm of its rose magic. I feel abruptly safer, more carefree—like I always felt here as a child. Everything shifts away as I grasp the present moment: Aiden is coming to my home.

“Let’s do this the way I used to when I was little,” I say.

He smiles with the dimple. “Right behind you.”

We creep up to the guard of willows that susurrate as always. “Listen,” I whisper. “What words can you make out?”

He plays along, straining his ear against the trunks with me under the dense emerald canopy of the garlands. Shhhhhh, shhhhhh.

Wishes?” he asks, cupping his ear.

Wishes! “I love that! I’ve never heard that in the leaves before.”

“What do you hear?”

“Oh, I’ve heard all manner of words here over my life. From selfish to licorice. But since I’ve been back, I only hear she’s here and he’s here.”

He kisses me. Right here under the willow garlands, like a secret. “Come,” I tell him, feeling unsteady as his lips always leave me. And, parting the garlands like a curtain, we step between the trunks into Mum’s magic garden.

“Ah!” Aiden murmurs as he sees it in daylight for the first time. Delight molds his fairytale face as his eyes sweep over my little kingdom. And what a show it’s putting up for its prince. The cottage gleams pearl white under the brilliant sun. The shutters are open, the lace of the curtains fluttering hello with the breeze. The ancient beech trees are murmuring their own welcome like dignified sentinels with sun-plated helmets. The river is glistening like an emerald silk ribbon. And like a royal mantle over it all, are the thousands of roses in full bloom. Sparkling with sunlight like rare unknown gems.

Aiden does not move. He is stunned into silence. But his eyes are more luminous than I’ve ever seen them. They alight on each bloom, each detail of my childhood—absorbing everything.

“Come, let me show you the roses I told you about in Portland.” I take his hand and we wind up the garden path covered in petals. And as he did then, he kisses me by each rose when I introduce him.

“And these are the Elisas,” I tell him, remembering that he made poor Benson hunt for a look alike on our first morning together. My roses wink, flutter, and sway for him as though they want nothing more than for him to touch them. And he does. One single caress with the tip of his finger. I’m not a rose bush, but I can’t imagine any living cell being immune to his touch. I’m certain the Elisas look less white and more pink.

“I don’t have words in my memory for this,” Aiden finally speaks. For once, he looks completely past-free. Then I remember with terror.

“Won’t your first memory of this garden be me breaking up with you last night?”

He smiles. “That’s not my first memory of this.”

“Then what is?”

“My first memory of this is exactly what I had planned: your astonished beautiful face seeing Javier and Reagan on your doorstop. That’s why I stayed so far behind. I wanted that first memory to be only of you and your happy moment.”

What can I say to that?

Inside, Reagan and Javier are in the kitchen, Javier sniffing suspiciously the pot of porridge that Reagan is making while she beams at it, already wearing a royal blue feathered hat. As soon as they hear us come in, they bound to us and pull me into a hug.

“There you are! We were about to figure out how to call British search and rescue on you two,” says Javier. Then their eyes fall on Aiden’s and my joined hands.

“Oh, yay! You’re back together!” Reagan squeals, the feathers of her hat bouncing with her excitement.

Aiden smiles—their old cat-and-dragon exchange only a distant memory—but he lets me answer. “Well, I have officially introduced him to the roses. So I think that means yes. At least while we sort out a few things.”

“What things?” they ask in unison, their voice trembling exactly the same way, their eyebrows knitting together identically.

“Are you two okay? Is there anything the family can do to help?” Javier adds.

In those words, in their worried looks, I grasp exactly how much their relationship with Aiden has changed in the last two weeks. Perhaps working together to save Javier and the rest of the Solises bonded them in ways I never could.

It’s there in Aiden’s voice too when he answers this time. “Let me think about that, Javier.”

“Okay, want something to eat? Although I don’t really know if this is edible. What the hell is this mushy stuff, Isa?” He points at the pot of porridge.

“I’ll just show Aiden around first, okay?”

Aiden is watching me with his fiery eyes, so tall for the cottage his wavy hair brushes against the small chandelier. Impossibly, he has gotten more beautiful since he crossed the threshold.

“Welcome to the Rose Cottage!” My voice trembles. I want to say welcome home. But the home part is a dream, an h-o-p-e I cannot allow myself. “This is the foyer, obviously—it’s tiny by your standards but I love it. And over there is the living room . . .”

He takes my hand and starts exploring the cottage in the way only he can. He runs his long-fingered hand over the front door, the rose-shaped brass knob, the rotary phone, the walls—memorizing their feel. He spends a good ten minutes gazing at the photographs lining the foyer in reverse order of my aging.

“Look at you!” He smiles at one of me missing my front teeth. “The cutest kid.”

I watch him with a clenched heart, unable to speak. How many times have I imagined him inside these walls and now here he is. Bewildering in every sense of the word. I realize that in those vague fantasies I always imagined the cottage softening him. But as he winds through the living room, running his fingers through the ivory of Mum’s upright piano in the first few notes of Für Elise, clutching the arm of Dad’s plaid chair in the corner like a handshake, I see a symbiotic cord twinning between the cottage and him. He is shining as much beauty on it as it is pouring on him.

“This is surreal,” he says. “I thought I could envision this so well from your descriptions, but I was wrong. No one can picture this without seeing it.”

“Let me show you my favorite room.” I can barely hear my own voice as I lead him to the library. But I hear his quiet footsteps kissing the hardwood floor.

He whistles as he enters my dad’s bubble, and the tectonic plates shift as he recalls everything I’ve ever told him about it. He weaves through the towers of books and notepads, careful not to jostle anything, and goes straight to the unfinished chess game inside the glass flower box. “Is this the last game?”

I nod.

“Six identical moves to checkmate for each of you. So equal and you were only eighteen.”

“I could never equal him.” I barely mouth the words, but he must read them because he comes back to me.

“I’m sure he would disagree.”

“I wish you could you have met him. And Mum.”

“I do too.” His index finger comes under my chin and he bends down to my height. “I have an idea. I’ll read through all of his books and notes, then maybe I’ll know him more. Would you like that?” His voice, his eyes are so tender they could h-e-a-l the deepest wounds, except his own.

My “yes” sounds more like a sigh. “And maybe you can help me with the protein. Here, look at this.” I open the secret safe in the wall behind the Encyclopedia of Elements. He peers inside—a childish curiosity glinting in his eyes—and sees his war letters with Dad’s clue and everything else valuable I own, “my all” in a sense. Which is not much. “You can have them—”

He stops my hand before it slithers inside the safe. “Let them stay there.” When he closes the safe, I imagine him tucking in my entire life under a blanket.

This kiss is hushed too. So light, each brush like a whispered secret. A secret I can’t even tell myself.

“MUSH IS READY,” Javier bellows from the kitchen. “AND SOME CRUSTY STUFF!”

Around the dining table, Reagan and Javier have made their first British breakfast even though it’s almost noon. Porridge, scones, clotted cream. But I can’t swallow a single bite—everything from my eyes to my belly is overflowing. The three people I most love in this world who are still alive are here. My three brightest stars twinkling in this new constellation that looks like a table to everyone else but to me it’s a million-faceted crystal, gleaming and sparkling—each plane brilliant, fragile, a mirror of the others. Rarely meeting, always reflecting.

“Reg, I know it’s what they eat here. But just between us four, objectively speaking, this porridge thing cannot have been meant for human taste buds. Aiden, back me up as the only other man here. Is this food to you?”

Aiden is looking at me and I know he has read every flicker of emotion I have not been able to hide. He seems to make a decision of sorts because he turns to Javier. “I definitely prefer your mother’s carnitas. But it’s better than MREs.”

A total silence falls over my constellation. Reagan’s fork drops on her plate. My hand tightens on Aiden’s under the table. I’ve never once heard him make a casual reference to the military. And instantly I know whatever he is doing, he is doing it for me. He folds his napkin while Javier’s fork is still in the air.

“Actually, Javier, Reagan.” He addresses them both while I sit here periodic-tabling for oxygen. “May I have a moment? You asked earlier if there is anything the family can do to . . . help Elisa and me.”

Javier’s fork drops too. “Anything,” he says. “We owe you our lives.”

“It’s not as debt collector that I’m asking. You don’t owe me anything. It’s as a . . . friend, I suppose. This is not an easy thing for me to share. I’d appreciate your discretion. But you’re Elisa’s family, I’ve seen that over the last two weeks more than I was able to grasp before. So you should know—” His hand around mine becomes a live grenade. “Why things are complicated with Elisa and me. It’s not because I don’t love her—”

“We know that,” Javier says firmly. “We all can see that now.”

“It’s because there are things in my past and present that make me . . . not the man you would want for your sister.”

“Aiden, don’t,” I cut in, but he silences me with a grasp of his hand.

“What do you mean?” Javier says while Reagan mouths at me in a completely obvious way, “The thing?”

“Well, without getting into the gory details, I was a Marine. In Iraq. And one mission went . . . wrong. More wrong than I’m prepared to discuss. It has stayed with me in every way . . . and it has left me with a . . .” He takes a deep breath as his shoulders flex once. “It has left me with a violent startle reflex. Not your usual car backfiring thing. I cannot be startled from behind in any way without a series of events being triggered which always end with me attacking the person who startled me.”

The silence that follows his words is clamoring. I don’t think Aiden has breathed once since he started. But he meets Javier’s eyes evenly and I see the Marine there—the one who might never have needed a protein of bravery.

“You attacked Isa!” Javier’s somber, grave tone is punctuated by a small whimper from Reagan.

“I did.” The two words, so low, sound almost like “the end.”

“It was my fault,” I jump in, ignoring the clasp of Aiden’s hand. “I knew about it, and I was careless, and I triggered it, and—”

“Elisa,” Aiden’s voice cuts through, even and clear. “You will never take this on yourself ever again. Please. They have a right to know as your family, and now they do. I won’t be the reason for secrets between you anymore.”

I meet Javier’s eyes. They’re on me, stricken with terror. Reagan searches for my hand under the table but both of mine are on Aiden’s grenade.

“I love him, Javier,” I say directly to him. “I will fight with him against this. No matter what.” Tears start burning my eyes, but I don’t blink. Javier’s deep dark eyes are locked on me too for a long moment. He nods at last—a slow bend of the head but his eyes become so endless, as though he heard exactly what I cannot say. No matter how it ends.

“So,” Javier says. “How can we help? We’ll support you both with whatever you need if this is the decision you have made.” He does not say he agrees. How could he?

“I’m with you too.” Reagan’s voice trembles with tears. “Both of you.”

“Thank you,” I tell them, eyes still on Javier because he is the leader for our patch-quilt family. If he gives us his support, it is irrevocable.

“Yes, thank you both.” Aiden’s grenade relaxes a fraction. “Please know I’d never expose Elisa to this again without some hope that we might be able to overcome it.”

“What’s the hope part?” Javier asks.

I’m glad Aiden answers this one because Javier would see how little h-o-p-e I’m allowing myself. “We’re working with some experts at Oxford and University of York, and of course back home. We’re meeting them Monday; they have an entire plan. But the gist of it is that I need to do the opposite of what I’ve been doing. Not push Elisa away or isolate myself, but rather experience what normal life could be like for her and me if we allow it. Their hope is that, with other interventions and hard work on our part, this will begin to correct the startle reflex.”

Javier blows out a gust of breath and I realize now he has not been breathing much either. “That sounds like good news, right?”

“Hopeful.” Aiden corrects while I stare at my cold teacup trying to look like I am nodding sagely. “And this is where you two come in. The hope part. I will never keep Elisa from you. But of course, she refuses to leave me and I refuse to leave her. These last two weeks almost killed us both. So, by necessity, at least for a while, you might have to be around . . . me,” he says the last word like he is the dark boulder.

“Aiden, that’s nothing to ask of us,” Javier says, and I want to grab him over the table and hug him if both my hands were not around my grenade. “We all care about you. Not just as Elisa’s guy but for who you’ve shown us to be. It’s not a burden on us to be around you. We want you to heal. We want you in our life if you two can make this work.”

H-e-a-l. L-i-f-e. “Umm . . . thank you . . . I appreciate that,” Aiden says with a strong emotion. No doubt his deep self-loathing wasn’t expecting such acceptance. The grenade relaxes further.

Javier takes a deep breath and the deep wrinkles in his forehead soften. “We’ll just be careful, all of us. No one will sneak up on you or anything. And we’ll do whatever we can so you two can win this. Right, Reg?” he turns to her.

“Absolutely.”

For the first time since this conversation started, Javier smiles and the entire constellation brightens up with him. I look at Aiden, the Marine who just disclosed his darkest secret to give me this moment of togetherness, to tear down all walls between my family and me. He shakes his head with a small smile. Anything for you, his eyes say.

“Actually, I’m really glad we know now,” Javier says. “This explains so much. I mean, we started suspecting something when you were able to pull off my green card with all those political contacts, but not this. We thought you were some high-level CIA or something.”

Reagan giggles breathlessly. “Honestly, I thought you were an assassin. Really sorry about that.”

At the shaky laughter that follows, the grenade disarms and Aiden’s face softens with relief. “An assassin?” he chuckles. “And you were yay-ing earlier when you thought Elisa was back together with me? Reagan, I thought your common sense was one of your strongest traits.”

“Of course,” she shrugs. “You’re who she loves.” Her bright emerald eyes flit to Javier who is sighing with relief in an identical posture to Aiden’s.

“Javi,” she tells him, and for a mad moment I think she’s going to declare herself but she has other plans. “I think you and I should move to Aiden’s hotel.”

“What the fuck?” is Javier’s response.

“You heard me.”

“No, Javier has a point, Reg. What the bloody hell?” I ask but she kicks me under the table. Hard. I have to pretend to cough to hide my “ouch” while Aiden fusses I might be choking.

“Listen,” she says to us. “You two need privacy if you’re going to try this normal life thing. Javi and I can sleep at the hotel, you two stay here, and we all hang out and be normal adults during the day. And when Isa has to work, we can be tourists.” She stomps on my foot again in case her desire is not clear.

“Elisa, why do you keep coughing, love? Are you okay? Here, have some water.”

“I’m fine. Just a tickle.” But I drink the entire glass he pours for me to give Javier a chance to respond. And he does. Sort of.

“I guess you’re right. How far is your hotel, Aiden?”

“Just across the field,” Aiden answers quietly and I know in that tone how profoundly he wants Reagan to win, but how deeply he hates the reason for Javier’s hesitation: my safety in case I get hurt again. And he’ll side with Javier. That decides it for me. And I know exactly how to solve it.

“Javier, Reg is right. I want to sleep with Aiden.”

It’s Aiden who chokes now at the same time that Javier throws his hands over the ears, saying “Lalalalala.” But over the chaos, Reagan and I wink at each other. And for a moment, it feels like girls can win everything today.

I add this other little victory to my collection. Can a girl deplete her luck? Should I take more chances? Or should I save it all for tonight? No, I don’t need luck to sleep next to Aiden—I refuse to think that way.

“Let’s all go to town,” I decide. “I’ll show you some of my favorite spots. And you can meet my grandparents for all intents and purposes.” I know none of them can resist that. Especially not Aiden, even if his muscles just locked down at the idea of strolling the streets again.

“Your octogenarian bodyguards?” he asks.

“The very same.”

“Yes, this I have to see.”

The town is enshrined in gold under the late afternoon sun when we arrive, and the streets are lazier, sultrier. Plemmons Blooms is only two roads west of the inn, down a cobblestone alley so narrow that James and Benson—who have been strolling with us in their hulking frames—decide to wait at the inn’s terrace over cigars and ale.

Even though I visited the Plemmonses the very next day I returned, as soon as I see the cascade of wisteria draping over the familiar awning, my own memory rewinds the endless days I spent with Mum in this shop as she and Mr. Plemmons experimented with rose breeds. Nothing has changed except the two snow-haired, hunched over octogenarians who are sitting on bright yellow chairs, head to head, sifting through seeds together. The image is so precious that four phone cameras click at the same time, including Aiden’s.

“OMG, they’re so cute,” Reagan whispers.

“Don’t worry, they can’t hear. You have to yell,” I tell her and then shout at the top of my lungs, “Hello, Mr. and Mrs. Plemmons!” All three of them jump despite my warning.

“Bless my soul, it’s Rose!” Mr. Plemmons wheezes, wobbling up on his birch-wood cane, and I notice how much it trembles. “Josephine, it’s our Rose. Blimey, she’s brought friends this time.” He wipes his thick-rimmed glasses against his woolen vest—an unnecessary act since they are generously wiped by his bushy eyebrows and even bushier mustache. Little tufts of cotton blossoms spring out of his ears.

“I can hear you, Harold, and I can see them, there’s no need to shout.” Mrs. Plemmons is sprightlier and she shuffles up to me—tiny, barely clearing my shoulder, looking at me with her once-green eyes that have paled to sage—and kisses both my cheeks. “You’re lookin’ fit, luv. It’s the rose air, I told Harold, didn’ I? I said, let that lass smell the roses for a week and she’ll be pink as their petals.” She still hasn’t let go of my cheeks.

“Ha!” Mr. Plemmons teeters closer and grabs my shoulder. His clasp is so frail that I’m not sure if he needs it for support or if he is greeting me. I peck his fluffy hair gently lest he blows away. “Who are yer friends, Rose?” He peers at them through his glasses, brows wafting high in his forehead like pampas grass.

“These are Aiden Hale, Reagan Starr, and Javier Solis,” I yell their names, pointing at each of them. “They’re visiting from Portland.”

“Hmph,” Mr. Plemmons harrumphs, tottering to each of them, squinting at their faces and finally declaring in front of Aiden. “We’re not giving our Rose back! No, sir!”

“Oh, don’ mind the crackpot fool.” Mrs. Plemmons clasps all their hands. “You’re very welcome here, very welcome. Oh, to see our Rose smiling with friends again! Here, luv, sit, sit.” She tries to clear a bench of cyclamen pots, but I beat her to it.

“You sit, Mrs. Plemmons, I’ve got this.” I clear out the bench and the four of us sit cramped together, visiting with them for a while. Mrs. Plemmons frets she doesn’t have tea and biscuits.

“Don’ fuss, Josephine. It’s only our Rose. We’ve changed her nappies, we have.” Aiden, Reagan, and Javier burst out laughing while I turn the color of the cyclamens.

“Your nappies,” Aiden murmurs in my ear, his fingers trailing my spine behind everyone’s back. “I think I prefer your knickers, Rose. Especially the ones you’re wearing right now.”

“Stop or you will die,” I whisper through my teeth, smiling at Josephine for telling Harold off. He chuckles so quietly I can only tell from his cinnamon breath in my cheek.

“What are yeh two bumpin’ yer gums about?” Mr. Plemmons calls to Aiden and me. “Yeh’re not tryin’ to take our Rose away, Anton, are yeh?”

“It’s Aiden, Mr. Plemmons,” I shout, ignoring his question, which keeps my voice from breaking.

“Are yeh sweethearts?”

“Harold, you don’t have to shout every thought that flits in that wooly ‘ead of yours!” Josephine scolds him, but smiles expectantly for an answer.

“Yes, we are,” I whisper before I remember they can’t hear. “Yes, we are,” I raise my decibels again. “And Javier and Reagan are my adoptive brother and sister. They took care of me when I first . . .”

“Ah,” they sigh in unison, abruptly looking one hundred, their heads bobbing at the same time, paled eyes away, and I know we are seeing the funeral day. The only two people left who know every minute of that day, who spoon-fed me until I was taken to the hospital.

“Well, yer Mum and Dad would ‘ave liked yer friends and sweetheart, Rose,” Mr. Plemmons blinks back to the present. “I told Josephine, I said ‘yeh just watch those roses bloom with Clare’s magic now that our Rose is back. They’re glowin’ up there, they are.”

I nod and smile, unable to speak, as Aiden rubs the small of my back gently.

“But no stayin’ at the cottage with Edmund without a chaperone!” Mr. Plemmons stomps the cane on the cobblestone.

“Ha ha ha!” Josephine almost topples off her yellow chair from cackling. “What codswallop you talk, Harold! You never let a chaperone stop you when we met.”

“Tha’ was diffren’. We were older than these two.”

Aiden, towering at thirty-five years old, and Javier, looking even older with his full beard, are shaking with laughter while Reagan is giggling so hard, she twists her legs together in that way she does when she has to pee.

“No, you barmy old fool. We were younger. I had Emma when I was Elisa’s age. That’s your second child.”

“I know who my Emma is!” And they’re off quibbling about the sixty-five years they’ve had together, the decades running together as they should. From the corner of my eye, I see Aiden watch them with something like longing—perhaps wondering whether the years will ever disappear for him. Yet he seems entirely present here in the moment, his fist never clenching, even though he has been sitting in a cramped bench with two other people, albeit in a quiet alley and me in between.

“Wha’ abou’ yeh two? Are yeh sweethearts?” Mr. Plemmons demands of Reagan and Javier.

“No, Mr. Plemmons, we’re friends,” Javier howls while Reagan takes an intense interest in the jasmine bush next to her. At least Javier didn’t say we’re siblings.

“These young ‘uns don’ get married anymore, Josephine. Blimey, there’ll be no more weddings needin’ flowers.”

Eventually, the sun starts setting and we decide to help them close up. I give Mr. Plemmons some new seeds from the garden.

“Yes, yes, they’ll do quite nice, these will. Rose, yeh’ll come to the Rose Festival, won’ yeh? Enter yer Mum’s roses fer the Rose Cup. Willoughby has been twirlin’ his mustache at me fer winning the last one.”

“Of course I will,” I say, even though it will be a day away from Aiden. A crowded festival would be too reckless, too terrorizing. But Mum’s blooms will go to that festival, especially if I don’t know how the ninety days will end.

I buy the American Beauty rose fledgling that’s been waiving at me for the last hour—Aiden carries it gently, earning a smile from Mrs. Plemmons—and say our goodbyes. The Plemmonses shuffle with us half-way through the alley, wishing us and the rose a good night.

“Even yeh, Adam. But keep yer hands to yerself!”

“It’s Aiden, Mr. Plemmons,” I yell again in vain but he just smiles and waves.

We watch them teeter away, arm in arm to their apartment above the flower shop. As the door closes behind them, I wonder how many of these memories I missed and how many there are left. An urgency gathers in my veins and abruptly I want to run, dance, shout, sing, jump, twirl, do everything, live everything, every hour, minute, or second left of our ninety days. Because what if these are the only present moment we have?

“Let’s go!” I tell my three stars. “Let’s find Benson and James and go back to the cottage. We can send James off on his fishing trip with a cheer.”

Javier and Reagan start ahead of us, but Aiden tips up my face. “Are you all right?”

“I’m so glad you met them.”

“Me too, Rose. One of my favorite memories in my entire life.”

“Let’s go make more,” I say and pull him behind me.

Above us, in the twilight sky, the first stars of our first sleep start twinkling.©2021 Ani Keating

NINETY DAYS: CHAPTER 12 – BIG BANG

Happy Saturday, friends! What can I possibly say about this chapter? I’ll let you find your own words but I will add that the “Male” poem under the Poems page in my website was written exactly for this chapter. Hope you enjoy it and thank you as always for following this story and for commenting and writing to me. It means a lot and I might not have found the energy even for these chapters without your words. Happy weekend! xo, Ani [The following material is R-rated.]

12

Big Bang

“What is it?” Aiden asks, noticing my smile. He is still glowing above me, breathing hard, his body still pressed against every inch of mine.

“You gave me an idea.” I breathe, my legs wrapping around him like a vise.

He closes his eyes with a moan. “Does it involve how to prevent pregnancy when the most desperate man on the planet does not have a condom?”

“Umm, no, but it should help with desperation generally.”

“Mmm, I’m beyond help on that point.” He runs his nose down my throat and around the nipple protruding through the thin cotton of my pajamas. He shudders and opens his eyes—looking at me that way—and my body riots. It arches off the meadow, brushing against the denim of his jeans. He presses into me reflexively, that part of him to that part of mine, cancelling out the whole world.

“Ah, Elisa,” he sighs, his jaw flexing, the bands of muscle tensing like he is trying to move and stay still at the same time. I’m not sure though, I’m over here on the soggy meadow, burning. With a groan, he pulls away from me and rolls on his back, staring at the sky and muttering something fast and low.

The small distance feels transatlantic. I turn to my side and flutter my fingers on his cupid lips. But his hand flies up and places them over his chest where his heart is crashing against his ribs like mine. “A man minute, please,” he breathes, lying here motionless on the wildflowers, all the sky in his eyes.

“What are you doing?”

“Reciting War and Peace backwards.”

A laugh bursts through my lips. A true-bubbly-effortless-straight-from-the-heart laugh. Of course an impossible being like this needs a fifteen-part saga to cool his fire.

I think my laugh works better at distraction than Tolstoy though because he turns to me with my favorite lopsided smile—ardor reined in. “I love the sound of your laugh, Elisa. I thought I’d never hear it again anywhere except in my mind.” He props himself on his elbow. “Now tell me about your idea. What was it?”

It takes me a moment to remember lost as I am in this feeling of laughter. But when I do, words tumble out, telling him everything about the protein of bravery from the moment I first interviewed with Edison. He listens to me incandescently, that’s the only word to describe it. “Anyway,” I take a deep breath when I get to the clue part. “I’ve been so sure I would disappoint Edison and, worse, embarrass my dad. He’s a legend there, Aiden, I can’t even describe it. And they all seem to think I’m a mini-him with his skills and brain. It’s mental. But then I found a clue in Dad’s safe the same night I started reading your war letters because that’s where I keep them. He had locked the clue in there at some point, but clearly didn’t tell anyone, I’m not sure why. Want to know what it said?”

He strokes my cheek with the back of his fingers. Humor has left his eyes, and they have become unbearably tender. “I think you are a brilliant scientist on your own right, not just as your father’s daughter. You may have inherited his talent but your work, your worth, that’s all yours. Never forget that. You are nobody’s mini. All of them are just mini-Elisas.”

“Want to hear the clue or not?”

He chuckles. “Yes, dear.”

“It said: Fifth Time. Not December. Add Love.”

I see his own intelligence and curiosity flash in his eyes, and the tectonic plates shift, probably retrieving everything he has ever heard, read, or learned about number five, December, or love. He whistles in awe. “There’s a lot to unpack there. We can break it though; let me think for a minute.” And he closes his eyes, his pupils shifting rapidly under the eyelids as his super-brain starts sifting through a vast network of data at lightening speed. A part of me wants to drool here in awe but a bigger part misses his eyes on me.

“I already cracked the first two sentences,” I say, and his eyes are mine again.

“Of course you did. Why would I think you need my help? Tell me.”

“It means I have to remove magnesium, the twelfth element, after the fifth spin on the centrifuge. But I had no idea what “add love” meant until you helped me with your kiss.”

“Oh?” A blinding smile.

“Yes, I was watching how you happy you looked compared to how afraid we were right before—”

“And still are.”

“And still are, but tell me, during the kiss were you feeling any fear at all?”

“None. I was drowning in you. And those pajamas.”

I nod as he confirms my hypothesis. “That’s the third code. Kissing releases oxytocin. Dad is telling me to add oxytocin to the formula.”

His mouth pops open.

“Or at least I think that’s what it means. I can’t wait to test it. But it’s really complex. I have no idea how. And I have to do it in secret—Dad obviously didn’t want anyone to know yet. And if I can do it, it can help you so much. You can eat it like candy every morning, no side effects, and the terrors can’t touch you at all even if my calming effect fails. I’ll save you, you’ll see.”

He changes before me—emotions flitting through the beloved face so fast, I’m breathless. I try to name the ones I can fathom: pride, joy, tenderness, love, pain. Others are too big, too nameless for my mind. At length, his eyes settle in their peace setting and he lowers his face to mine. I reach eagerly for his lips, but they rest on the center of my forehead. The spot my dad always kissed, the spot I couldn’t bear to touch until that last time Aiden and I made love. The spot that now belongs to him.

“You save me every minute, Elisa” he says. “Don’t stress yourself for me. Do this because you love it, do it for your father, not for me. Promise?”

I try to decipher his mood like my clue but it’s too deep. Is it because he thinks my calming effect will win? Or because he thinks no protein of bravery could save him if it doesn’t? I want to ask but instinctively I sense a wall there—a wall he is keeping up for a vital, fundamental reason. A chill prickles my neck. Make us strong, make us brave. I pull him to my mouth for more oxytocin but he sits up, smiling now. “I don’t want to run through the entire fourth book of War and Peace, do you? Come, you’re getting all wet.”

“I know,” I grumble, and he laughs. My favorite, free-waterfall Aiden laugh that springs from a secret part of him and crashes through all his craggy cliffs, washing away every memory debris from his eyes even for just one brief, cascading moment. And I know what he means by the sound of laughter. I could lie here and listen to his all day.

“I meant wet from the grass,” he chuckles. “But I’m glad to hear I’m not alone in my inferno. Come.”

“I’m trying.”

“Elisa, I swear.”

“Oh, yes! Swearing is good too.”

“‘Early in the year 1806 Nicholas Rostóv returned home on leave. Denísov was going home to Vorónezh and Rostóv persuaded him to travel with him as far as Moscow,” Aiden starts reciting, yanking me up with one hand as though touching me with anything more might bring war here in Burford. “It’ll be Rostóv and Denísov all the way if you don’t behave yourself,” he says with a stern voice that doesn’t match either the fiery eyes or the dimply smile.

But now that I’m vertical, I see exactly what he means by “wet.” The back of me, from my hair to the wellingtons, is muddy. An imprint of my body is pressed into Elysium from Aiden’s weight. And his rain jacket looks like a tarp forgotten on a sludgy ditch overnight. For his part, Aiden wears mud extremely well. It has molded around his shoulders and derriere like it wants nothing more than to become an exact replica of him. And his black wavy hair is specked with it, as though Old Aiden sprinkled him with silver wisdom when passing by in my vision.

“Keep looking at me like that, and I’ll tell you all about how Denísov met a comrade at his last station, drank three bottles of wine, and—”

“Okay, okay, I’ll stop.” I laugh, trying to brush off some of the mess in vain. It’s caked everywhere. I look back at the cottage where from the shuttered windows Javier and Reagan are clearly still sleeping.

“You’re a mess. Let’s go to my hotel before everyone wakes up,” Aiden says, seeing my predicament. “Besides, I’ve brought you something.”

“Is it condoms?”

“Elisa!”

“That’s okay. I’ll go on the pill. Especially if we need to flood you in me.”

“Denísov did not once wake up on the way to Moscow, but lay at the bottom of the sleigh beside Rostóv—”

“All right, I’ll really stop this time. Rostóv is starting to sound appealing.”

He zips up my parka with the very tips of his fingers lest my nipples electrocute him, tosses his rain jacket over his shoulder with a deep sigh, and tucks my arm into the crook of his. And we start walking along the river to town, following the trail of my dreams. He slows his long stride to match mine, never rushing, his eyes absorbing the countryside. It’s still early, the hilltops just glazed with the sun’s lacquer. And the willows, the larks’ warble, the river whitecaps, the arched bridge all start becoming imprinted in Aiden’s mind. I try to watch my childhood world through his eyes. It’s peaceful, quiet—the only sounds coming from nature, not man. A land with circadian rhythms that never change, always predictable like the infinity symbols of the rolling hills. Rise, fall, rise, fall—an eternal, cozy pattern of the simple life.

One look at Aiden and I see it, that pastoral standstill filling his eyes. He looks restful, a small smile lingering at the corner of his mouth like a kiss at certain moments. His steel shoulders are less tense, swaying more with movement than his American ramrod posture. Because, as he said, he has no memories of this landscape. Nothing but the ones he is creating right this very minute. I keep quiet to give him these first images to himself. He must be thinking the same because he doesn’t talk, but his hands never leave me. Every few steps, he strokes my cheek, my hair, my arm. As I do with him. But not because I don’t think he is real. Seeing him here, teeming with beauty on my dream trail—how could I possibly have believed those pale imitations my psyche threw together were reality? They were blurry polaroids, grainy images, muffled sounds compared to the real him.

“What are you thinking about?” he breaks the comfortable silence as we are crossing the field of epiphanies.

“Dreams. And you.”

“You mean nightmares?”

I scoff and lean my head on his arm. Always against himself. “In England, Aiden, you’ll always be better than dreams.”

He pauses and takes my face in his hands. “Will you tell me something?” he asks.

“If you take back the nightmare part.”

“I take it back.”

“All right then,” I smile.

“When we were in the garden at your cottage last night, you asked what I did on June sixteenth ten years ago and then said, ‘It’s really you!’ You seemed so shocked. Why was that? Did you believe I’d never come for you?”

I feel my smile fading. He must sense my tension because he releases the pressure of his hands, but not enough to let me look away from him. “Would you have?” I ask, suddenly unsure if I want to know the answer. “If Corbin hadn’t made this discovery that’s given you hope?”

I know the answer before he speaks it; his eyes give it to me. A ghost of the wound creeps up my throat. “I don’t think I would have risked your safety ever again,” he says at last. “But I also know I couldn’t have stayed away. I guess I would have done what I was always planning to do if you had left me but stayed in the U.S. as I thought you would.”

L-e-f-t. “What were you planning?”

“I’d have let you live your life, knowing your normal memory would eventually fade and leave me behind, allowing you to move past the pain and wreckage I had caused. But the whole time, I would have stayed yours. I always planned to find a way to steal a glance at you from a distance. Not like a stalker, just occasionally to get through life, one glimpse to the next. But I never expected I wouldn’t have even that distant glimpse. I didn’t realize how much I had poured all my hopes for survival in that one glance. So when you came to England and took the hope of that glimpse away . . . ” He shakes his head, eyes dropping at my feet.

H-o-p-e. Is this the future that awaits us if Corbin’s theory is wrong? Or will it be even worse? Will there be enough Aiden left to chase that one glimpse? Will there be enough of me? Could I walk through life, sensing his eyes on me every blue moon but when I would whip my head around, he would not be there? Would I always look over my shoulder for my own glimpse of him, search all my déjà vu’s for his mark? A forget-me-not here, a Für Elise there, a line of Byron’s in an old book. And I would think, is this him? Or is it wind swirling our stardust around because our stars would have long since imploded? Goosebumps erupt on my skin, as though the cosmic wind is already blowing. Keep us whole, make us brave.

“Let’s not think about any of that now,” Aiden says, brushing my lips with his thumb, perhaps sensing and asking the same questions to himself. “We’ve been given ninety days, and that’s much more than I could have ever hoped. Not to mention that I’m under strict medical orders to stay in the present moment with you. And in the present, you’re here in my arms, covered in mud and I can’t think of a time when you’ve looked more beautiful.” Then he pecks my lips lightly, flooding my system with oxytocin and, at least for now, fear recedes. Why would I want any other moment than the one here with him?

When Aiden stops us in front of the quaint hotel he has booked at the edge of town, I smile. Not just because it’s down the lane from Solstice Gallery and that feels like another good omen. But because I should have known he would have picked this when I was searching for his window this morning. Aiden is nothing if not intentional about the symbols he creates in his memory.

“Rose Arms Inn?” I grin at him.

“It seemed appropriate.”

“And I assume it’s all vacant because you’ve booked all seventeen rooms despite any prior reservations and compensated the proprietors for their lost earnings so excessively that they have already exceeded their revenue for the next five years?”

“Of course,” he shrugs, but his smile disappears. “Elisa, this isn’t a joke, love. We still need to be very careful, you understand that, right?”

I caress his scar. “I know,” I assure him. “We will be.”

He shakes his head. “My love for you is a terribly selfish reason for exposing you to this again.”

“It’s not just for your love that we are doing this; it’s for my love too. We both want the same thing. Besides, if I’ve learned anything these last two weeks is that selfless love is highly overrated. We have to love ourselves as well.”

He smiles—just a longing smile—and opens the inn’s heavy wooden door. “After you,” he says in that way that sounds like “for you.”

The quiet round lobby looks exactly as it used to when Mum and I delivered roses here on weekends. The same deep chocolate walls, the same wide fireplace burning even in the summer, the same chesterfield sofa with burgundy velvet cushions, the same winged chairs flanking the hearth. Only there are no roses from my cottage anymore and the receptionist is new. But the biggest difference, in every sense of the word, is the colossal man on the sofa, occupying at least a quarter of the space.

“Benson!” I cry and recklessly sprint at him. One should never intentionally collide with Benson. But he rises and catches me gently with a laugh.

“Hello Miss—Elisa.” His kind eyes squint down at me and I have to throw my head all way back to see them.

“I’ve missed you,” I say.

“You’ve been sorely missed too.” He ruffles my hair, frowning at the dried muddy nest.

“Don’t ask.”

“Wasn’t gonna.”

How relaxed he looks compared to the last time I saw him as Reagan drove me away from Aiden’s home. “Thank you,” I tell him, trying to pour all my gratitude in my voice. “For the letters. I didn’t open them soon enough but they really helped when I did.”

Aiden reaches us then and pulls me to his side. Benson looks at our arms around each other with a smile. “Very glad to hear it. For all our sakes,” he chuckles and steps aside to let us pass. And that’s when I notice for the first time the man lounging in the wing chair by the fireplace. Actually, I can only see the shock of wild auburn curls over the chair’s back but there is no mistaking him.

“James?” I call, peeking around Benson while Aiden tenses under my arm.

James unfolds in all his immense height that still barely clears Benson’s shoulder but certainly hovers over Aiden, and looks at me. “Hello again!” he says, eyes calm, polite smile, as if he didn’t save my life exactly a week ago.

But it’s Aiden who answers before me. “‘Again?’” he repeats, eyes like snipers on James. “Cal, what’s going on?”

I look up at Aiden, confused, but he has locked eyes with James. “Did you call him Cal? I’m sorry, do you two know each other?”

He tears his eyes from James to look at me, and the snipers become smiles. “Elisa, this is Callahan, James Callahan. One of my closest friends. Cal, this is Elisa.” He announces me like I am The Mona Lisa of women, not a muddy recently-drowned sleepwalker.

With a swipe of mortification, everything clicks. “You’re one of the Marines!” I say to James, the words sounding like an accusation, but I can’t meet his eyes. Heat sears my cheeks.

“Nice to formally meet you, Elisa.” I hear JamesCalCallahan respond as I turn to my real problem next to me. “You sent him here?” I whisper to Aiden even though there is no hope JamesCalCallahan or Benson won’t hear me.

He shrugs, still beaming with pride. “Of course I did,” he says as though this is the most natural thing to be doing. “Elisa, you had just come back to your hometown after four years and significant trauma with only two octogenarians for protection as far as I could surmise. Of course I’d sent one of my brothers here to make sure you were safe at least until Reagan arrived. I was losing my mind. There wasn’t supposed to be any interference, however.” The snipers turn on James again, a familiar icy undercurrent in his voice.

I manage to peek at James and I’m glad I do. Because in that glance he frees me. I know from his hazel eyes and the almost imperceptible shake of his head that he hasn’t told Aiden about my river disaster. I don’t know his reasons, but I know I’ll forever be indebted to him not only for saving my life, but also my dignity. “He didn’t interfere,” I rally to his aid. “I just happened upon James during one of my night walks.”

The good news is that my statement distracts Aiden from James. The bad news is that the snipers are now on me. “Night walks?” Aiden says through his teeth, wisps of smoke starting to whirl from his ears. “What the hell are you doing walking out at night, Elisa?”

Despite the Dragon landing on Burford, I smile. He truly does not know. “I like the stars.” I shrug and drag him by his claw toward the lift before he starts breathing fire on my savior.  As we step inside, I glance over my shoulder at James.

“Thank you,” I mouth.

He winks with a smile as the lift doors close.

“Stars?”  The Dragon in the antique lift hasn’t dropped the subject.

How did I ever find this intimidating? Right now, even though he is glowering down at me, I can’t stop smiling. He is so close, so everywhere in the tiny, velvet-lined space that I walk into his arms, scales and all. They wrap around me automatically like iron wings. “Yes, stars,” I tell him, tapping his snout. “I’ve developed an interest in astronomy recently. You know, big bangs, black holes, that sort of thing.”

“I don’t want your euphemisms right now, Elisa! Tell me what really happened.”

How curious. “Why do you suspect something must have happened?”

“Because James Callahan is a human sniper and was one of the deadliest Marines in the Corps history. No one ‘happens upon’ him if he doesn’t want to be seen. And he was under strict instruction not to be seen unless it was absolutely necessary. That’s why.”

“Oh! Bloody hell, these deadly men,” I grumble as the lift grinds to a stop on the top third floor—which is a tall building for Burford. I exit as soon as the doors open, but he is behind me in a second.

“Yes, deadly. Now what happened before I go back down there and get it from Cal myself?” he demands, marching me down the hall to his room as though preparing exactly for such a battle whether with James or me. The oil paintings of deep red roses that line the walls speed by. Like our American Beauty ones back in Portland. Abruptly I miss their vibrant buds. I take his hand that planted them with me. The moment our hands touch, he slows with a sigh and morphs back to my Aiden. “Elisa, please tell me. Or I’ll just imagine a lot worse than what actually happened, and I’m not supposed to do that.”

I nod even though my mouth has gone dry. I doubt he can imagine this. But how can I deny him even an ounce of relief? “You’re right. I’m sorry,” I say, as we reach the last door and he opens it with the skeleton brass keys they still use here in my village.

Inside, the suite is a wink in time, an ellipsis at the end of a fairytale book. The four-poster bed dominates most of it, with the cozy fireplace tucked in the corner. And on his nightstand is a framed photograph of me sleeping—the same as his old screensaver—facing his pillow. The only photo of me he has. That’s all I have time to see because Aiden tips my head up to him, waiting with tense eyes. Will he think I’m entirely insane when he hears it?

“It truly is nothing for you to worry about,” I start.

“I’m listening.” His voice is forced calm.

“Just a little quirky thing that happened the first week I came back.  See . . . I . . . started having these very vivid, very real dreams . . . of you . . . and I couldn’t wake up easily. One might exaggerate and call them . . . next-street over, adjacent to sleepwalking type of behavior . . . but one would be very wrong indeed to go even that far.”

His eyes lock in terror. “Sleepwalking?” he sounds strangled.

“Adjacent. Adjacent to that. Not even that really… more like, going on a night stroll with a . . . dream.”

“You—were—walking—out—at—night—while—asleep—dreaming—of—me?” The strangled voice becomes a horrified whisper, and his shoulders could pulverize Rose Arms Inn to the ground.

“Yes, but I was completely safe. I know this village like the periodic table. We . . . I mean I . . . was walking along the exact trail we just did . . . except even safer because everyone else was asleep. And truly, this is an exceptionally safe hamlet with one of the lowest crime statistics in the world. The last crime here was in 1976 and it involved stealing rose breeds, and the whole town—”

“Elisa!” Half-strangle, half-snarl.

“Right. So, we . . . I . . . would then wake up and . . . umm . . . skip right back to the cottage. All ten fingers and ten toes.” I hold up my hands as evidence, but they’re shaking so hard they could be used against me.

“Then why did Cal have to intervene, Elisa?”

“Oh, hah . . . that . . . well, that was just . . . nothing . . . a complete misunderstanding between me and the . . . the river.”

His hands fly to his face, pulling it down in a realistic, but much more exquisite, rendition of The Scream. “The river! You fell into the fucking river while sleepwalking, and the river dragged you down to the point where you must have been drowning and that’s why Cal had to jump in to save your life! Is that what you’re telling me?” He is breathing like he was in the river with me.

“Well, technically, you said all that, but you would be . . . adjacent right . . . on that theory. But, as you can see, James and the river completely overreacted, and I’m just fine.”

“Fine?”

“Yes. The pink of health. It only lasted for about a week until I found the answer and—voila—it went away and I’ve been ever since sleeping very soundly in my bed, with very warm blankets and . . . umm . . . quilts.”

“Until you found the answer?” His tone is dangerously flat without any inflection, probably because all inflection has gone into his muscles.

“Right! Right! Uh huh. I can see why . . . umm . . . you might have more questions about that, but—”

“Elisa! You are this close,” he says, pinching his index finger and thumb together. And then I truly see his eyes—his ravaged Aiden eyes, torn between the horrors of imagination and reality, sickened with panic about me, probably growing the snowball as we speak. And at that look, I no longer care if he thinks I’m certifiably mental and locks me in a padded room at the Burford Dementia Centre for the rest of my life, so long as he heals.

H-e-a-l. Make him whole, keep him safe. I take his fist in both my hands—it feels like a grenade. And I tell him the rest, including my gratuitous home-made drug use while his fist never relaxes, the knuckles icy white under the strain. “But it’s all gone now,” I finish. “It only lasted while my mind redeemed you. And even with that river mess, I’m so glad it happened, Aiden. Because I couldn’t bear living a lie. Where that river didn’t kill me, believing that awful thing about you would have done the job. So please don’t let this ruin this day we never thought we’d ever have again. The present moment, remember?”

He had listened with horror until now but that changes. The fist opens, his face ages, as if he drowned with me, and he brings me to his chest clutching me like a life raft on that river. “Oh, my love!” he kisses my hair, my temple, my forehead. “Thank God Cal was there.” He shudders in my arms. “Thank God! I’ll never forgive myself—”

“Stop.” I place my hand over his lips. “There’s nothing to forgive.” He looks like he wants to argue but decides against it, holding me a while longer as his body relaxes around me. “Does this mean you won’t call the psych ward on me?” I laugh, only half-joking.

“Only if they lock me up with you. And as we’ve established I’m by far the worse patient. From nightmares to fighting imaginary insurgents, you name it. Five scientists across the world can’t sort me out. And that doesn’t include my very favorite scientist of them all. You have to admit, I win this one. It’s not even close.”

This kiss is different. Gentler, slower, like he is solving anagrams inside me with his tongue. A little tip here, a little stroke there, spelling, rearranging my letters, my signs until I’m breathless and—like in my dream—there is only the truth left. The truth of his love for me. And my love for him.  A love that has ninety days to survive or end forever.  At the thought, my fingers pull his hair like hooks and my leg wraps around his, pressing him closer.

“Hold that thought,” he says, untangling himself from my snare.

“What? Rostóv again?”

He laughs and flits to what I assume is the restroom. I barely have time to take off my crusty parka when he remerges with a victorious smile like he just vanquished War and Peace. With a flourish he rips open a pack of condoms. “Be ready, Elisa. This will be the best sixty-second big bang of your life.”

“Yes!” I laugh and launch myself at him.

It takes less than sixty seconds. One second for him to catch me. Another second for our mouths to meld.  No time at all for our breath. Then we lose some seconds wrestling who can touch the other more—a race of lips and tongues and hands; he wins on the kisses, I win on the moans. In another second, I’m flat on the floor. Covered in him, as his T-shirt flies to the wall. His teeth graze my throat as his hands grip my collar. And in another second, my top is ripped open. His mouth closes on my nipples in revenge, and I’m torn. A fire starts there, matching the fire below. In another second, my pajama pants and knickers disappear. But my wellingtons resist—stealing five whole seconds—so he hurls them across the room as far away as possible. I make up some time snapping his belt open, then waste a few seconds fumbling with his buttons. I shove down the waist of his jeans; with a gasp from us both, he springs free. I finally take him in my hands—not enough seconds in the world to feel all of that. He hisses and slaps my hands hard away, pinning down my wrists right above my head.

“Eyes open,” he groans and kicks apart my legs.

A millisecond for my eyes to meet his blue fiery depths. Half a second for his teeth to tear through a condom. In barely a blink he is covered. Then one hand grasps my hip as the other clenches my wrists. And in one more second, he slams inside me. We both cry out—it’s been much too long. But it only takes a breath for our bodies to respond, to remember. To grip and grind in that way they only do for each other. And then it starts. Two power lines thrashing, thrust after hard thrust. His body bolts every inch of mine to the floor. One thrust per second, two, maybe more. But the deeper he moves, the more I want. Every muscle starts shaking, my moans becomes words, cries, muffled by his mouth.

“Elisa!” he gasps, and I know we’ve started the countdown.

I think I say “Aiden” but I don’t know. That one spot in my depths that he keeps hitting is expanding, radiating like a centripetal force field; my vision is narrowing. I try to match his tempo; his rhythm leaves me behind. I grip him with my legs, with my insides, and absorb every final thrust. Every final blow. Until with one last cry, with both explode. Gasping and writhing to that very last drop. And then stilling and collapsing, and the whole world stops.

He is not the big bang; he is whatever big bangs come from.

The sudden stillness is deafening and blind. I can hear nothing but my blood roaring in my ears and our shattered breaths. And for a space in time, I can’t even open my eyes.  I sense everything else though. An odd poetic rhythm inside my head. The smell of Aiden—sandalwood and liquid steel. The blanket of his weight all around me. His head rising and falling with my chest. The tempest of his breath on my skin.

He stirs first, and I feel his weight shift. His nose nudges mine.

“Hey.” His husky timbre reverberates inside me.

“Hey,” I breathe, eyes still closed. My hoarse whisper brings a memory of these same two little words during our very first time. If I remember them, he certainly does because, instantly, his entire body springs to life.

“Oh!” I gasp, and my eyes fling open. His stunning face is inches from mine, an exultant smile on his lips like a firework—exactly as then, but exactly for now. He flexes his hips, pulsing inside me.

“You know—” I say, breathless “—there are some benefits to your memory. This would be impossible with a normal man.”

“Let’s be impossible then.” He laughs and rolls us until he is beneath me on the floor and I’m straddling him. The ripped pajamas drape down like love letters. But the moment my arms become bare, everything tilts on its axis. His laugh dies on his lips, draining his face from all color. His eyes lock on my left arm where he last saw the purple bruises left by his crushing grip. And although my skin is ivory now and all healed, the tectonic plates grind to a halt. And in that one glance, we are catapulted from the first time we made love to the last time when he was saying goodbye.

“Aiden, no,” I say, caressing his jaw; it has turned to granite as his teeth are gnashing, exactly as then. “They’re all gone, my love.” I take his face in my hands, trying to turn his eyes on me rather than my arm, but he is frozen away, seeing only the dark patches. Tension rips through him, and the earlier vibrations of his love become ripples beneath me. His hands close in fists where they were resting on my hips, in an identical image of the past.

No, my mind revolts. I won’t let this horror have him. I promised I’d fight with him. But I have no idea how, wishing for Corbin as my Aiden trembles underneath me. Then abruptly my own memory comes to my aid, replaying his musical voice from this morning in my head. ‘We have to do the exact opposite of what we were doing.’ Quickly, I rewind our last time together and the world tilts again, as I start turning everything from that memory upside down.

Where then he leaned in and blew on my bruises, I now lean close and blow gently on his lips. “My love, you love me,” I say, turning his past “I love you” on its head. “You love me so much.”

His breath hitches once, but his eyes are still gone.

Where he last kissed the contours of my bruises, now I kiss the contours of his eyes. “Look at us,” I whisper, instead of the “look at me” he groaned then.

He blinks and slowly the plates start to shift. But his body is still taut, muscles shaking like he is tearing from within.  So where the last time it was he kissing every inch of me, I take over now, kissing all of him. His last kisses were all goodbyes so I try to make all of mine hellos. And because last time was silent, now I talk.

“Hello you,” I say to the center of his forehead, kissing it as he did with mine.  “Hello,” I kiss his scar. “And you, too, you get a kiss as well,” I peck the tip of his nose and the nostrils stop flaring. “And so do you,” I kiss along his jaw and it slackens. “And I missed you most of all,” I say to his mouth. It opens now, he breathes—and his very first air is the air inside me. I trail down his throat, to his Adam’s apple that bobbles. And wherever my lips touch, the tension starts to soften. At the tip of his shoulder now, the craggiest crest of them all. “Hello stubborn!” I greet it. “You get lots of kisses.” And the moment my lips close there, the tremors slow; I kiss it again and again and again until they stop. And it feels like Corbin’s voice is echoing through time.

“Extraordinary,” I whisper now. I see my calm start spreading over Aiden like light. As though my lips are striking the horrors down. Every time I touch him, that last memory seems to bend. I give him all my kisses, all my touch, like he did with me then. Under my lips, all the tension disappears, blowing out of him like some dark evil force. And with a sharp gust of breath, my Aiden returns.

“Hello,” I say, and he smiles. His eyes find mine; brightening, they become vernal, the shimmering turquoise like a sky for this new constellation. My favorite dimple twinkles on his cheek.

“Beautiful!” he marvels as though I am the art. But in this new opposite dimension, he is the painting and I am the painter.

“Yes, you are,” I answer, and my lips starts again. Not to reverse time now, only to taste him. But he is back in full force and wants to take over. He sits up, his hands tangling in my hair, gripping me closer. His body revs up in ardor, not flashbacks. But I am not letting this calming power slip. My hands lock like manacles around his wrists.

“You’re mine,” I tell him and all the horrors within.

“Always,” he smiles, his hands tightening on my face as though to press the point. And then his dominant mouth is on mine. I get lost in the feeling of him here and more powerful because of me. The expanse of his golden skin, the dusting of dark hair, all his peaks and valleys and riverbeds and cliffs—the entire battlefield of his body. It starts flexing and hardening under my hands, but this hardness I know, I crave. My frenzy strikes again. And although the bed is right next to us, I know I’ll never make it that far.

“Aiden, now,” I beg, but he is already ahead. Jeans gone, new condom, he lifts my hips. Then slowly he lowers me onto him, inch after endless inch. The instant he slides home, my hips are unleashed. Circling, twisting, writhing, shimmying. With each round, my body is building. My skin starts zapping with a static storm. I drive faster down, needing more. And the more he has to give, the more I want. All of him, which I haven’t been able to manage before. But it’s as though the last two weeks have expanded our cells; making more room for each other, not less. I know exactly when I reach the farthest boundaries of him because my loud cry mingles with his and for a blind moment I think, this is how we’ll die. But he takes over very much alive. His hips start a fray of their own. Rolling into me, tilting, thrusting. Deep and slow and shallow and fast. With each salvo, my body ignites—a million points of fire, a million sparks. Then his words start—dark and carnal, stories we only tell each other. I try to match the tempo of his war dance and I falter. He knows. Because when my body arches and suspends, he doesn’t let me fall. His iron arms solder me to him. I hold on to his neck, his shoulders, his everything. With me secure, his rhythm changes. A deadly beat that gives me life. And every cell starts buzzing, zipping, thrumming, thriving. So much life my body starts to quiver. Inside out, there are only tremors and shivers. He groans my name and stars burst in my eyes. And with a final thrust, we both fall apart. For the first time, our release makes us laugh. We plunk down on the rug breathless with paroxysms of giggles. I sprawl over his chest, listening to his laughter, to his heartbeat drumming in my ear. A healthy and robust sprint, like mine.

“Was it always this good?” I ask him when the aftershocks recede, my fingers drawing letters on his chest. A, E, l-o-v-e.

“Always,” he answers without hesitation.

I think about that word—always—that has defined us from the beginning, from when he first explained what it means for him in my Portland apartment three million and two hundred thousand heartbeats ago. And other words that have a different meaning for Aiden and me. Forever, peacemaker, fighter. Can these longer words help us carry the weight of the four-letter ones?

I know this small win we just had is not enough to triumph in this war. I know the enemies ahead are formidable, mightier than any flashback my long-gone bruises triggered. Killings, death, violence, capture, torture—they are all looming. Their black-cloaked specters already darken our days. Their rattling putrid breath is already suffocating. Their rotting skeletal fingers are reaching through the years to claim him and hold him prisoner. I know these are horrors I cannot fight with a kiss. I know my touch won’t wipe them away. They will not vanish under my lips. And my breath will not make them fade. We have no powers except our love. We have no weapons except perhaps my protein of bravery. We have no armies except each other. So this little win is not enough to give me h-o-p-e. It’s not even a map. But it is a step, a sign in the maze of trenches ahead. “This way,” it said.

©2021 Ani Keating

NINETY DAYS: CHAPTER 10 – THUNDER

Hey all, I have no words about this chapter other than to say I hope you enjoy and thank you to all who are reading and commenting. xo, Ani

10

Thunder

Friday lands with thunder and rain. It startles me awake, then I wonder whether I was truly sleeping. Javier’s trial is today—or rather in twenty-one hours Portland time. I shuffle to the window and peer outside. It’s still pitch dark. Heavy torrents are cascading like a waterfall around the cottage. And even though this is common for England in June, I tell myself it’s a good omen if my sky is matching Portland’s weather.

I wrap myself with the quilt and lumber downstairs to start the kettle. Despite the heat of the stove and the quilt, I start shivering. I watch my hands pick up the loose-leaf tea, the infuser, a teacup, but they’re background images. On the forefront, sharp and clear, are Javier’s hollowed eyes and ashen face last time I saw him as an armed ICE officer dragged him away. My hands shake and the kettle spout misses the cup. A clap of thunder rattles the cottage windows, and I shamble down the corridor to the library, clutching the hot teacup with both hands. Only one person can calm me now, but Reagan is not on Skype. I ring her mobile twice; no answer. More tea spills out of the cup, staining the quilt like an amber rose print. Then a text blinks on the screen from Reagan: “Sweetie, I’m with the Solises, can’t talk. The girls figured out what’s happening & they’ve been crying. I’m staying with them tonight.”

My teacup drops on the rug at my feet. I thumb a text back as quickly as I can: “Oh no! How did they find out?

“Overheard Maria talking with Benetto. He’s been here all day.”

            “Here” must be his parents’ home. Another shiver whips over my skin. “What does Benetto say?”

“Not much. He’s working nonstop, preparing testimony.”

I resolve to send Benetto my very first paycheck even though he said he’s defending Javier pro bono. “Is he hopeful?”

It takes twenty-two elements on the periodic table for Reagan to respond: “We don’t know. We’re all praying.”

“Reg, what can I do? Please tell me what to do!”

“Pray with us, sweetie. There’s not much else you can do.”

I can barely see the screen through my tears. “I will. Should I talk to the girls?”

“No please don’t! We told them you’re helping Javier when they started asking for you.”

Another roll of thunder volleys through the sky, drowning my sob. “Tell them I love them. Tell them I’ll take care of them.”

“Will do. Hang tight. I’ll be there in 2 days.”

“Don’t worry about me. You stay there with them. They need you more.”

“Gotta go, babe. I’ll call you as soon as I can.”

            No, please stay with me. Please stay with them. Please be air, Reagan, and be everywhere. “I’ll be waiting. Love you, Reg.”

Her final text flashes quickly—“Love you too”—and then she’s gone. I drop on my knees and join my palms together. Prayer was not a daily practice in this cottage, but even Dad agreed science did not have all the answers. When I asked him what he thought God was, he said, “God is the wonder that makes science life.” I pray now to God, Mum, Dad, and any other angel who will listen to me up above. I pray for my Javier, crumpled on the floor in a cramped dark cell with armed guards outside. I pray for Maria and Antonio, and their love that has survived so much. And I pray for the girls and their little beating hearts. Give them strength, God, give them love! More tears splash on the rug like the downpour outside the window. Make them brave, please, save them from fear!

I don’t know how long I kneel here shivering and praying, but eventually my alarm buzzes for me to wake up for work. I start getting dressed, chanting my litany the entire time: “Give them strength. Give them love. Make them brave.”

Outside, the dark has lifted. The torrent has slowed to a downpour but heavy droplets still stream from the sky like crystal rosaries. Give them love, make them brave. I plod across Elysium for the bus stop huddled under Mum’s umbrella and rain jacket. My wellingtons squelch through the sodden grass and I dig deep in her pocket, checking for the Baci quotes that she stuffed everywhere, needing her so badly. She doesn’t disappoint. I read the crumpled quote, trying to keep it dry:

“Kisses are the lightning but love is the storm.”

            Give them strength. Give them love. The bus is empty today—another advantage to boarding it so early. The driver has become accustomed to my drawn face and silence so he only nods as I drip my way to my parents’ seats. Then time starts moving in lulls and lurches like the bus. Reaching Oxford seems to take a lifetime, but once I’m there, it becomes a blur. I beat Graham to the lab and all the other researchers. Everything inside me starts working faster: my heart, my brain, my hands. Give them strength. Make them brave. My fingers fly over the lab equipment as though trying to form the protein of bravery instantly. If I had it now, if only I knew how, I could mail it to the Solises to use in the months ahead. I try to decode what Dad meant: “Fifth time. Not December. Add love.” It makes absolutely no sense, yet I’m convinced it has to do with this. Dad never locked unimportant things in the safe.

“Hah! Look who caught the Oxford insomnia,” Graham’s voice startles me. I whirl around, palm over my heart.

“Sorry! Didn’t mean to frighten you.” He smiles, shaking off raindrops from his jacket, but he’s not alone today. With him are three other researchers—dripping too—whom he introduces as Sophie, Rupert, and Elena. “They’re part of our team. They specialize in peptide reduction and are dying to meet you.” Graham rolls his eyes behind their backs probably to make me laugh. But nothing can do that anymore. Why did they have to pick today to join us? On the other hand, more brains for the protein of bravery. I smile and speak the absolute minimum that politeness requires, then turn to my pipettes to prepare them for dispensing the liquefied fear molecules. Graham takes his spot to my left.

“All right there, Eliser?” he asks under his breath. I nod, keeping my eyes on the pale blue liquid. Graham must attribute my silence to my concentration because he doesn’t talk anymore. He starts his methodical calculations, and I feel a rush of gratitude I have him as my lab partner instead of the newcomers who chat freely with each other, stealing looks at me.

Hours race like this as Javier’s last night falls over Portland. If the others talk or ask me questions, I don’t know it. I resurface only when Edison comes in and starts calibrating measurements with us for a while. Any other day, my nerves would be live wires from his presence. But today my brain seems to compartmentalize everything, as though it needs every single neuron to survive.

“You move your hands exactly like Peter,” Edison comments to my right, a ring of marvel in his voice. My brain tucks that away close to my heart, but doesn’t falter. At the same time, it’s dispensing the fear liquid into vials while converting time to Pacific Standard—it’s midnight in Portland now. Everyone will be curled up in bed, but they won’t be able to sleep. Give them rest. Make them brave.

“Elisa, slow down. We don’t want to spill the 2-AG liquid,” Edison coaches gently.

“I won’t spill it,” I answer with a confidence that two days ago would have stunned me. Today it stuns them. From the corner of my eye, I notice all five stop what they were doing and stare. My brain is already allocating the rest of the liquid into vials, but it sends a signal to me to pause, look up at them, and mimic a smile. “Sorry, I know I’m being rude, but I’ve had a thought and would like to test it as soon as possible. And I’m hopeless at talking while doing that.” The lie is smooth—too smooth for me—but instinctively I know I shouldn’t share my dad’s clue with anyone. Not until I have decoded it. Dad hid it in the safe and kept it to himself for a reason.

“No doubt, no doubt,” mumbles Edison, watching me intensely as though I’m one of the combusting peptide bonds. “Exactly like him,” he adds, but my brain has moved on. The last droplets of the blue liquid swirl into vials like glacial pools. Another line of neurons triggers a memory of his sapphire eyes, and my hands falter now. One of the pipettes trembles, and I almost miss the vial. I think I hear a smirk from Edison, but the liquid doesn’t spill. No more thoughts of him, my brain issues a global command, and every cell falls in rank as they mobilize my hands to start injecting peptide liquid—the fear’s counter-substance—into the blue pools. Two in the morning in Portland now, the hardest hour, and I move faster. The pinkish hue of the peptides infuses the blue liquid, turning it lilac like Mum’s eyes in the sun. Help them, Mum, give them sweet dreams! Edison, Graham, and the others have injected all the other vials. In unison, we place them in the centrifuge. While they spin blurry with speed, my brain is counting down the minutes to dawn in Portland. After a fifth rotation, the vials stop spinning.

“Now then,” Edison announces meaningfully. “I see you mixed them a fifth revolution longer. Let’s see if this will coagulate them.”

Gingerly, with the crucible tongs, I lift the first vial to hover it over the Bunson burner that Graham is controlling. A single brain cell takes a second to confirm my hands are steady, and then all six sets of lungs in the lab hold their breath. If the “fifth” in my dad’s note relates to spinning time, the lilac mixture should thicken to a viscous syrup consistency. If not—

BANG! The vial cracks at the same time that the mixture combusts into a blue flame. A collective gasp drowns the hissing noise as dawn breaks over Portland.

“Again,” I say. And we start all over. BANG! BANG! BANG! The vials explode into smithereens, fire after fire. The Solises will be getting up now, getting dressed. Reagan and Benetto will drive to the courthouse in Tacoma, while Maria, Antonio, and the girls stay behind, away from ICE officers. Will they even be able to say goodbye? Make them strong. Make them brave.

“Again,” I say, reaching for another vial.

“No, Elisa, this is the fifth time, we can’t waste it!” Edison’s tone is final, exasperated, but my brain pauses everything. The fifth time! I stare at the innocent lilac liquid in the vial in my hand. What happens to it in the fifth time? Whatever it is, it cannot be December. My brain kicks into overdrive, cataloging everything having to do with the month: Christmas, cold, winter, snow, ice, the last month, the twelfth month! In a blast of awareness, my head snaps up to the periodic table on the wall across from me. The twelfth element: magnesium. Remove it on the fifth spin!

“What is it? Elisa, what? What have you discovered?” Edison’s loud voice breaks through at the same time as adrenaline starts waning. Because I still don’t know what “add love” means. Is that February fourteen? I search the periodic table but neither the second nor the fourteenth element would make sense. My parents’ anniversary? My birthday? No, those don’t fit either.

“Oh for heavens’ sake!” Edison shouts, yanking me back. His eyes are wide, boring into me like lasers. Graham and the others are watching too.

“What did you see?” Edison asks again, his voice calmer now that he has my attention.

“It’s nothing, I didn’t see anything,” I tell them all. The energy that was powering my brain drains away, and abruptly I feel the urge to sit.

“You thought of something! I know you did!” Edison insists. “I’ve seen that look in Peter’s eyes a thousand times. What was it?” The lab is trilling with his excitement, his desperation, but deep inside my dad’s voice says hush.

“Well?” Edison’s hands are in fists at his sides, so intense is his hope.

“I thought maybe if we added an anti-fire coagulant this time, it would help,” I invent wildly.

Edison shakes his head with a deep sigh, deflated, as I knew he would be. His fists relax. “We’ve tried that. Didn’t Graham tell you?”

“He must have, only I forgot.”

He closes his eyes briefly as though unable to watch, and I see in that gesture how much this means to him. How he grieves each step-back, perhaps as I grieve Dad.

“We’ll get there,” I assure him, feeling guilty, but not guilty enough to break with my dad.

Edison nods and composes his face. “No doubt, no doubt. Keep up the good work.” He scans the lab one last time and strides out, but his sunken disappointment stays behind. We all return to our own desks in silence. I sense eyes on me, but my brain has gone from absorbing everything to registering nothing except the courtroom where I last saw Javier. Soon he will be leaving his cell in an inmate van. Give him strength. Give him courage.

Graham leans close to me. “Something’s going on with you today,” he mutters. “Did you really not come up with anything or was that just for Edison?”

“No, I really didn’t. I’m just distracted—my best friend from Portland is coming to visit tomorrow.”

“That’s brilliant. Is he or she staying long?”

“Her name is Reagan.” Saying it out loud feels good, like sending it into the universe for her to answer. “And I wish she could stay forever, but it’s only for a couple of weeks.” And then what? Will I have to start all over again? How many times can I say goodbye to Reagan before her star implodes too?

Graham starts the experiment from the beginning, but I’m across the ocean. Judge Lopez will enter the courtroom any minute now and begin trial. My stomach starts twisting so violently that I mumble about needing a break and barely manage to walk normally to the restroom. As soon as I close the door, I deposit whatever little is in my stomach into the sink. Make them brave. Make them safe. I splash cold water on my face, not seeing my reflection in the mirror, only that courtroom. Is ICE presenting its case now? Javier is a thief; he stole painting supplies; he is a risk.My dad’s watch ticks the minutes away as I lean against the restroom wall. When will Benetto start his defense? Dad, give him your brainwaves. Give him help. My stomach churns again but thankfully nothing comes out this time. I gulp some water straight from the faucet and plod back to Bia.

“Any breakthroughs in the lav?” says Graham.

“I wish.”

“Ah, that’s rotten luck. Sometimes I get my best ideas in there.”

I start scrubbing all the beakers, flasks, burets, and unbroken vials vigorously, my eyes seeing nothing but the Tacoma courtroom. Benetto’s argument must be over by now. Any minute Judge Lopez should issue his ruling. Give him compassion. Give him mercy. A beaker slips through my hands and shatters on the stainless steel sink. I start cleaning up the shards, ignoring Graham’s offers for help, needing like air the focus required for collecting broken glass. Behind me, the four of them start cleaning up their workstations—it’s a summer Friday after all. Soon they’ll leave and I can fall apart alone.

“Eliser, come on! We usually grab a pint at King’s Arms on Fridays,” calls Graham from his locker. “I don’t think you’ve been there yet. And we might as well save some of the beakers.”

“Sorry, Graham, rain check this time,” I call back, keeping my eyes on the vial I’m disinfecting. “I have to be back at the cottage tonight.” As if any other place could contain me after my phone rings.

All four try to convince me to join them for a few useless minutes but they eventually relent. As they pass me on their way out, Graham whispers: “When I said he lives in you, I didn’t mean have no life for yourself. Have fun with your friend. See you Monday.”

The lab door closes behind them with a click.

Perhaps it’s the terror mounting inside me or Graham’s words lingering in my ear—“he lives in you”—but my brain reignites abruptly. What if I can really do this? Not just for Dad anymore, but for all my other lost stars. And what if someday he could use it? What if he could eat my bravery protein every morning—it’ll be flavored like Skittles, his favorite candy—like he did my anti-hunger protein that one time at Reed? It could help ease his terror of hurting others, his fear of flashbacks. And he would never know it was from me. I would donate the formula to an American lab for free on the conditions that they produce and supply it exclusively to all PTSD survivors and military combatants and never disclose my identity. A gift to give him even an hour of peace each day without the side effects of psychoactive drugs or the side effects of our relationship. Dad would have liked that too.

My fingers start flying then. I begin isolating and removing the magnesium on the fifth spin. The process is painstaking but that’s good. It fills the time as the clock ticks the minutes away and my phone screen remains categorically blank. Eventually, the magnesium disintegrates off the peptide bonds. I inject the stripped peptides into the blue liquid, goggles firmly on in case it explodes again. But it doesn’t. The lilac liquid starts thickening. My heart is sprinting but in a few seconds the liquid separates and disintegrates into a watery mess.

“Bollocks!” I curse at it. This must be the moment when I need to “add love.” But no matter how much I stare at the periodic table or search through the supply cabinets, I cannot fathom what Dad meant. Yet I can’t help but feel I’m getting closer. Give them all peace. Make them all brave.

It’s almost eleven thirty in the morning in the Tacoma courtroom. Minutes pass, one after the after, and my phone remains silent. I contemplate calling but what if Judge Lopez is still deciding or asking questions? I don’t want to interfere with anything. And what if they’re done? What if Judge Lopez ruled to deport Javier, and they’re saying goodbye? How could I interrupt that one last moment?

I jump to my feet then, cleaning up quickly. Even the breakthrough I just made cannot stop my molecules of terror any longer. I sprint out of Bia, needing only one place in the world that’s not that courtroom. My cottage. The downpour has changed to a drizzle by now, like teardrops against the twilight sky. Give them light. Give them strength.

I wish some day I could look back at these hours and say I passed them with courage, or at least grace. But that’s not what happens. Instead I have empty stretches of time where I remember nothing. I don’t know how I got on the bus or when I arrived at the cottage. But here I am as the rain stops completely and the clouds part for the evening stars. I call then. Ringing Reagan over and over while pacing every corner of the cottage but her bubbly American voicemail always has the same answer: “You’ve reached Reagan. I can’t get to the phone right now. Leave a message and I’ll call you back.”

After twenty-five times—definitely not graceful or courageous—I call Maria, no longer caring if she is standing right next to Stella. But the ring drops off with the generic computer greeting that all the Solis phones have. Antonio’s does the same. There could be only one explanation and my mind recoils from it even though we knew it could end this way. I whirl like a tornado through the cottage, trying to think. Who do I call next? I try Bob—his assistant informs me he is at a trial. Is that the Solis trial, Miss, has he gone to watch? The assistant politely tells me she cannot share confidential information and takes my name and number. By the time she hangs up, there is no one left. Only him! But how could I inflict myself on him when I know the pain my voice would cause him, the terrifying flashbacks I would trigger? And if it is bad news, as it’s looking to be, can I put the burden of giving it to me on his ever-tense shoulders? Can I force him to speak the words that will shatter me more than any attack of his? All this after making him a monster? And could I hang up after hearing his voice? Could I live through that again?

I march out of the cottage and start tending to the roses with a lantern. Help them, Mum, save them with your magic. I prune the withered blooms and gather the petals that have fallen from the rain into mulch. The thorns prick at me—they’re just sharp kisses, Mum would say—but I welcome it. Each prick is a call back from the nightmares in my head. But even the roses can’t hold my attention anymore.

Phone clutched in hand, I end up in Elysium, treading circles around its perimeter. The moon is brighter than the sun was today, and the clouds have cleared. And the phone remains silent, no matter how often I check its signal or battery. Make it end, God, give it a good end, please. My entire frame is shaking in terror. Perhaps I could keep some of the bravery protein for myself. I trudge back toward the cottage then, unscientific superstitions slithering inside my brain like venom. If I change paths, maybe they will call. If I enter the cottage on the right foot, maybe Judge Lopez will rule for Javier. If I light the fire in the fireplace, maybe it will burn away these thoughts. If I prepare the guest room for Reagan and cover every inch with fresh roses, she will bring me good news. But nothing works. I turn on one of our home movies on mute and curl up on the sofa, keeping my eyes on Mum and Dad dancing Argentine tango. I’m behind the camera this time, while they waive at me then embrace, eyes only for each other.

And still the night stretches without a call or text. Eleven now, midnight.  With each swing of the pendulum clock on the wall, the answer becomes inescapably clear. Javier didn’t make it. And losing him is so staggering, no one has life left in them to comfort me. They’re all comforting each other, exactly as it should be. Tears start dropping hot and fast on my hands. So this is how it ends. In silence, without the words that make it true because no one can utter them. Who would have the heart tell me there’s been an accident this time? Poor Reagan will need to do that in person tomorrow, or I guess it’s technically today. What mirror did I break? What ladder did I walk under? Help them, God, stay with them. Not with me. I unmute the home movie, letting the tango play because I know my phone will not ring.

Thunder rumbles, rattling the windows again, startling me upright. It’s still dark out. I must have dozed off here on the sofa—how were my neurons able to fall sleep? Another salvo crashes through the cottage, jolting my phone off my hands.

“ELISA!” a voice booms over the clamor, loosening my very bones as another volley shakes the front door. And I realize it’s not thunder, it’s heavy knocks. “ELISA!” the voice resounds again but my feet are ahead of me, sprinting to the foyer. I wrench the door open and for one second, in the foyer light, I glimpse a face I’ve seen a thousand times today in my mind.

Gaunt and hollowed like me, with a thick ebony beard, Javier is standing on my threshold, fist in the air about to knock again. And right next to him, a mass of wild, red curls. That’s all I see because in a flash I’m wrenched off my doorstep as Javier crushes me to his chest.

“Isa, thank God! Thank God!” He cries in my hair, kissing the top of my head, clutching me tightly, as Reagan sobs, hugging my back. I’m squeezed between them, their arms and hands around me so solid, so substantial.

“Javier! Reg!” I gasp into Javier’s sweater, kissing it and clasping his shoulders. “What—how—you’re here—how are you here?”

“Shhh, amorcita, it’s okay. You’re alright. Gracias a Dios, you’re alright!” he says over and over into my hair, pressing me closer.

“Careful Javi, let her breathe!” Reagan chides while hugging my neck.

“You’re the one choking her,” he says but still he tilts up my face. His paint and peppermint smell envelops me, along with Reagan’s Lolita Lempicka perfume. At their homey smell, the tears start—sobs really, so intense that they pull away exactly one inch, while still gripping both my shoulders and hands.

“Breathe sweetheart, deep breaths! We’re here. We’re here for you,” Javier repeats methodically, his voice back to that calm, soothing timbre I remember. He strokes my hair, his ashen face wild with anxiety, and I blink hard to dispel the tears. I see them properly now: Reagan’s tearful emerald eyes—were they always so kind, so beautiful? And Javier’s deep obsidian ones sparkling above the beard full of life, so different than the last time I saw him.

“What happened, Javier?” I blubber, squeezing their hands in each word. “Did ICE kick you out? Are you hurt? Where is Maria? What about the girls and Antonio? How are they—where—why—Javier, what happened?”

“Isa, relax.” Javier brings me back to his chest, gently this time, while Reagan rubs my back. “We’ll explain everything, but we’re all fine. Worried sick about you, but fine.”

“But what happened? I’ve been waiting—”

“We won, sweetheart. Well, we lost first, then won. Then I got emergency parole to travel and see you for humanitarian reasons.” His voice shudders at the last words. “Why did you do this crazy thing, Elisa? I thought I told you not to do anything that risked your green card. And you go and give it all up for us.”

So Bob kept his word; he gave them the money. Exactly right. “You’re my family,” I sniffle into his chest. “Of course I’d take care of you.”

“And we’ll take care of you,” he says quietly, wiping away my tears.

“But how could you possibly have won? And how did you get here so fast? I’ve been so worried!” I pull back to look at the wall of their bodies in front of me, so close, so warm, I almost miss the sideways anxious glance Reagan gives Javier.

“Well,” he says slowly, softly, cupping my cheek. “We had a lot of help from someone.”  They part then, like a double door in front of me, freeing the light of the foyer to stream into the dark garden.

And there, in the path of light some feet away, is a silhouette my cells know awake or asleep, ash or alive. Tall, ramrod straight, shoulders hard against the night, he stands motionless by the Elisa roses.

“Aiden!” My gasp, my feet, my very heart move fast on their own, propelling me forward while everything else falls behind. But with each trembling step toward him, the mind catches up. This isn’t real, it says. It’s too similar to before.

I stop and look over my shoulder. Javier and Reagan are still on the threshold, heaving suitcases inside—they were never in my dreams before. They felt real a few moments ago. But then they close the door behind them, plunging the garden into darkness. My heart starts clawing against my ribs. Under the terror, it will implode like all my stars. This isn’t real.

“Elisa,” his voice calls me, and the sound is so heartbreakingly beautiful. Softer and huskier than the other dreams—like the first word we might speak after a long, deep slumber. My feet obey instantly to his music, captive despite the terror.

I reach him then, as I always do. His face is darker than usual too, the moon is behind him this time, gilding his wavy hair silver. I can’t see his eyes, only the panes of his face contoured against the moonlight. And I know in that, this must be a dream. I know because the livid wound inside my chest is sealed shut. In its place is that deep ember he lit up the very first time we spoke to each other. Even afraid, I can feel it there, its warmth radiating through me, thawing every cell back to life.

“Elisa, are you alright?” He takes a step closer, yet is farther than the other nights he has visited. A faint scent of cinnamon, sandalwood, and something I can’t name wafts with the river breeze. The sandalwood and nameless scent are new; my dreams are getting better. Why is that? Is that because I’ve never needed him more than I do tonight?

“Elisa?” His voice is urgent now, a crescendo in his music.

“You’re here,” I answer, a statement not a question—like I did in the other dreams. Any minute now, he will smile. And the night will get lighter. And I will be able to see his stunning face.

“I am.” The voice is back to a sonata, so perfect for a dream. But the night is not lightening. We haven’t gotten to that part yet.

“Why?” I say my next line.

A deep, throaty sigh—so male I shiver. “There are about seventeen answers to that question in a dichotomous key, Elisa,” he murmurs exactly my words to him from an evening at Andina bar a lifetime ago. So vivid, so flawless even for dreams.

“Give me one,” I tell him. Make the night lighter. Say you’re here to show me the answers.

“To bring you your family,” he says, but it’s the wrong line. And the right one. Always trying to help me, never himself. But the night stays deep, his face still etched in shadow and starlight. I glance back at the cottage—it’s still there—then again at him, unwilling to miss a speck.  He is not walking toward the river like he should be; he is still close to me and the Elisa roses.

“What day is it?” I ask us both to test reality.

“June sixteenth,” our voices join together, baritone and violin. “June fifteenth in Portland,” he adds after I stop. “Elisa, what is it? What’s going on?” The panic in his voice is almost muted by the sudden pounding in my ears.

“And what did you do on June sixteenth ten years ago?”

“Elisa, what’s the matter? Are you hurt?” He is inches from me, his hands out as though to break my fall. Exactly as a dream would.

“Answer me, please,” my voice shudders.

“Okay. I woke up at five-thirty, worked out for forty-five minutes, ate scrambled eggs and four pieces of toast, answered twenty-seven calls and eighty-nine emails, reviewed the articles of incorporation for Hale X, played sixteen games of chess, and fell asleep, reading Brothers Karamazov. The last line I read was ‘The mystery of human existence lies not in just staying alive, but in finding something to live for.’ Do you need more?”

“It’s really you!” I gasp. He is truly here. No one else could match him, real or dream. That’s why he smells better, why his voice is sweeter, why his answers are not lines from a play or details my subconscience could have known. My mind has never done him justice. I tense as my entire body springs to life but his face contorts in anguish at my words—even in the pale moonlight, I can see that. A gust of breath leaves his lips like he has been punched in the gut.

At that sight, at that sound, the last two weeks don’t matter. His lie about Javier doesn’t matter. My questions don’t matter. My wants don’t matter. The only thing that matters is to release him from this pain. To free him. To tell him the truth and turn his stardust into light. So he can shine on.

He is still watching, I can tell from his hard breathing, matching mine gasp to gasp. “I’m so sorry, Aiden,” I tell him. The words spill out fast, as though they’ve been rolling in my mouth since the Solstice Gallery that fateful night. “I’m so very sorry.”

“What do you have to be sorry about?” He sounds bewildered. I wish I could see the V that I know is forming between his eyebrows.

“For believing you reported Javier.” My voice trembles. “For even asking you that awful question in the first place.”

I have stunned him into silence, that much is obvious even in the dark. “Elisa,” he says at last, his voice so unbearably soft I imagine him calling me “love” instead. Like he used to. “You didn’t believe anything I didn’t want you to believe.”

Always trying to protect me, even from myself, even now after the end. “That doesn’t justify anything. I know now, I know it wasn’t you. I know you could never have done something like that. It was Feign all along.”

“How did you figure it out?”

You gave me the truth, I want to tell him. You came here every night, like you are right now, never stopping until I found my way. “That’s a very long answer. I’m just sorry I couldn’t figure it out sooner. I’m sorry I’ve caused you so much pain.”

His gasp drowns my voice. “Elisa, stop! You’ve given me nothing but joy. You erase pain, you don’t inflict it.”

How could that be, I want to say. How could I erase pain when my very sight must be triggering memories of his attack, of his suffering? So much so that he exiled me from his life. “That’s not true,” I tell him. “I should have listened to you. I shouldn’t have forced myself on you after the attack. I should have left like you begged me to so many times. I’m so sorry.”

“Elisa, stop this right now!” His voice rises to its familiar hard command. “If you blame yourself about any of this, you will only make me more disgusted with myself.”

And there it is. The truth of the truth; the end of the end. “We will always come back to that, won’t we?” I whisper. To his self-loathing, his determination to save me from himself at all costs, especially at the cost of himself. I step an inch closer—one fingertip and I could touch him. One fingertip and it would shatter me. I knot my hands tightly together at the exact moment that his hands do the same. “Aiden,” I start, feeling his name in my mouth one more time. The way the A molds to my tongue, the way the D caresses the rooftop, the way the N soft and airy brushes my lips. How could I have ever silenced it? How could I have banned it? He waits as I try to find my words. I can feel the warmth of his ember fading, the wound starting to throb again. “I know it’s in your very molecules to shoulder all the blame. Even your atoms think you’re not worthy. Even your cells don’t think you deserve happiness. But you do. I don’t ever want to be the reason for any of these feelings you have about yourself—”

“You’re not!”

“Listen to me, please! I told you once, you brought me back to life. And now you’ve saved Javier—I have noidea how you managed to pull that off, I’m sure I’ll soon find out—but I know it was for me. You keep trying to save me over and over again, even now when I’m not yours to save.”

His shoulders ripple against the moonlight, and his breath catches. “You’re not mine,” he repeats, as if to himself. And the air changes.

“We can’t keep doing this,” I say, every word a shard of glass, cutting the perfect mouthfeel of his name. “You can’t stay captive to me, always trying to do the right thing by me yet hurting us both. I want you to live, live the exact kind of life you want me to have.”

“Elisa…” he whispers. “Love, what are you saying?”

That word. I can keep that word as a souvenir, can’t I? We deserve that much, don’t we? “You call me ‘love’ still.”

“You will always be my love,” he repeats his words to me from that last day we had together. “You know that—”

“Once you love, you love forever,” I finish for him, dream and life coming full circle. This is why all my dreams ended this way. I must have known even then it would have to come to this. I’d have to leave him for the right reasons.

He is unfathomable before me, shadows of night and light carving him into stone. No sound, no breath. I wish the moon was brighter, I wish I could see his beautiful face, his eyes that never told me a single lie. But it’s better this way—how could I have spoken these words then? Yet the urge to touch him, to feel him real here in my garden once so I can look at this spot in the years ahead and say, “I touched a real-life angel there once” becomes visceral. It unlocks my hands and I reach for his face—a small part of me still afraid he will disappear. But this is the goodbye we should have had, even in my dreams.

My fingers touch his cheek for the first time—his warm, smooth skin, the gentle nip of his stubble, longer than I remember. He leans into my hand. “Elisa!” he says, voice catching at the “s” like a sigh.

“Thank you,” I tell him. “For everything.” I want that kiss, that one last kiss to keep forever on my lips like a Peter Pan wink that keeps one young. But I’m not strong enough for that even though I know he would give it. He would give me everything, everything but himself. So I reach on my tiptoes instead and kiss his L-shaped scar. His hands fist in my hair, holding me there tight, his breathing harsh in my ear. His body is taut steel, a forged statue brushing against every line of mine. “Be happy!” I say and try to pull away, shaking with loss. He must sense my need for distance because he drops his hands and lets me go.

“Is this what you really want? What about your happiness?” he chokes, always putting me first.

“I’m sorry, Aiden, you can’t give it to me. No one can.”

“I’d like to try. Please, Elisa.”

“It’s not your job anymore, my love.”

“You call me “love” still.”

“You’ve said it yourself, lack of love was never our problem.” I step back, tears searing my eyes. And why should I cry? Aren’t I lucky to have had this kind of great love? Doomed in the end, yes, but great. My insides don’t find that thought comforting. The wound rips wide open.

“Elisa, please,” he says again, but I am drained. I have seconds left before his sentient eyes see my own pain even in dark and try to save me again, in a never-ending cycle of selflessness that hurts more than any selfish deed.

“Do you have a place to stay?” I ask even though I know he must. He would never sleep with me. He doesn’t even have any suitcases with him.

He nods without words; I can only see the movement.

“Sleep well then. Make it a good dream.”

I caress his scar one more time and turn away, running inside as the tears breach through the last of my dams.

“Elisa!” his voice calls after me even as I close my door.

©2021 Ani Keating

NINETY DAYS: CHAPTER 9

Hi everyone and welcome to all the new and old readers who are returning! It’s been wonderful to see your names and social avatars again. Thank you for coming back to Aiden & Elisa, and for your comments to me. You support and encouragement means a lot. Without much delay, here is Chapter 9.  Tic toc…

9

Stardust

            Living with the truth turns out to be harder than I imagined.  It’s harder because now I know exactly how much he couldn’t bear to be with me after the attack. It’s harder because there is absolutely nothing I can do to change that. And it’s harder because now I don’t dream of him at all. And that’s the worst part; it’s like losing him all over again.

Still, as difficult as living with the truth is, it’s easier than living with myself. Because harder than everything else are the what-if’s. What if I hadn’t believed him when he told me he reported Javier? What if I had looked closer? What if, instead of forcing myself on him after the attack, I had left as he asked? What if! What if! What if! Like a sledgehammer to the brain, shattering all my rules.

The only things getting me through are Oxford and Reagan’s visit in three days. Of course, we all have to live through Javier’s trial in forty-eight hours first. I cannot think about that. I grab Dad’s lab coat and run out of the cottage for the bus stop even though it’s only five in the morning. But today—after two days of orientation—is my first time working in my father’s lab at Oxford. And although things like joy and excitement are beyond me, I cannot bear the idea of embarrassing my dad.

Walking at dawn alone, without him, feels like the Portland airport, but worse. It’s as though losing him was a cataclysmic event, a big bang that could not be contained in one continent. It has expanded now, radiating through the planet, finding me here in my little, peaceful town, pulverizing whatever flimsy structure I had managed to build.

But the moment I step on the bus, I feel a little stronger, las though Oxford’s hard limestone permeates my skin. By the time the bus drops me off at the University Center, I am centered too.

On the outside, the Chemistry Building looks calm and quiet. But inside, it’s teeming with life. Apparently Oxford does not sleep even in the summer. Students are huddled over books, clutching thermoses of caffeinated drinks, eyes bloodshot with shadows underneath. At least here my face will blend right in. Researchers are stretching their arms in the air, twisting their backs side-to-side, loosening the night’s knots. And behind closed office doors, I’m certain there are professors poring through papers or staring into space at concepts the rest of us cannot see. The entire building is humming with single-minded pursuit of knowledge, with the thrill of discovery within. There is no space in its vast horizons for lost loves, immigration trials, or past crimes. Oxford has its eyes on the vistas of possibilities, on the finite rules of science that survive any big bang, that explain everything. And because of that, Oxford is perfect for me.

But am I perfect for it? As I enter the cavernous state-of-the-art lab that could fit Denton’s in one of its fume hoods, I’m not at all certain. At least ten researchers are there already and when they spare a moment to look up, they all stare.

“Ah, Elisa! Here you are!” Edison calls, striding toward me from one of the cryogenic freezers. “I was beginning to fear you had lost your way.” Clearly, 6:30 in the morning is too late for this crowd. I’m sure Dad used to come to work later, but then again he had Mum and me. Edison is betrothed to science.

“I’m sorry,” I mumble, mortification draping over Dad’s lab coat that I’m wearing.

“Ah, not at all, not all. Like father, like daughter, I reckon. Peter would get in late too, but accomplished twice as much as us, the brain of his.”

Not wanting to waste another second, I start scuttling to the closest empty lab desk, but Edison chuckles. “No, my dear girl, you’re this way, with me.” And he starts marching the length of the lab at a pace that is only technically not running. I scramble behind him, feeling inquisitive eyes on my back, probably relieved that I, the flake, will not be anywhere near their experiments.

“Here we are,” says Edison, opening a door to a lab within the lab—like a heart chamber. I expect to see more futuristic technology, but this lab is homier, with a warmer glow than the harsh fluorescents of the Goliath around us. And, at the very front, as though he is waiting for me, stands a man, probably in his thirties, wearing a white lab coat identical to mine, except the initials: GRK. The moment I look at him, I feel the need to squint. He has lustrous blond hair as though a thousand sunrays are weaved in each strand. His skin is golden and his eyes a butterscotch hazel. He is so lanky that, clad in his brilliant white coat, he could be a neon beam himself. And he is the only one not staring. He is simply smiling.

“Elisa, welcome to the lab where many seasoned chemists wish they could brew. This is Bia.” Edison says the name of the Greek goddess of force and energy with reverence. “And this is my chief researcher, Graham Knightley.”

I’ve been practicing a smile and I employ it now as I reach for Mr. Knightley’s hand, expecting it to be hot due to his sunny appearance but it’s cold, like a true lab resident. “Hello, I’m Elisa Snow. It’s nice to meet you, Mr. Knightley.”

“Graham, please! And I know who you are. We’ve all been very eager to meet you.”

If he meant this as reassurance, it has the opposite effect on me. All I can think about is how I am going to embarrass my dad next. What was I thinking taking this on in my current state? I should have worked at the local pub for a while or forever as there are no dreams left for me. But before I can panic thoroughly enough to submit my resignation, Edison claps his hands once, as if to call attention, and says something that changes everything.

“Now, Elisa, you know your father and I had this dream of inventing proteins that are easy to digest but accomplish big things. Like the protein that fights hunger, which you’ve already developed.” He inclines his head to me while I use every brain cell to block memories of selling that protein to him to buy my green card. “Well, shortly before Peter’s accident, we had another idea: develop a protein that fights fear.” Edison whispers this last word, as though it’s an incantation or some secret gospel. For him, it is. As it instantly becomes for me. It triggers a memory of Dad in those last few weeks locked up in our library in that fervor that took over his brain sometimes. He would never tell me the idea that possessed him until he thought it through or found a way, no matter how much I questioned him. “You’ll know soon enough, Eliser,” he’d say. But he never had a chance to tell me that time. He died before the answer came. But I’m still here: how can I resist finding the answer for him? If I cannot dream my own dreams, maybe I can dream my father’s.

“Did Peter tell you about this idea?” asks Edison with a fanatical gleam in his eyes, as though he can read thoughts.

“No.” I shake my head, disappointing him no doubt. “I just remembered that he was in one of his zones right before—” I swallow. “But he never told me what it was.”

“Oh.” The gleam in Edison’s eyes disappears, but he recovers quickly. “No matter. I think he may have made more progress than you realize. So, here in Bia, Graham and I are continuing this work. Every day, every night—for the last four years. We get close sometimes, then lose it right at the moment we inject the 2-AG molecule in the peptide bonds. It combusts into flames. This one is tricky—trickier than anything else I’ve tried. But with you here, maybe we have a chance. Perhaps something will occur to you that has not done to us. And imagine if we do succeed!” Edison’s eyes glint again. “Imagine brewing a life with no fear. What that would mean to you, to me, to so many.”

            To my dad, I finish in my mind. It’s impossible not to feel that I will let Edison down; how could I ever do in a summer what my father wasn’t able to in his life? But how could I not try? How could I not give it every day and every night of what remains of my existence? This is the last thing I have from him.

Time becomes a blur then. Edison leaves for a lecture, and Graham and I work side-by-side, as he shows me their progress, their challenges, and where they’ve gotten stuck. He works quickly, elegantly, his gloved fingers handling the equipment with fluidity, like piano keys.

Every once in a while, he mentions Dad: “Professor Snow would have seen right through this” or “I think he’d have done it this way.” At some point, we both start talking to Dad out loud and neither of us seems to think this is mental. But mostly, we work in a companionable silence trying to reduce the elusive 2-AG molecule into any form compatible with peptides that doesn’t combust. Testing one compound here, another there—like a new musical note in a melody. Many look at chemistry and see fumes, liquids, beakers, flasks, burners. But that’s not what chemistry is: it’s music. Each element, each atom is a note. Each piece of equipment is an instrument. Mix these two compounds together, and they hiss. Mix those two others, and they babble. Throw this fifth substance in, and they ring like trumpets. Find the right formula, and you have a concert. A concert that feeds you when you’re hungry. A concert that makes you brave.  Someday, perhaps a concert that keeps you young. But it’s always music—chemistry is the soundtrack to life.

“Break?” Graham asks after a while.

“No, it didn’t. See? The peptide is still intact.”

“No, I mean, take a break with me?” Graham annunciates slowly, as if thinks I might have forgotten how to speak English.

“Oh! No, no, no!” I say quickly like he suggested I should swallow the liquefied peptides. Who needs a break? What could I possibly allow myself to think? Not to mention I’m not ready to converse casually with people who are not Reagan. Graham’s eyes widen a fraction so I amend to keep him from seeing the madness within. “I mean, thank you, but I’d really like to finish this first. I might—”

“Eliser, it has waited four years, it can wait forty minutes. Besides, I’m famished.” He smiles, but I’m frozen solid. “What’s the matter?” He frowns when I don’t move, probably questioning my mental stability at this point.

“My dad used to call me that sometimes,” I whisper, remembering Dad laughing at his own pun: Eliser—Elixir. “I haven’t heard it said out loud in a long time.”

Graham blanches. “I’m very sorry, I should have asked. Only that’s how Professor Snow referred to you and I suppose it stuck—” he clears his throat. “My apologies, I shouldn’t have used it. What would you like to be called?”

Simple manners, yet the question feels suddenly important to me. “Eliser is fine,” I answer, surprising myself.  Then again, is it really a surprise? The girl I was, named after Beethoven’s melody, is gone forever; no one will be playing the piano again for me.

Graham waits as though he guesses I’m processing something. Or perhaps he is getting used to everything taking me longer. “A break might be a good idea,” I concede, trying to sound normal as we walk out of Bia.

Without failing, the researchers’ eyes follow us out. By the time we reach the building cafeteria though I realize it’s not just the researchers. A couple of professors come up, shaking my hand, saying, “Welcome back! Welcome back!” The kind-faced woman who prepares our lunch grins at me. “Ham and mustard for your sarnie, dear?” she asks. I can only nod as I realize she is guessing I like my sandwich like my dad. Even the elderly groundskeeper weeding the quad when we go to eat outside looks up and tips his hat. “Bless my soul! It’s Peter and Clare’s girl! Welcome home, child! Welcome home!” I keep my practiced smile glued firmly on my face but it must not be very convincing because Graham picks up his pace, leading us to the ancient oak tree on the other side of the quad. As we perch on its thick roots, I try to look like I’m unwrapping my sarnie when really I am trying to breathe. All these people—each a molecule in my parents’ life—happy to see me, and all I can think is they have it wrong. I’m back, yet I feel gone too long.

“All right there, Eliser?” Graham prompts. The fact that he has eaten half his sarnie is a clue as to how long I’ve been drifting.

“Oh, sorry. It’s just all this. They all . . .” I can’t find words to explain what I’m feeling.

“Stare, smile, and welcome you back with open arms?” Graham finishes for me. “Come on, it could be worse. Besides, it’s only your first week here. By Friday, they’ll have moved on to something new.”

That should comfort me, but it does not. “It’s not just that. Even Edison . . . he—I don’t know how to put it.” What is the feeling Edison gives me sometimes? Like I’m not meeting expectations? Or like I am? I can’t decipher it.

Graham sets down his sarnie on the paper plate and turns to me. In the sun, he is even brighter. “Listen. I, Edison, the others—we can’t imagine how hard it must have been losing your parents. But you have to understand, Peter Snow was a legend around here. And your mum curated Ashmole’s manuscripts for heaven’s sakes. Everyone loved them. Their accident rocked Oxford! And now, everyone feels like they’re catching a glimpse of Clare again, or a bit of Peter. It’ll pass. With time, they will see you for you.”

There is no me left, I want to say. He is missing the real problem. “I’m more worried about disappointing Edison, about not being able to do this. I’ve only just graduated, and you two are light years ahead of me. Shouldn’t I be scrubbing beakers in Goliath instead of helping you in Bia?”

“Ah, yes!” Graham nods. “Feeling inadequate at Oxford—that’s novel. No one’s ever felt that before. Definitely not me. And especially not Edison.” He winks with sarcasm, probably trying to lighten the mood.

It does not work. I don’t mind not keeping up with the brainiacs. I mind embarrassing my dad. I mind failing at his dream. These are things I cannot tell Graham, but he must have a sense—he is one of the brainiacs after all—because he speaks again after a few more bites. “Listen, Eliser! I was born to study chemistry. I have no passion or interest in anything else, and I’m told I’m not brilliant with emotional conversations either. But I do know one thing: you can work day and night, you can study harder than anyone else, you can sacrifice everything, and you still won’t achieve something that does not live in you. To me, to Edison, and the other researchers, Peter Snow was a chemistry god, and mortals can’t do what gods can. But to you, he was only your dad. And whether you think that’s enough or not, he lives in you. So don’t do what Edison or anyone else expects: do what you and your dad would do. And all will be well.” He frowns at the last words, as if he is assuring himself as much as me.

I turn his words in my head. Could the answer be there in their simple precision?

“Do you still live at the cottage?” Graham asks abruptly, like he has reached his capacity for emotional reassurance.

“How did you know about the cottage?”

He gives me a look that can only be described as an eye roll. “Everyone knows about the rose cottage.”

            And how it was abandoned. “Yes, I’m still there.”

“Well, after you’ve adjusted a bit, you could invite some of the profs and researchers—not all, mind, some of us can be positively cutthroat—and you can start forming your own relationships, hm? And if you finally finish that sarnie so we can get back to work, I might even be persuaded to leave the lab for a few hours and come over to help you with deep emotional things.” He chuckles, pointing at my sandwich. I wrap it back quickly and hop up.

“I’m ready.”

“Can I have that if you won’t eat it?” Graham asks, quite serious. For some reason, I think of Javier—of that big-brotherly feeling I always had around him. They are opposites, Javier and Graham, in every way: Javier is dark where Graham gleams golden. Javier lives for art, and Graham lives for science. Javier sees straight to one’s soul, Graham sees the molecules. Javier is losing everything in two days, and Graham is only starting. Yet they’ve both given me the same thing: a sketch for the next step.

I think about that while riding the last bus back to Burford, nine hours later. We all have before-and-afters that change us forever. Our personal big bangs—massive explosions in our skies that form and transform our galaxies from the ashes and dust left behind. And we go on, each time a new star, gravitating across the universe until our orbit collides with other stars, and we form constellations we call families, friends, love. My constellations have imploded—one by one, each star was extinguished. I have been rotating around their void, searching for a trajectory of some kind. I’m not a star, only a cloud of ash left behind. But what if it’s not all ash—what if it’s the stardust of those bright, bold stars?

I see a solution then. Maybe I can use what’s left of my energy to ignite the stardust back to light. Use my orbit to make Dad’s dream come true, care for Mum’s roses, help Javier’s family, and let him live free of me without guilt. And if I can do all that, maybe my lost stars will shine again. And maybe that’s enough in the end to transform this existence from inertia into life.

The cottage is quiet when I go in, Mum’s roses fast asleep in their beds, tucked under the velvet sky blanket, with the moon as a side lamp. As I switch on the lights, I wonder if the cottage sees in me what I see in it: no more dust or cobwebs, warmer, with some signs of life. Fresh-cut roses here, open books and empty teacups there, a little fire in the beehive fireplace, trainers on the doorstep. At least the cottage must think I’m alive.

I make some spaghetti, tapping my foot while the water is boiling, eager to kindle my stardust. When the pasta is ready, I take the plate with me to Dad’s library.

First: Javier’s family. In two days, their own constellation will implode. I send an email to Bob, my lawyer, to confirm that the trust I set up for the Solises is ready for them to use immediately after the trial. It’s not the same as having their brother, but it will help. Then, after finishing almost all of the spaghetti in thought, I text Maria. I cannot call her while she is living with his parents; I won’t ever let my orbit collide with his again, no matter how distantly.

            “Mamá, it’s me. I’m sorry I haven’t called, I will soon. I know the next two days will be very hard. But please remember what I told you before I left: no matter what happens, you, Antonio, and the girls will be okay. I may be gone, but you’re in my heart. I’ll take care of you. I love you, corazon y alma.”

            I stare at the inadequate text, wishing I could tell them about the money but Bob was strict that I could not before the trial. The message bubble becomes green as it’s delivered internationally, and I picture it arriving in her phone, in his childhood home, beeping in her hand or by her ear. She’ll be looking at it now, dabbing her tearful eyes, whispering “Bendita, bendita.” As I wipe my eyes along with her image, a bubble floats on my screen:

            “Isa, amorcita! I miss you. I love you. You here in mi corazon. Reagan says you hurt and no talk. Be strong, hija. Be strong. Eat your comida. Sleep your sleep. God is good. God will save all my children. God will bring you all back to me. I go to church now for pray with Stella. Call me, hija, I miss your voice!”

A tear drops on my phone screen. All her world is about to end, and she’s telling me to eat and sleep. I will never regret giving up my green card so she can live, and live well. Another tear drops on Stella’s name—his mum. The only other woman in the world who has borne the brunt of his startle reflex and the exile that follows. Who knows some of what I’m feeling. Maybe Maria and Stella will form their own constellation—two mothers with sons alive but lost. I send Maria a heart emoji and turn on Bod.

Second up: Javier himself. I cannot save him, but I can avenge him. I draft a full account to The Oregonian, exposing Feign’s fraud and telling them about the true Da Vinci. Javier’s genius will be known even if he will not be there to see it. I save the draft and schedule to send it Friday after Javier’s trial is over. None of us will have anything more to lose by then. I write to Oxford next, asking about their fine art program admissions for international students living in Mexico. Although America would be Javier’s dream, I know the universities there will not admit him after he is deported. But Oxford might—Javier has no past here. And, with his family secure and my cottage as a home, maybe he can pursue his art. Maybe his star can finally shine.

It’s near midnight now but I don’t feel tired. I still have Dad’s dream left. I dig out all of Dad’s notepads from every single shelf and drawer and stack them into towers on the floor, like miniature skyscrapers. And then start reading. Flipping through the pages, tracing every scribble and covalent bond with my finger, looking for anything he might have wanted, wished, or thought about the protein of bravery. But I can’t find anything—some of it I can’t even read or understand. My eyes start to itch, even though I’ve only made it through two of the fifteen towers. Oddly the lack of progress calms me. I have many years ahead to fill with this dream.

But as my eyelids start to droop and another dreamless night stretches before me, I can’t ignore the star I’ve been avoiding. His. He is the hardest of them all. Because his most powerful wish is to be able forget, and I have no proteins for that. But there was one other thing he wanted: me to forget him, me to stay away. And I will, but not because he is a monster. I will leave him because it’s best for him and best for me. I see it now so crystal clear. The end of love is never in anger. Love ends only when it’s the right thing. And this is right even though the agony sears me to my cells. I stand then, not surprised by where my feet are taking me. I think I’ve known since the field epiphany it would come to this. A goodbye to the man I know, not the one I heard that day.

The safe in the wall clicks open at the code, and the aged envelopes Benson gave me tumble forward. “You were brilliant, Benson. I just wasn’t quick enough to see it,” I whisper as I grab their rough, commissary paper, hands trembling so hard I almost drop them. The pain in my chest changes—it doesn’t throb; it suffocates, wringing my veins and airways until I can’t breathe. But I clutch the envelopes to that spot between my lungs he first brought to life, keeping the eyes on the periodic table until I find oxygen again. Then, gently as though the edges will slice me, I tear the envelopes with Mum’s letter opener.  The reddish coarse sand trickles on my fingers. And like that very first time I read his words, I sink on the floor.

            April 14, 2003

            My All,

            I come to you the way we come home. With dust on the skin and fire in the blood. It’s always dark when I come to you, the shamal winds wailing, the sand cycloning in places you haven’t touched (probably for the best). The light is always on above our door, the curtain is always moving. I raise my hand to knock, but I don’t want to knock gently. I want to pound with my fist on the door, tear it off its hinges, and make the foundations whimper. I want the night to go deaf from my arrival. I don’t want to enter, I want to burst into your arms and there I can kneel, molding into your small hands back into the man you believe me to be.

            I want to go blind from your eyes. I have no idea what color they are (I have tried blue, green, brown, black—nothing fits you). I want my eardrums to rupture at your cry when you finally see me.  I hope you yell at me, hit me, slap me. “What the hell took you so long?” I hope you tell me.

            And I will stand there, absorbing your blows more than any bullet, with no words. No words for your face, for the smell of you, for the crackling fire in the fireplace.

            “So help me God, Aiden Hale, what took you so long?” you will yell again, furious.

            But I will not answer you. How could I tell you that I had deserts to cross, oceans to swim, thousands to murder, more to free, bleeding brothers to carry on my back for miles and miles and miles before I came to you? You will never hear that outside of these letters. I have made an oath to give only music to your ears (and some really filthy words).

             So instead, I will look at your face. I loved you at first sight. At last sight. I didn’t need to see all of you to know that I was yours. Probably only a single strand of your hair blowing in the wind, or your hand peeking from your sleeve, or maybe even your shadow, and I loved you. This is how I want to love. In a way that will finish me at the end of the desert, at the end of the war. At the end of it all, I want to die because of you.  

            “Are you going to answer or will you just stand there gawking at me?” you will shout.

             I will reach for that strand of hair I first saw and kiss it. “Bed,” I will say.

            Yours,

            Aiden

Dawn breaks outside the cottage, the first ray of sun filtering through the library window. All the letters are open, each word tattooed forever on my retinas. They all start and end the same: “my all” and “yours.” In between are the words of a fairytale, of a man and a woman who could only be together in letters and paintings. And that’s where they should always remain, in a happiness we could not give them in life. I tuck all the letters back in their envelopes and place them in the safe.

“Be well,” I tell them.

But as I shuffle the rest of the safe contents to close the door, another speckle of stardust falls out: a torn piece of paper with Dad’s script, so rushed he must have barely finished it before locking it in:

“Fifth time. Not December. Add love.”

            I stare at the words. To anyone else they would make no sense. I don’t know what they mean either, but I know what they are: Dad’s code when he discovered something. I lock it back in the safe as outside, a new day starts in England, ticking away the hours to Javier’s fate.

©2021 Ani Keating

NINETY DAYS: CHAPTER 8

Hi everyone,

Thanks to those who read and dropped me a note on the last two chapters. It means a lot to hear from you, and keeps my story going.  Here is Chapter 8–I think it will answer a big question many of you have been wondering since the story was first posted. Hope you enjoy it. xo, Ani

8

The Truth

            The next day is short. And long. It’s short because I spend most of it sleeping while my mind and body grapple with the consequences of my homemade drug use. It’s long because when I finally wake up at three in the afternoon, groggy and dazed, there are still hours left before I can camp on the field and hope for sleep—and him—to find me naturally this time.

I can’t say how I spend those hours. My mind is more determined to replay every minute of last night’s terror than register any hour of today’s waiting. It dissects every detail, magnified in Technicolor and surround-sound, while the present plays in the background like muted elevator music. Every time I try to pause the rewind reel—by washing Mum’s parka, by preparing my clothes for Monday, by tending the roses and allowing the occasional thorn to prick my skin—my mind wrenches me back to the dream, reliving the path we took, his words, my reckless leap into deep rapid water, over and over and over. Perhaps my mind is trying to learn something new, or perhaps it’s entirely broken. Whatever the reason, my brain only reconnects with the present when the sun starts to dip and I have to find our old camping tent in the depths of the garden toolshed. From that moment onward, my mind and body seem to meld together, moving in tandem, focused inexorably on every preparation for the night ahead. As though survival depends on it—because it does.

I finally find the tent from our last family camping trip to Scotland. That same old ache enters the fray of my insides, but my brain is too interlocked with my body to falter. Next, I grab the bare minimum essentials for tonight: my sleeping bag, a flashlight, a change of clothes in case I end up in the river again, and a thermos for tea. But packing it all in a way that I can carry defies all my mathematical skills. And it breaks all my three cardinal rules in one fell swoop. Because I have to unpack my rucksack from America to manage to pack for my trek tonight. It’s impossible not to think of the past as I dig out my clothes that still smell of Portland, that still carry him in their fibers. Raw, utterly un-scabbed by time, the wound inside my chest rips open and for, a few moments, I can’t breathe. But The Oregoniannewspaper Reagan bought for me at the airport to honor my tradition tumbles out and restarts my lungs like James’s arms did yesterday. I flip through its carbon-printed pages, marveling at the date. June 1. Only a week ago, yet it feels a lifetime away. So much happened on that day. How did the world have room for more? But it did. Someone won the Powerball, the Timbers lost to the Sounders, and—my breath catches again—Brett Feign’s investigation made the papers: “Brett Feign, prominent local artist and owner of Feign Art Gallery prosecuted for tax evasion, fraud, and assault on an officer.” I snort. A single headline for an investigation that caused so much grief. I crumple up the paper and toss it in the waste bin, wishing I had time to light it on fire. Maybe if I survive my expedition tonight, I will. I don’t need souvenirs or reminders of that day.

The sun is lowering further now, and I manage to cram all my camping gear inside the rucksack, except the rolled-up tent which I’ll have to carry in my arms. I gulp down some canned soup, and set out on foot, locking the door behind me.

“See you soon,” I tell the cottage, hoping this is not another promise I will have to break.

The evening is balmier tonight. The fluffy clouds are lit up with sunset, like apricot rose blooms across the sky, deepening to copper in the bottom with iridescent halos on top. With a sigh, I realize they look like my favorite rose: Aeternum Romantica.  The rare rose I’ve only ever seen once…when he shipped hundreds and hundreds of them from Kenya for me. The jolt of pain from the memory knocks me breathless, locking my feet. I clutch the packed tent to my chest, hugging it close. “Hydrogen! I whisper. “1.008. Helium, 4.003. Lithium, 6.94…” It doesn’t dull pain—it hasn’t been working well since the hilltop grave—but at least my breath flows again and I’m able to move. The Aeternumclouds glow brighter above. I tell myself this is a good omen, and troop ahead awkwardly under my load.

I follow the same trail along the river as last night, but this time I will take the bridge. As he meant for me to do in the dream.  The nightingales start their dusk mating song, and the Aeternum clouds float across the sky. When I reach the bend in the river, a shiver runs through me, but I keep walking, noticing with relief there are no tents or tall figures around. Wherever James is, at least I don’t have to face him.

The limestone bridge is only a quarter mile further—“we’re getting closer,” he said in the dream—but I’m still huffing and sweating by the time I reach it. Its arches curve over the river straight onto the field. I cross it as quickly as I can, and finally I’m on the other side.

I stop to catch my breath for a minute while scanning the field.  It’s empty, a dark bronze under the twilight sky. The grass sways in the breeze, taller on this end than by the cottage. A beech or elm tree punctuates through it here and there, like guards standing sentinel in front of some invisible gate. At the far border opposite me, the town’s lights are starting to twinkle.

“What does he want me to see here?” I mumble to myself, feeling abruptly foolish for this whole endeavor. Worse than foolish; downright mental. Yet, there is no question of me turning around. I heave the tent into my arms and start searching for a spot to camp for the night. I don’t know where he would want me but, since he’s been pointing to this field as far back as the cottage, I have to assume I should camp in that direction. So I cut through the grass parallel to the river, breathing hard again. Eventually I make it back down across from Elysium. If I squint, I can see the peaky rooftop of the cottage in the distance. There is a strong beech tree nearby, about the size of the one planted for me in the garden. That seems like another good omen, so I set up my tent under its branches with a lot more effort than it takes to understand Dad’s and Edison’s theory of crystalline structures of inorganic matter. When it’s finally erect and secure, I’m so exhausted that I plop on the grass, panting and sweating, not even bothering to crawl inside, just staring at the sky as the stars begin to cross-stitch constellations across the navy velvet canvass.

At length, my breathing slows, and the breeze dries the beads of sweat off my temples. An inky darkness drapes over every blade of grass. And reality changes with the night. Instead of quiet, the field seems brooding. Rather than near, the cottage feels too far. Instead of alone, I feel lonely. And instead of a solution, this camp feels like closure.

I stand then. This would be a good time to take out my flashlight and comb through each centimeter of this field. Search behind each tree trunk, shake down the branches. It would keep me occupied, and it would block these thoughts. But instinctively I know the search would yield nothing. Whatever I need to see here is not part of my conscience, I cannot access it while awake. No, this is subliminal, somewhere deep, interred in the subconscious recesses of the mind. And for reasons I cannot grasp, it will only reveal itself with him.

I crawl inside the tent, certain that my psyche will summon him here when it’s time. The familiar thrill starts crackling in the closed space like electricity. The cheater is stronger tonight. My conscious being recoils from it in revulsion—I hate this frisson that binds me to him like an umbilical cord. But it will be over soon. If tonight doesn’t work, on Monday, I will call a doctor. My insides resist that option too for other reasons, reasons having to do with not seeing him again, but I shove them aside. They don’t change anything.

I slide inside the sleeping bag, sipping my chamomile tea, waiting for sleep to find me. But hours pass and nothing happens—probably because I slept in so late or because I don’t have the willows’ lullaby. Every once a while, I test reality: I can push my finger against the tent’s nylon fabric without it going through. I can trace back my steps. Awake. Awake. Awake.

Then, sometime in the night, something changes. Instead of wondering when he will come, I start thinking where he is. Is he in his home nestled in the hills of Portland or at his Alone Place, sleeping outside like me? His stars are just starting as mine will be fading. And it feels like a metaphor for everything.

“Elisa.”

His voice rings out, so clear, so close. I jolt upright, expecting to see him right next to me, but the tent is empty.

“I’m outside,” he says like a caress, like an answer to my unspoken question. In an instant I’m out of the tent and onto the field, as though his words were marionette lines.

He waits for me under the silver moonlight, with those eyes that look past the world. They trace my jawline like always, as the tectonic plates shift and find that peaceful spot that belongs to me alone. He smiles my favorite lopsided smile, and the dimple I know so well forms in his cheek like a kiss.

“Thank God you’re safe!” he says with relief, and his right hand lifts a fraction as though he’s reaching for me. Instinctively I step forward into his touch, but his hand flies behind him. The abrupt motion leaves me drifting.

“I should have listened to you,” I whisper, still looking at the empty space his hand left behind.

“Don’t be sad, my love. We can try again now. I’ll keep you safe. Do you trust me?”

“Yes.” My answer is resolute and automatic.

He smiles the full-dimpled smile again, then starts striding across the field, always a step ahead of me. But even though he walks slower tonight, I never seem able to catch up to him. I notice he is leading us away from the river, in the opposite direction, toward the edge of the field that borders town. I don’t ask him where he is taking me, it doesn’t matter; I know he will lead me there in the end. Instead, I look only at him, the hair tousled from the wind, the ever-tense shoulders, wishing he would slow down so I can see his otherworldly face. As though my wish was a silent command, he looks over his shoulder, and his pace slows to a stroll.

“You’re not in a hurry tonight?” he says.

I shake my head. Another dimpled smile. “I like it better this way, too.”

“Why?”

He stops abruptly, gazing at me without an answer. The smile is still there but the dimple disappears. So small a pucker but it leaves a chasm open in my chest. I want to bring it back.

“I was thinking of you,” I say. “Right before…before you came.”

“Oh?” The dimple reappears.

“I was wondering where you were, where you sleep.”

“You know the answer to that one.”

I shake my head. The dimple disappears again. “I am always with you.”

I want to tell him it’s not true, that he has never slept with me, but I don’t want the dimple to go away. So I just nod, and he starts walking again. “We’re almost there,” he says, his tone a mixed note of sadness and triumph. “Just straight ahead.”

We’re almost across the field now, as the rows of gabled rooftops and chimneys loom in the lightening night. Their windows are still dark, but the overnight lights of the shops are glowing, closer and closer. Then suddenly underneath my sneakers, I hear the thump of cobblestone instead of the whish of grass. We’ve reached the town.

“Right across the street,” he says, but for the first time, lets me lead. I cross the cobbled alley to the line of ancient shuttered shops. Now what? I turn to him for direction, but he is still on the other side, looking at me with unfathomable eyes.  “Three doors to your right,” he says before I can ask anything.

I count the doors—one, two, three—and there, in front of me, is a very familiar whitewashed shop, with mullioned windows and barrel pots full of evening primroses that Mum planted as a gift on the shop’s fiftieth anniversary. On the eave above, under a pool of light, hangs its sign:

Solstice Gallery

Fine Art

Ivy Lane

Burford, Oxfordshire, OX18 4PA

“Aid—” I start to call him in confusion but as I read the words again, something astonishing happens. The letters start moving, scrambling together, bumping into each other, sliding out again, dropping off, like vectors in chaos. My eyes are frozen wide, tracing every move as the mosh pit of letters spins and rearranges itself over and over.  Then, in a burst of intuition, the letters stop and new words appear before my eyes:

Solis Ice Reality

Feign Art

“Oh!” I gasp. The force of my realization yanks me back violently, wrenching me awake as my scream drowns a fading whisper: “Once I love, I love forever.”

The world comes into sharp, crystallized focus, but it takes me longer—longer than any other night—to get my bearings. The raw wound by my heart is throbbing, pulsing like a heartbeat of its own, making my head spin as every event, every word of those last few days in America replays under this new light. I sink on the sidewalk, gripping the cold, cobblestone for balance and leaning my head against the wall of Solstice Gallery. The letters on the eave sign are immobile, exactly as they’ve always been, but I only read the truth, the reality of what happened with the Solises. It was always Feign who turned Javier in; it was never him.

Every puzzle piece falls together now, so obvious, so simple I could only have missed it by emotion, not logic. Feign panicked when the Department of Justice came looking and found Javier’s sketches of my face. Tax evasion he could defend, but he could never risk the world learning about Javier. So he took him out by calling ICE and reporting him for stolen supplies: just another illegal immigrant thief locked up in a cell. Who would believe Javier now even if he talked? Who would care what his family would say just to save him? And who would ever know that Feign was the tipster when he could do it anonymously, just like Benetto said at Javier’s hearing? Leaving the blame open for the taking. And who else would swoop in and take it but the man who needed it so desperately? The man who needed one unforgivable reason for me to leave him because I wouldn’t have left him any other way. How neatly it all fits together now that I see: link by link, a chain reaction shackling us all together, friend, family, lover, and foe.

I don’t need to look across the street for him—for I know he is forever gone. My subconscience summoned him to help me see what I must have known all along but refused to acknowledge. It stitched together these subliminal messages from my past—innocent tidbits of data so familiar, it was automatic, instinctual that I would know them even asleep. Things like opening the front door, the familiar path along the river through Elysium, this little gallery where Mum and I would come on weekends to browse the pastoral paintings, and the well-known “Fine Art” sign which sounds so much like Feign’s gallery back in Portland that used to make me snort with its pun. My subconscience arranged it all, sliding each detail into place, while I clung to denial and anger for survival. She was not the cheater, I was. But how to make me listen? How to make me see the truth when I was blocking him at every waking moment? There was only one time when my subconscience could do that: in my dreams. And there was only one dream I would obey so fully, so irrevocably: him. So the harder I worked against the truth during the day, the more it tried to burst through at night, until now I see it with finally free, clear eyes.  All my mistakes, all my wrongs. Because worse than running from England, worse than abandoning the cottage, worse still then falling in love in my last days in America, was my belief—my conviction—that the man I loved, the man I knew was a monster. Is there a more grievous crime?

And he let me believe it. Because he would rather I hate him than be with me.

I curl inward in myself, trying to withstand the violent sobs. Everyone else trusted him and tried to tell me: my own lawyer, Reagan, even Benson. “In hopes that they will lead you to the man you know, not the one you heard today.Don’t make a mistake you will both regret for life,” Benson wrote. The waves of pain drown me here, slumped on the empty sidewalk, trying to breathe. Just to breathe. Do I deserve even that much? No, I don’t, but my parents do. For a long white, I shiver under the gallery sign, forcing air in and out, hugging my torso to keep it from imploding.

But dawn comes. Lightening up the street, the shops, the empty field, making me visible. Some brain cells register that my town shouldn’t see me this way—that Mum and Dad don’t deserve that—so, shaking, still gasping for air, I start back the way he brought me. The field seems endless, like an abyss without him.

Aiden, his name breaks through now that the walls are shattered, each musical syllable a new knifepoint in my chest, but I still try to silence it. Because none of it matters it in the end: despite the truth, he still will never be with me. And despite my crimes, I still would never be with him. How can you be with someone who will go to any length, pay any price not to be with you?

By the time I reach my tent, the sun has risen and the morning clouds are brilliant white.  No more Aeternumroses like omens in the sky.  Just an ordinary day, ending an extraordinary life. Because I know now, I know from the tangled strands of my hair to the blistered soles of my feet, what comes next: somehow I have to learn how to live without my anger, without my hatred of him. From this dawn until I’m passing from this life, I will have to live with the truth. I will have to live with myself.©2020 Ani Keating

NINETY DAYS: CHAPTERS 6 & 7

Happy weekend, everyone! And thank you again for all the kind messages, wishes, and prayers about this story and myself. Please know they are very appreciated, and many of them have come at a time where I need them most. Here are the next two chapters while the words are flowing. Things are getting close to a big reveal. I hope you enjoy them! xo, Ani

rose in smoke swirl on black

6

CHANGE

            Days go by. Even in England. The sun sets and rises, the date changes on the calendar. But time does not pass. Everything seems suspended in the same, eternal moment. Case in point: here I am, on my fourth dawn in England, still waking up screaming on the riverbank; still shivering in the cold air of his absence; still staring at the empty field across the river. His parting words still ring in my ears, reverberating all around my rose garden: “Once I love, I love forever.”

            Yet change happens. Almost imperceptible, but it happens. For one, each night, he is leading me further along the riverbank, away from the cottage; and each night, I follow more willingly. Awake, I’m fully aware of the potential for disaster, for real danger here. What if I sleepwalk right through town onto the motorway? Or slip and crack my skull against a rock? And yet, in my sleep, I trust him wholly, blindly, never to lead me into any harm. Because—change number two—the desire for him, the curiosity for what he is trying to show me is growing stronger, not weaker. I love him more in my dreams, the less I love him when I’m awake. And exponentially, the pain in my chest is getting worse, not better. As though each dream is chipping away at what little progress I manage to make during the day. Like Prometheus, tied to the rock, growing his liver only for Zeus’s eagle to eat it again in the morning.

            But, unlike Prometheus, I’m adapting or at least learning. For example, I go to bed fully dressed now, even my sneakers. I don’t lock the door until after the dream because it doesn’t keep me inside. I agree categorically that this is pathological behavior. The first thing I should do when I get back inside is not prepare for my meeting with Professor Edison this afternoon, but book an appointment with a well-respected psychiatrist. Yet I can’t bring myself to do so. It’s not hard to understand why, as the sky starts to lighten but I still stand in the exact spot where he left me: because then these dreams might stop and I’ll never learn where he is leading me so urgently. But I must know if I am to overcome him, if I am to keep the oath I made on my parents’ grave. So I have a plan: tonight, I’ll find out once and for all.

            I walk back to the cottage, gazing at the field across the river one more time, wishing I could solve this riddle now. But I can’t because my meeting with professor Edison is in nine hours, and I’ll need every minute between now and then to get ready.  It’s not my scientific knowledge I worry about—I’ve been studying nonstop for this meeting since he emailed me back three days ago, not to mention the last four years. But I have no idea what to do about the face in the mirror that has transformed. Pale, gaunt, with deep shadows under the eyes that initially will remind Edison of my mum until he looks closer. Because worse that the drawn cheeks and the sallow skin are the lifeless eyes: dull, more plum than violet, and blood-shot. I wish I had Reagan here to transform me into Liz Taylor as she once did. As it is, I spend the next three hours with teabags over my eyes and rose oil over my cheeks, trying to force a semblance of color on my skin. While home remedies attempt the work of magic wands, I revise again every scribble of Dad’s notes about his projects with Edison and every one of Edison’s own eighty-seven published articles. I know I’m overdoing it for just one meeting. I’m very careful not to hope Edison will give me a job—that would violate Rule Number Three—but I do need to be able to hide the mess I am enough to make Dad proud. The entire Chemistry Department will be talking about me: Peter Snow’s tragic daughter come home at last. 

***

There may come a time in my life—perhaps when I’m Mr. Plemmons’s age—when I might be able to sit with Reagan and tell her about the bus ride from Burford to Oxford today. About how it felt to sit on the seats that carried Mum and Dad to and from work twice a day, every work day except the day they died. About how the handrail felt exactly like their hands holding mine until this very last stop. But that day will not come for a long time. 

            I teeter off the bus, clutching Dad’s leather briefcase. Then, slowly, I lift my eyes to see Oxford’s medieval skyline for the first time since before the accident. The gothic spires, towers, and cupolas of the ancient colleges spike like heartbeats on an EKG line. Domed rooftops stretch out like knobbly protective arms. Every facet glows like limestone skin under the molten sunlight of the afternoon sky. And through it all, like emerald lifeblood, run the colleges’ lush parks, forests, gardens, and meadows.  

            Four years ago, I rejected this dream for another, thinking it would break me to face my parents’ second home. It never occurred to me that Oxford would have the power to do the opposite: heal. But as I stand here on its threshold, two hours early, braced for the lance of grief, that’s exactly what happens. I stop shaking, the nausea of the bus ride recedes, and I only feel a sense of shelter. It releases my locked knees and pulls me, like gravity, inside the university circle. I stroll the worn lanes with ease, feeling as though Mum and Dad are gliding on either side of me, as in our home movies, blissful that I have returned to the place they loved so deeply. The landmarks of their life feel like hugs, not bruises: Mum’s tiny office at the Ashmolean, the King’s Arms pub where Dad and Edison would drink cask ale after work, the Bodleian Library where they taught me how to check out Ashmole’s manuscripts using the old tube system. By the time I make it to the Science Area quad and steel a peek at my reflection on the windows of the chemistry lab, there is some color on my cheeks.

            But the moment I enter the reception lobby of the Chemistry Building, that small rush of blood drains from my face. Because there, steps from me, carved in bronze, is my father’s bust. 

            He looks at me. His eyes, seeming too sentient for a statue, are crinkled at the corners as they were in life when he would smile. His jaw is sharper, more sculpted, the way it would look when he was chewing at the end of a pen. His lips are parted a fraction as though he is saying, “ah!” And right below his bust, an engraved plaque says:

“I am in my element.”

Peter Andrew Snow

Oxford Chemistry Department, 1993-2011

            I don’t realize I have walked to him until my hand molds to his bronzed cheek. The metal is cool yet it warms my suddenly icy fingers.

            A gentle cough startles me. Professor Edison is standing a few steps away, watching me with a small smile and wistful eyes—an improvement on Mr. and Mrs. Plemmons who looked positively frightened by my face that first day I dropped by. Edison looks exactly as he did four years ago, except thinner and his forehead is more lined.

            “I’m sorry to startle you, Elisa. But oh, how welcome you are!” he says with feeling, stepping closer and handing me a handkerchief, as I realize I must be crying. So much for not appearing tragic. I dab my eyes quickly.

            “Hello, Professor Edison. It’s good to see you. I’m sorry, I wasn’t expecting…” I hand him back the handkerchief. It’s initialed NFE.

            “Nigel, please. I’ve known you since you were in nappies.” He rests his hand on my shoulder gently—as physical as British men get for such a reunion. “And don’t apologize, this is my fault. I should have mentioned Peter’s sculpture, but I suppose it’s such a natural part of my day, it didn’t occur to me.”

            The casual reference to my dad’s name derails me for a moment so I force a smile.

            “Are you well? Do you need something to drink or a spot of lunch?” Edison asks quickly. My smile must not look like a smile.

            “No, no, I’m fine; just a bit jetlagged.” True enough, even if not at all relevant to this moment.

            “Of course,” he says quickly. “Right then, let’s go in. Do you still remember your way around this place?”

            I nod, and he breaks into a full smile, leading me down the long hall to the research lab where his office and my dad’s used to be. The entire trek there—perhaps relieved that I’m no longer crying—he is talking. “I must tell you, I was gobsmacked to see your email. Just absolutely astonished. I’d given up all hope you would ever return. It would be completely understandable, of course, with everything you lived through. But, here you are, looking right like your mum—dear, beautiful Clare! What a day!”

            He shakes his head as if in wonder or perhaps to give me a moment to respond.     “What a day,” I say back, for entirely different reasons.

            “So what brought you back, hm? I must give thanks to whatever it was.” 

            I’m ready for this one; I have rehearsed the answer down to each inflection so that it doesn’t sound like the lie that it is. “Well, my student visa ended after I graduated Reed, but I was missing England even before then. I suppose home is home. It always calls you back.” As I say the words, however, I notice they don’t sound like a lie, as they did a few days ago or even this morning. Did Oxford make them true?

            We reach the end of the hall now, and my attention closes in on the last door to the left. Dad’s office. If Edison says anything, I can’t hear it over the pounding of my heart.  When he opens the door, at first I think he’s trying to give me a moment, but then I register that this is now his office. A rush of heat rises creeps over my neck. 

            “Ah, my fault again!” Edison sounds alarmed that he might have triggered more tears. “I should have said. See, I moved in here after Peter—well, you know. I didn’t want to at first, but it felt … better. Closer to… to him.” Edison closes his eyes briefly, as I grasp that I’m not the only one who was left behind grieving. Of course Edison would have missed his friend. And of course Oxford would not have left a professor’s office vacant for years. Yet, I can’t help feeling angry, offended somehow, without any right to the feeling whatsoever. 

            “Here,” Edison says, beckoning me inside. “You can look. I didn’t change much. I still have his computer, his books, his files.” He waives his hand around the small office and my anger disappears as quickly as it came. Because he is right—not much has changed. Even the potted miniature roses that Mum gave Dad on their last spring are there on the windowsill. There is only one yellow bloom, but it’s enough to feel like a smile.  Edison is still looking like he is sitting on its thorns.

            “It’s fine, Professor—I mean, Nigel. I’m the one who should apologize. Of course you would have missed Dad. How can I blame you for that?”

            He takes a deep breath, then smiles again. “Bumpy start, I know. For both of us. To be expected, I suppose. How else do you start after all that’s happened? Well, let’s try it again.” He chuckles and sits on my dad’s chair, gesturing for me to sit across from him.        The conversation feels more natural then. He only asks about my projects, what I’ve been working on, and if any of it has to do with Dad’s previous work. The world-leading professor comes out: singular in his focus, consumed by his curiosity, his relentless search for knowledge. Beyond work or passion, chemistry is his life.

            “So what are your plans?” he says, eyes still sparking with the fervor of describing his last publication. “Are you back for good?” 

            I don’t trust myself to verbalize yes so I simply nod. 

            “Well, do you want to test things here for a bit? Maybe intern for the summer?” Edison cuts straight to the point. I watch him stunned. I hadn’t even dared to ask.

            “Do you mean as a research assistant? Here? In your lab?”

            “Of course!” He shrugs as though this is the most natural thing to be offering me. “We have hundreds of research projects going, and look at your credentials. I’d offer you a position even if you weren’t Peter’s daughter. But you are his daughter, and that is everything.” He says this with finality, leaving no room for argument. And why would I argue? This is exactly what I need. 

            “Wow,” I say.

            “Is that a yes?”

            “Yes, absolutely, yes, but—”

            He frowns. “But what?”

            “But is this right? Shouldn’t I apply first?”

            He smiles then. “My dear girl, do you know who you are? You’re the only child of the finest chemist this institution has ever seen. His talent lives in you; it’s quite obvious. You’ve had your name down for Oxford since you were born! I’ve already spoken to the rest of the faculty—they’re quite agreed.”

            I swallow hard. I don’t know what to say to any of that. Can I do this in this state? Can I be who Edison thinks I am?

            “Don’t you want this opportunity?” Edison sounds perplexed. 

            That question, so elemental, does it. “I can’t hope for anything more,” I answer truthfully because I can’t. That would violate Rule Number Three. 

            Edison’s smile becomes as bright as the yellow rose. “Well then, you can start whenever you want.”

            “Tomorrow?”

            He grins again. “I don’t believe we’re quite as desperate as to have you start on a Saturday, but Monday would be brilliant.”

            For the first time since landing on Heathrow Airport, I have something other than dread to expect in the morning. 

            Edison stands then, and I gather my Dad’s briefcase to leave. But Edison’s eyes are trained on it, unblinking, with something like hunger. “His briefcase!” he whispers, as though seeing it for the first time.

            “Yes, I took this with me to America. Can’t imagine going anywhere without it.” 

            “No doubt. No doubt,” he mumbles, still staring at it as he follows me out. I turn to shake his hand, but he reaches behind the office door. “Here,” he says, bringing out a white lab coat. For a moment, I’m confused—why would he give me his lab coat?—until I see the initials embroidered on the front pocket: PAS.

            “I think you should have it for Monday,” Edison says awkwardly without meeting my eyes, and throws the coat over my shoulders. 

            The bus ride back to Burford is easier with Dad’s lab coat wrapped around me. It’s even more imperative now that I stop the dreams this weekend. So that I can take this last chance at life. So that I can be my father’s daughter.

7

SAVIOR

Later that evening, I sit on the wrought iron reading bench, watching the last sliver of sun dip behind the horizon of the field across the river. The field turns lavender gray from the evening shadows. Its grass sways, like wavelets with no shore. Beyond it, in the distance, the town’s first nightlights are twinkling like fireflies. 

            “See you soon,” I say, standing up, tightening Mum’s pashmina around me. I could wait here for sleep, but not yet because—change number three—routines form, like slender reeds growing on a marshy path: not enough to support you, but enough to show you the way. My reeds are: wake up in the morning, force down porridge, study, research lucid dreams, tend the roses, Skype with Reagan, put on sneakers and the parka, go to bed, sleepwalk, scream, stumble back home, sleep, repeat. And now, Reagan is calling. She keeps it short tonight, like the last few nights, giving me barely any detail at all. If I didn’t have a plan to implement, I’d worry that distance is stealing her away from me. But she’s juggling a lot—visiting Javier, the Solises, her own life—for me to demand any more of her time.

            “Say hello to Javier,” I say. “But remember, don’t tell him I’m gone until—”

            “I know, I know.” Reagan’s voice is brisk. “I’m sick of all the secrets.”

            “But you still love me?”

            “Like a pest,” she says, but her soft, teary eyes say “I love you to England and back.” 

            After she’s gone, I get started for tonight. A strange energy builds in my muscles, like excitement or thrill. I know this is because soon I’ll have the answers. But deep down, I’m terrified that there is another reason for my excitement: that the buzz is the cheater, feverish to see him tonight. No matter. Soon, she’ll be gone too.

            Dad’s cupboard of chemical ingredients has not been restocked in over four years but it still has the basics I need: galantamine, mugwort, valerian root, choline bitartrate, a few others.  From my research, these substances, or oneirogens, may induce lucid dreams and keep the dreamer asleep longer and deeper, allowing them to redirect their dreaming. Although mine are not lucid dreams—quite the opposite actually; I’m not awake, I’m fast asleep—the same side effects theoretically should apply. Theoretically. 

            I grind the substances and measure each dose carefully on Dad’s digital lab scale, trying not to think how apoplectic he would have been if he ever saw me doing this when he was alive. How do you know what side effects it will have on you, he would have spluttered. What lab testing have you done? What control group? What safeguards? 

            “I’m sorry, Dad,” I mumble as I mix the substances together in simmering water, and spin the mixture in his centrifuge. “But I don’t have time. If I don’t do this now, the dreams might kill me. And that would be worse than any side effects, wouldn’t it?”

            No, he would have spit out through his teeth. Think like a scientist! They could be equally deadly! 

            “Unlikely in these doses.”

            Unlikely does not equal impossible. Go to a doctor! Now!

            “I can’t. I have to know. I’ll be all right, I promise.” I let the sickly green liquid seep in the vial for fifteen minutes. Then with a final swirl, I swallow it in three gulps. Its bitter, resin taste stings my tongue.

            For a few moments, terror locks me here. What have I done? What if I’m wrong? But worse than all the questions is the loudest one: what if this doesn’t work? What if it doesn’t give me the answers? I would keep trying until either the cheater or I wind up dead. And that cannot happen. I promised my parents I will live. 

            I clean up the mess of my experiment and get ready. Sneakers on? Check. T-shirt, jeans, and parka? Check. I unlock the front door, turn off the lights, open the window, and curl up on the sofa under my quilt. No need to go upstairs tonight. I close my eyes, taking a few deep breaths, and focus only on the whoosh of the river and the willows’ lullaby. She’s here. She’s here, they sing still. An owl hoots into the night, as the breeze carries the scent of roses inside me. I follow the rose scent in my mind, as it rides the river breeze through the window into my nose, blowing gently on the open wound by my heart, then flowing out with my breath into the garden. She’s here. She’s here. Flying back again with more perfume, floating inside me, and then drifting back out to the willows. He’s here. He’s here.

            I fling my eyes open, holding my breath, but the room is dark and silent. There is no voice calling my name, not a sound. Then the willows rustle again, he’s here; he’s here. I bolt up and flit to the window. And there he is, a silhouette by the Elisa blooms, gazing at me.

            “You were waiting for me this time.” His voice is as soft as the rose breeze, a murmur blending with the willows. “I’m here.”

            A sense of impatience, a high surges through me and I sprint to the door. In a blink, I’m next to him, looking up at his face, darker tonight as the moon is waning. But his eyes light up in peace as always, two safety beams in the blackest hour.

            “You’re eager tonight,” he chuckles in that old waterfall way I remember, and the sound fills me with longing. “Maybe you’ll finally see. Come, let me show you.”

            He turns from me, always a step ahead, striding to the riverbank. I follow him without question, without doubt, an electric energy gathering inside me, raising goosebumps on my skin like static.   

            We reach the riverbank almost at the same time, and he traipses along it, toward Elysium. I know this path; we’ve been here before. 

            “No questions tonight?” he asks after a while.

            “Would you answer them?”

            He chuckles again, but it has lost the waterfall sound. “That’s why I’m here.” The familiar note of sadness enters his voice. He walks faster now, leaving Elysium behind, but always along the river. “It’s there!” he says with hope, almost pleading, pointing at the field across. “Right there! We’re getting closer.”

            “There’s nothing there, Aiden. Nothing but grass.” 

            He stops abruptly and turns to me, eyes burning. “You’re wrong!” His voice breaks, the last word like a sob, and his hands fist in his hair. “You’re not looking far enough, Elisa. Please!” His shoulders convulse once and his angelic face contorts in pain, so sharp, so staggering that it counterpoints straight into my own heart. “Aiden, it’s ok, I’ll keep looking, I’ll—” The words die in my mouth. Because in his beautiful face, glimmering under the starlight is a tear. It trickles down from his closed eyes over the sculpted cheek. “Please, my love!” he begs. “Look closer!”

            A few things happen all at once. The electrical energy that was building in my tissues radiates through me like a force field, as if the sound of his pain, so raw and primal, lit up a fuse. And then I’m running. Streaking past him down the riverbank to the point where the river bends and narrows into a chute.

            “Elisa, wait! Not that way!” he calls behind me, but I’m almost there. I can see the opposite bank, closer and closer. “Stop!” his voice rings out, filled with dread. But with one jump off the balls of my feet, I leap hard off the bank, aiming for the boulder peaking in the middle of the chute to trampoline me to the other side. The last thing I hear is his terrorized “No!” and then I plunge through black, rapid water.

            Every cell screams awake, as the cold river fills my mouth, my nose, my ears. It’s much deeper than I thought. The current sucks me under and flings me around, dragging me downstream, no matter how hard I kick my legs and arms to fight it. I try to grab anything—boulders, branches—but there’s nothing. My lungs are out of air and stars burst in my eyes. I push harder, trying to orient myself toward the surface for air, but the rapids roll me like a log and a wave of dizziness disorients me. Mum, Dad, I think. My promise. I try to kick harder, but my legs feel like lead, pulling me under. I can’t find my arms.  I wish I had heard him say, “Once I love, I love forever” one more time. The current jolts me again, and then a thick branch must twist around my torso like a band, yanking me hard. I brace for my skull to hit the bottom but suddenly I slice through clear, cold air.

            For a while, there is only chaos. I’m coughing and spitting out water, heaving for breath as the band constricts my torso again. Some more water gushes out of my mouth and finally air flows freely. I draw huge gulps of it, gasping, trying to right myself up and find the ground. And that’s when I become aware that I’m still being carried somehow. I thrash away, afraid the river is coming for me again. 

            “Fuck!” I hear a harsh oath right next to me, almost in my ear. My body stops flailing as I realize I’m not alone. And the bands around me are not branches, they’re someone’s arms. I don’t know the voice, yet it sounds familiar. An American accent. 

My savior sets me gently on the riverbank on the side of Elysium, breathing hard. I try to make out my savior’s face but it’s still dark and my eyes are blurry. The body is obviously male, tall, bulky, as he crouches in front of me.

            “Are you all right?” the man says anxiously. His accent gives me an instant feeling of safety, as I had in the dream. Oh no, the dream! I blink, clearing more water from my eyes, as I try to make out where I am and exactly how far the river dragged me. 

            “Hello?” the man calls more loudly now, sounding panicked. “Can you hear me? Are you hurt? Do you know where you are?”

            “Who are you?” I croak, and instantly regret it. How about thank you first?

            I think I hear a sigh of relief. “James, Ma’am. At your service.” 

            I can’t understand the disappointment that grips me even in current state. I knew it was not him—even if he was my last thought under water—but who else was I expecting? Maybe a Jazzman or Callahan or Hendrix or Benson: one of his many Marines? I’ll deal with myself later.

            “Thank you,” I rasp again. “Thank you for saving me.”

            “You’re welcome,” he sighs and sinks on the ground next to me. A few brain cells register that I’m alone with a stranger in the middle of the night, but I can’t feel the right kind of fear. All I feel is the fear for what happened in the dream. For what I’ve done. And for what’s still ahead. 

            “Quite a time for a swim,” James says casually but kindly, I think. I don’t answer. What would I say? That I intentionally mixed several substances to make my sleepwalking dreams longer so I could redirect them to find the answers that my ex-boyfriend wants me to see so badly, only so that I can finally forget him? So I can kill my love for him before it kills me? These are not reasonable things to tell a stranger.

            “Well, thanks again,” I mutter, rising from the ground, legs shaking. 

            “Hey, hey, take it easy!” James sounds alarmed, standing with me. “No rush! You were down for almost two minutes.”

            That’s all? It felt like a whole life. Like a whole death. It almost was. Abruptly, I feel exhausted, tired to the bone. “Good night, James,” I tell him, and start stumbling in the general direction of the cottage. 

            “Wait! Hey, wait!” James is next to me in one stride. “Where are you going?”

            “Home.”

            “I’ll walk with you. I promise I won’t hurt you,” he says, raising up his arms, as though in surrender. “I’ve got three sisters. I’d want someone to walk ‘em home. You’re safe with me.” Three sisters. An American Javier. For some reason, I believe him. Besides, why would he hurt me if he just pulled me out of the river? I manage a nod and start plodding—crawling would be more a more appropriate description, if I weren’t upright. The American Javier matches his pace with mine. I register now how tall he is, but his height triggers memories of another tall man I was chasing in the dream. The terror returns so strong that I start shivering. Or maybe it’s because my clothes are drenched, even Mum’s parka. My breath hitches into a dry sob.

            “Here,” James says, handing me a light bomber jacket. It’s dry, unlike the rest of him that is soaked; he must have had enough presence of mind to take it off before rescuing me. I huddle under his jacket, inhaling the faint scent of tobacco to clear the fog in my brain. Where do I go from here? How do I safely stop the dreams and also find the answers? Because if I know one thing, know it instinctively, is that the two are related: if I solve the puzzle, the dreams will stop, and I will survive. If I don’t solve it, the cheater will continue the dreams until there is no American Javier to save me. Either way, a part of me dies. It just has to be the right part, his part. So the rest of me can heal.

            “You came out pretty far for a dip,” James brings me back, probably wondering how much further he has to walk with the strange, silent woman. The contours of the cottage loom ahead, as I realize I ran well past Elysium trying to shortcut straight across the river and onto the field. A throbbing headache hammers at my temples.

            “Hey, are you feeling ok?” James asks. “Is there something I can get you?”

            I shake my head—it’s a true answer to both questions. We’re crossing Elysium now, and memories of playing hide and seek here with Mum and Dad flash like a reel. They loved me so much. And look at the mess I’ve made of all their hopes and dreams.

            “You know,” James says, perhaps trying to help, perhaps bored of the one-sided conversation with the mute stranger. “If you were trying to get across the river, you could have just taken the bridge.”

            The bridge! Yes, that’s where he would have taken me if I had let him, if the drug hadn’t made me reckless. “Not that way” he had called behind me in terror. He would have kept me safe. If only I had let him. 

            “I should have,” I breathe to James. We’re at the cottage now, the rose garden silver as the sky starts to lighten. 

            I turn to James, and am able to make out his face for the first time. Or what can be seen of it. He has a full beard, maybe auburn, and wild curly hair that adds to the impression of his vast height. His beard reminds me of Javier again, the last time I saw him, being dragged back to his cell.

            “This is me,” I say, handing him back his jacket. “Thank you again…for everything.”

            “No problem,” he says, looking past me at the cottage and scanning the rose garden. Something about that action reminds me so forcefully of him, of the vigilance that would emanate from him when he entered public spaces.

            “You were out for a late stroll yourself,” I say. Maybe James has his own demons.

            He shrugs. “Not really. I’m camping. Was in my tent when I heard you scream.”   Camping! My loud gasp makes us both jump. That’s the solution! He has been trying to get me safely onto the field. If I camp out there, I’ll be already where he wants me to be, and he can lead me to whatever he needs me to see so desperately. It would be safe even for me. Flat grassy surface, no river to cross, no one around, no roads, no riverbanks. Yes! That’s it!

            “You ok?” asks James, clearly wondering if I’m mentally competent at this point.

            I nod, adding a silent thank you. He may have just saved my life again. We will see.

            “Well, night then,” he bows his head gently. “If you need anything, I’ll be camping around here for a while. Just turn on a flashlight or something in that top window. Better than whatever it is you were doing tonight.”

            He waits at the edge of the garden as I plod inside, my sneakers squishing, my clothes still dripping, Mum’s coat heavy with river water on my shoulders. All her last molecules, her scent spoiled and washed off. Another sob breaks through me. I lock the front door this time, despite friendly American saviors. That was what drew me most to that land, but thinking about that violates Rule Number Two. I take off my sodden clothes and leave them in a pile by the door but hang Mum’s coat. Maybe I can salvage it this weekend. Drained, I climb upstairs to my parents’ bed and curl into a ball, shivering under the covers. Images of the black river water and its earthy taste make me shiver harder. But I draw warmth from one fact. One way or another, it will be over tomorrow. I’ll camp on the field and finally I will know. I thank James again in my mind, realizing I didn’t even ask where in America he was from, how long he has been backpacking through England, or tell him my name. Yet I’ll always owe him. As I drift off, I think about how, despite the terror of this day, there was also hope. I faced Oxford, I got a summer job, a stranger saved my life and gave me a hint. Perhaps—change number four—luck happens. Even to me.

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©2020 Ani Keating

Sequel Clue, Elisa’s Letter, Aiden’s New Year Resolution… Oh my!

Happy Holidays everyone!  Here is an early gift for you:  can you solve Elisa’s Riddle and find a clue about the sequel?  Try your smarts against her, and see if you can figure out one of her wishes. 🙂

Here is her Letter to Santa (with the riddle) and, for extra credit, below is Aiden’s New Year’s Resolution.  Can you guess what he means?  An IQ of 160, an eidetic memory, a crazy author, and countless amazing readers!  Piece of cake… Go!

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ELISA’S LETTER TO SANTA

Dear Santa,

When my mental mum Ani (pun intended) asked me to write this, I hung up on her, using some very U.S. Marine vocabulary (I’m furious with her for other reasons). But she kept calling and calling and calling and calling (she’s truly obnoxious that way) until the musical Fur Elise ringtone that Dad installed in our old rotary phone here in Burford filled the cottage with something other than emptiness. And I suppose for that, I became oddly grateful to my mental mum, so I’m doing what she asked. Besides, it occurred to me: I’m not the only one who has ever written to an imaginary person. Stop: don’t go there!

So here are my wishes. But what would a wish list be without a wee bit of logic? Just dreams, and frankly, I don’t dream anymore (except the strange turquoise-tinted nightmares at night).   That’s why there is a riddle for reading my list. If you solve it, you’ll understand a lot more than just my wishes (who cares about those anyway?).

Elisa’s Riddle

The first letter is always strong,
Like the iron sign that follows along.
But when I am thrown into the mold
The iron changes to the first hint of gold.

Yet all that strength and all that glitter
are nothing more than a weak whisper
So if you want to find the true treasure
This one little thing you must remember:

The last clue you will find
In the periodic table, group 15, first line
Mix everything together, and there the answer lies,
Clear as cloudless climes and starry skies.

My Wishes

  1. Freedom for Javier
  2. One more day with Reagan
  3. Seeing the Solises one last time
  4. Stopping the turquoise nightmares and the bloody knock
  5. The truth

Thank you, Santa! Oh, and get my mental mum to finish my journey, please!

Elisa

AIDEN’S NEW YEAR RESOLUTION

RIGHT FOUR WRONGS

***

Enjoy everyone! I will be back tomorrow and on Christmas with more goodies, including announcing the winner of the Thirty Nights Giveaway and a very special outtake!  HAPPY HOLIDAYS and may the next year be filled with peace, joy, and unforgettable book boyfriends.

xo, Ani

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A Friend Until The End of Time: The Timeless Heroine

Happy Saturday everyone from an unusually-cold Portland, Oregon! Although I thought this would be a good excuse to wear those enormous faux-fur boots I convinced myself I absolutely needed, I decided it’s a better day to stay inside, decorate my tree, and write (the sequel, that is!)  Until we have some more news/material to share on that one (hopefully soon), I thought I’d open up a discussion on Book Heroines. We all lose our minds over the heroes (from Mr. Darcy to Christian Grey, my list of book boyfriends is LOOOONG!)  But I wonder whether part of that hold is not the heroine.  Although the heroes bind us to the book, I think the heroines bring us back time and time again.  Here are my thoughts on what makes for a Timeless Heroine. What do you think?

A FRIEND UNTIL THE END OF TIME: THE TIMELESS HEROINE

My husband and I have this game we play. It’s called Who Lives in Your Fantasy Neighborhood?™ His dream neighborhood consists of: Hugh Hefner, Snoop Dogg, Willie Nelson, David Letterman, some baseball player I don’t know—you get it. My fantasy neighbors are Elizabeth Bennett, Scout Finch, Anne Shirley, Hermione Granger, Katniss Everdeen…

Notice a pattern? (Other than the very good question of how on earth my hubby and I would ever live together?) Of course you did. All my hubby’s dream neighbors are real people, and all of mine are fictional heroines. So that got me thinking: why? What is it about these heroines that transformed them from a character on page to a ‘til-death-do-us-part imaginary friend?

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One possible answer is that maybe I’m just plain crazy. After all, I have all the necessary ingredients for a little bit of madness. I’m a writer. I’ve been surviving on four hours of sleep per night and some mercury-questionable tuna sandwiches. I have out-loud dialogue with the characters of my novel, and at my dream dinner table, my heroine Elisa Snow, sits to my right. Crazy, yes?

Probable. But here is another theory: these heroines feel so real to me because, despite their surreal lives, they are wonderfully, imperfectly flawed. They have fears and insecurities, just like me. They make mistakes—big mistakes—and then fix them. They grow and change, and tell me that I, too, can become better. They take care of their heroes, no matter the cost. But there is one thing they never, ever compromise: themselves. They never sell out!

Sure, they are beautiful and smart and sassy and get the swoon-worthy man of my dreams. Yet I’m never jealous—because I know they deserve him. These heroines earn their happy endings because of the way they “live.”

Take my Elisa for example. An orphan, her biggest terror in life is losing someone she loves. After both her parents died in a car crash, she packed a small suitcase and crossed the ocean from England to the U.S. Not for money, not for fame, but to escape her memories. A starving science student by day and an artist’s muse by night, Elisa has slowly built a new life. With a new family, a new little lilac home, and a new best friend. But when the U.S. government orders her to return to England, she stands to lose everything all over again.

There is only one man who can save her: Aiden Hale. Dark, complex, sexy, with a hint of danger—he has every chemical element to be addictive to the heart. But how can Elisa allow herself to love and lose a third time around? She can’t—she resists him at every turn. Until she discovers Aiden’s own torment, and then—like a true heroine—her own fears no longer matter. All that matters is saving the man she can’t help but love. But her happiness comes at a high price: to keep Aiden, she must sacrifice her new family. And to save her new family, she must lose Aiden. Which will she choose? Which morals will she trade? It’s that final decision that has earned her a penthouse in my dream neighborhood for life.

What about you? Who lives in your fantasy neighborhood? Are Aiden and Elisa are on your list? Would love to hear from you!

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Last Day: Thank you, goodies, and a little ask!

Good morning everyone,

Where did the time go? It’s the last day in our countdown! After three years and thirty days, tomorrow, Thirty Nights will be released!! For those of you who have already pre-ordered and are waiting for it to land on your Kindle, Nook, and iPads—thank you for the bottom of my heart. For those of you who have not pre-ordered yet, please give it a shot and see if you like the original Aiden and Elisa.  The order links are on my home page.  But whether you have ordered or not, I just wanted to say a BIG THANK YOU to everyone who has followed Thirty Nights throughout this journey, who has reviewed and emailed me with your thoughts and encouragement, and who has spread the word! Without you, Thirty Nights may have never happened.  It’s as simple as that.  Thank you!

Now, today’s goodies:

First, the official Thirty Nights Playlist.  Enjoy it on Spotify as you’re reading, and see if you can guess which scenes and chapters go with which song.

Second, a special, exclusive excerpt from one of my favorite Aiden and Elisa scenes. I chose it for the last excerpt because in my mind, this was the true turning point for both of them. And for what each means to the other.  Full-on trust, and full-on surrender.

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He reaches inside his jacket and pulls out a tiny silver remote. A song I know—one of my favorites—floods the tent. “Amado Mio”, by Pink Martini. It’s flowing from a wireless set of speakers in the corner that I had apparently missed in my astonishment.

“May I have this dance?” he asks, holding his hand out to me.

“You tango?” I squeal. Bloody hell, I’m melting. Inert gases have more substance than I do right now.

My favorite dimple puckers on his cheek. “Since this afternoon.”

“You learned tango…in one afternoon?” Where is my jaw? It was here somewhere, around the Aeternum.

He chuckles at my incredulous expression. “In the ninety-two minutes it took you to get ready, to be precise.”

When I open and close my mouth a few times, unable to produce sound, he smiles, tapping his temple. “There are some benefits to this beast and YouTube.”

I blink and close my mouth. “That’s just…just…” Brilliant? Stunning? No, I can only think of one word. “That’s just Aiden.”

His chuckle becomes a true laugh as he wraps his arm around my waist, pulling me into a close embrace. He starts moving. At first a slow cadencia, then the caminada, his long legs parting mine. Aiden leads in his dominant, protective way, but the real change is in me. For the first time in my life, tango does for me what tango does for women. I am not a daughter. I am not a sister. I am not a friend. I am a woman. Aiden’s woman. My leg hooks and wraps around his with a new confidence, sultry, feminine and powerful. I watch our entwined shadows on the tent’s curtains, looking very much like Mum and Dad’s when they danced. Yet, in this moment, I’m discovering a new bliss that belongs to me alone. Not to ghosts, and not to memories.

I bury my face in his chest, inhaling the Aiden-and-Aeternum scent.

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And last, a small task! To support for Thirty Nights, for those of you who are excited and have been following it in this journey, please change your avatar to the Thirty Nights cover tomorrow for its release, with  the French Flag colors to show our support and solidarity for the people of France and the victims.  Feel free to download this, and I will circulate on my social media as well.  And when you get the book, please don’t forget to leave a review!! 🙂 It makes the difference between a loved book that no one hears about and a loved book we can all share. THANK YOU everyone for all your support, your love, your commitment to this story, and your participation in this amazing journey!  I will be back soon, xo Ani

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DAY 3: TRAILER For Thirty Nights!

Good morning everyone!

An early morning in my household, as my hubby and I are volunteering at a church today.  First, my thoughts and prayers to all the victims and their families in Paris. It’s heartbreaking and I’m giving all my French readers a big hug and comfort. I hope you are all safe, and that you stay strong through this.  Lots of love from Portland, Oregon.

Second, to cheer you up a bit, here is one my favorite surprises we’ve prepared for you for Thirty Nights.  The Book Trailer!!!!! I love, love, love, love this trailer so much.  I hope you like it too. Thank you, Amanda and Samhain Publishing for creating it for me, and for all your hard word on the book!  There ‘re  only three days left. 🙂  I can’t thank you enough for all the support you’ve given me so far.  Have a good Saturday, with all your loved ones and families near and safe!

Thirty Nights Trailer:

Day 9: Full Excerpt 3

Happy Sunday everyone! A day for working in pajamas in my home. We’re in the single-digit days for Thirty Nightsnine more days. That’s it! How can time move so fast and so slow at the same time? You’ll be seeing lots of activity in the next few days: excerpts, trailer, reviews, interviews, etc.  Please help me spread the word and make Thirty Nights what we’ve all wanted it to be.  And because it’s Sunday, here is a full-length excerpt for you!  Enjoy it!

EXCERPT 3: AIDEN’S HOME

An endless hide-and-seek driveway undulates before us...

An endless hide-and-seek driveway undulates before us…

Suddenly, I know we have entered his domain the way we know spring has arrived. With a feeling in our blood, right before ice starts to melt. The pressure of the altitude muffles my ears until all I hear is my own heartbeat. There are no houses around anymore, only dense evergreens and sky. Aiden takes a sharp left and comes to a stop before a modern iron gate. He slides his palm over a pad in a stainless steel monitor. The gates open.

I expect to see a house, but no. An endless hide-and-seek driveway undulates before us, framed by tall oaks and cedars. On the right, in a green clearing, is a paved, smooth circle. It takes a few blinks to realize it’s a helipad.

At last, as though part of nature, a stately house materializes among the trees. Except, the word house is too artificial. This is almost an extension of the primordial forest. Everything about it, from the red cedar wood panels to the charcoal slate, the gray riverbed rocks and the airy spatial windows, is organic. The modern minimalist lines curve around nature rather than bending nature to their will.

Aiden chuckles next to me, and I close my gaping mouth. “It’s beautiful here,” I say.

“It’s getting better.” He smiles, and gets out of the car to open my door. The moment I’m out, he takes my hand again and presses his lips to my hair. I lean into him, sniffing his Aiden scent surreptitiously. I should figure out a way to bottle this.

At the double front doors, he slides his palm over another pad. The doors open into a cream-and-slate foyer. The moment we step inside, lights brighten almost imperceptibly. I blink once and everything is back to normal. Hmm, maybe I imagined it.

Aiden leads me by my waist to a palatial living room. As we cross the threshold, the lights brighten and dim again, blinking fast. I turn to ask him, but he shakes his head. I tuck this away as a world perched between earth and sky surrounds me.

Straight ahead, Mount Hood is almost touchable. Refracting sunrays are my only clue that a back wall separates us, made entirely of glass. I blink, recalling Denton’s lecture on glass optical qualities. This must be the highest—nearly invisible.

Everything from the open-flame riverbed rock fireplace to the barstools in a kitchen the size of Feign Art is bespoke and chic. All light gray and cream, except the chestnut wooden floor and the oversized salvaged oak coffee table. Colors of rivers and forests. Abstract, understated art, none of it my paintings. There is something peaceful about the stunning natural décor.

Yet my first thought is…not loneliness. The controlled minimalism is too intentional for that. Isolation. That’s what it is. I look for signs of the inner Aiden. There are some books stacked on the coffee table. The Brothers Karamazov—one of my favorites, Byron’s Poems, The Things They Carried. Redemption, passion, guilt, war. And poetry. Aiden Hale has soul.

My eyes drift to a shiny black piano, tucked by the glass wall. My breath catches a little at the sight. Not because it’s a rare Bösendorfer. But because on it, is the most astonishing arrangement of flowers I have ever seen. They’re not in a vase—they’re in a low crystal terrarium, like a secret garden. I walk to it in a trance, sensing Aiden’s body heat behind me.

And there, rising over green moss, is a single bloom of probably every flower genus they sell in Portland. Hyacinth, orchid, gardenia, peony, amaryllis, calla lily, rose…

“I didn’t know which one was your favorite.” Aiden’s warm breath tickles my cheek. It’s just air—his air—but my knees start wobbling. He pulls me against his front, his lips fluttering over my jawline to my ear.

“So?” he whispers.

“Hmm?”

“Favorite flower?” He kisses the soft spot behind my ear. I shiver.

“Umm…”

He chuckles and pulls away. “Maybe it’s too soon to combine thinking with kissing.”

I flush the color of the amaryllis. “Roses,” I breathe.

He raises an eyebrow. “Roses?” There is a hint of humor in his voice.

“What’s wrong with roses?”

“Nothing. It’s just such a common choice for such an uncommon woman.”

©2015 Ani KeatingiStock_000033453000_Small

Blurb and Tagline for THIRTY NIGHTS are here!

Happy Saturday everyone!

Hope you all have fabulous plans for the weekend. It’s raining in Portland, Oregon—which means it’s a perfect day for snuggling up with Baci chocolates and a good book (“Far From The Madding Crowd.” Thomas Hardy, Matthias Schoenaerts, and strong women—what can I say.)

It’s also a perfect day to post the blurb and tagline for THIRTY NIGHTS.  Just got them from the publisher and I’M IN LOVE!  Hope you enjoy them.  Here is the full blurb and an image of it below. Feel free to share them—I know some of you have already included THIRTY NIGHTS in your book club list. You rock! Thank you!

xx

Ani

AMERICAN BEAUTY SERIES, BOOK 1

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Thirty nights. Two hearts. One fate.mia-maid-rose_0

After her parents’ tragic deaths, Elisa Snow wanted nothing more than to escape her past. Eighteen and alone, she fled her quaint English village and moved to the United States. A starving science student by day and an artist’s muse by night, Elisa has slowly built a new life. She never dreamed she would lose everything again.

She is one week from graduation when her visa is unexpectedly denied. Given thirty days to leave the country, she must face the one thing she cannot survive again—saying goodbye and leaving her home. Yet within minutes of her world shattering, she meets a man with the power to piece it back together.

After finishing his tour of duty in Iraq, Aiden Hale traded battlefields for boardrooms, becoming one of the most successful venture capitalists in the nation. But all his wealth can’t buy him reprieve from the horrific memories of war. The only thing that gives him peace is a painting of Elisa.

Drawn together by their invisible wounds, they begin a passionate affair as they race against the clock to defy their pasts—and fight for their future.

Warning: Contains a blistering exploration of desire, sacrifice, and redemption…and love’s power to equalize us in ways laws cannot.

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New Chapter is Up (and it’s long!)

Hey everyone,

I am sorry for the delay in posting this time. I had a not-so-minor crisis with our landlord who selfishly decided to renovate and not renew our lease. I will spare you the madness but it’s all sorted now.  Thank you for your patience and thank you to everyone who wrote to me and almost sent out a search and rescue mission. YOU ROCK! I was going to write back individually but I figured between an email from me and a new chapter, you’d like a new chapter.  So here it is! We are getting close to that KEY moment you’ve all been waiting for, very close, so keep going.  🙂  And thank you to everyone who reviewed in the last chapter.  I know so many of you read and follow and spread the word and I love you all for it.  And to those of you who take an extra minute to drop me a line, you have no idea how much that means to a writer, especially after long nights of wondering “why the hell am I doing this again?”  SO THANK YOU EVERYONE!! Links below (pinterest will be up in a bit so that I don’t spoil for my Facebook followers).  And if you are looking for cool stories, check out the other writers we have in our  midst in my previous post.  Love them!!

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Song: Thom Yorke, Hearing Damage https://www.youtube.com/watch?v=YU-Bc0a-wmw

Pinterest http://www.pinterest.com/anisurnois/90-days-of-hale/

Chapter 7 is up!

Hey everyone,

Welcome back and thank you for your general awesomeness. My geekery will show if I say that the last chapter was one of my favorite Elisa moments. So a million thanks to those of you who supported her in  that landmark moment. 🙂

For this new chapter, a lot of you have been waiting for a while (wow, that sounded like Yoda!).  There is a section here you have seen before – hopefully, now that you will see it in context, the puzzle pieces will fit. Also, please listen to the song because in this case, the song is part of the chapter. 🙂  Oh, and check out Aiden’s letters in  his own handwriting (or at least the only nongirly font I had available) on the side bar menu.

And a special thanks to those who are always there to help from British culture (Ariadne) to reviews to typos – it’s hard to list all the names or I will go on forever or worse, forget someone and torture myself while watching Game of Thrones (as if the show doesn’t tear your guts out enough).  🙂 Love you all!  Link, song, Pinterest below. Also, we have some wonderful writers among our readers here: check out Wattle on Fanfiction, Sasha Cameron, BG Holmes, Nanette Virden, Candiefloss on Fanfiction, and Perhaps Perhaps Perhaps on Fanfiction and her Tmblr page! I’m still discovering others in my three minutes of reading per day. 🙂  Love – Ani

For Whom Does Phosphorus Bark?

 

Song: Sleepsong, Secret Garden http://www.youtube.com/watch?v=p_cdXNWD1VY&list=PLB52821BCF16067EF&index=1

New Pinterest: http://www.pinterest.com/anisurnois/90-days-of-hale/

Chapter 6 is here!

Hey lovelies,

I promised to get you this chapter quickly because of the cliffhanger.  Cliffhangers are not really my style – I just didn’t know where else to leave the last chapter.  But hopefully, a quick update fixes that.  NOTE about this chapter: AFTER you read it, you may want to consult the new pages on the side bar menu under Elisa’s Pedigree.  You will need them going forward.

A big thank you to everyone who commented in the last chapter, along with everyone who reads and follows.  As of now, this little blog has exceeded 1,000 followers!!!!  And it’s all because of your word of mouth.  So thank you for spreading the word.  Please help me  make Thirty Nights and Ninety Days as dear to others as it has become to you.  🙂 So for every time you have read, told someone about it, and sat down to drop me a note, thank you.  A special hug to Ariadne for her guidance on British things and to my friends “S”  and Arilee for always being a good soundboard.

The title of this chapter “Sub Rosa Reviresco” has a special meaning to Elisa, as you will see.  It means “Under the Rose, I reflourish.”  Finally, the Blue Roses Poem below is important to this chapter so you may want to refer to it as you read the chapter (or before).  Link and song below.  Pinterest will be uploaded soon, so as not to spoil it for those who will see my postings through my FB page.

Blue Roses

Song:  Way Down in the Hole, The Blind Boys of Alabama http://www.youtube.com/watch?v=aKyKVYRHYn8

New chapter is up!

Hey everyone,

Thank you so much for the outpouring of support at the last chapter.  I loved hearing all your theories, and have posted a lot of the answers to your questions on my FB page for efficiency but will add them to a list here on the side menu as soon as I have a minute.  And THANK YOU for all your comments and theories and guesses – there’s nothing better for a wanna-be writer than to hear from her readers in real time.

A special thanks and gratitude to Ariadne for British-proofing this chapter, Mr. Plemmons’ mannerisms, and all her advice on Snowshill and all things British.  I have the “best of British” luck in meeting her.  One day, I hope she will write a book of her own.

A kiss and hug from anyone who lives in Snowshill for letting me take liberties with your beautiful town.  🙂

This chapter is dedicated to two readers who have followed my journey from the beginning and who both suffered tragedy this week:  To S’s mom – may you rest in peace and may your soul shine like phosphorus.  To Purpleale – there is a bright road ahead, I know it!

Link, song, and Pinterest below 🙂

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“Let there be light” – Elisa Snow
Phosphorus Sand – this picture is real!

Song: Dark Paradise, Lana Del Rey http://www.youtube.com/watch?v=6X3w-YmXZM8

Pinterest: http://www.pinterest.com/anisurnois/90-days-of-hale/

THANK YOU!!!

Chapter 3 of Sequel: Aurora Borealis

Hey all,

Here we go!  Told you I’d be updating more frequently.  🙂 The sequel is in full flow now.  Chapter 3’s link is below (or under the 90 Days tab), along with the song and the new Pinterest goodies (can you tell I am learning how to make Pinterest quotes? I’m going crazy with that stuff – it’s addictive!!)  Thank you to everyone who read and commented on the last chapter.  I know you have to scroll to the bottom of the page to review and I am so indebted to everyone who takes the time to drop me a word, no matter what you have to say.  I read all of them (sometimes many times 🙂 – okay, my crazy is showing).

And last but not least, thank you to Ariadne for all things British, from giving me the correct radio station to giving me tips on the real Snowshill (and to even agreeing to help me with British slang). This lady needs to be a paid editor but until then, I am just fortunate that she came across my story and tolerates my incessant questions.  Thank you also to Wendy for suggesting the song for this chapter – you are right: it is absolutely precious and the words are exactly what Peter and Clare would have said to Aiden. 🙂

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Song: October, Rosie Thomas http://www.youtube.com/watch?v=9_MoC__hZkk  (isn’t it a cute coincidence that the singer’s name is Rosie and the video has roses)?

Pinterest: http://www.pinterest.com/anisurnois/90-days-of-hale/ 

Chapter 2 of 90 Days is up!

Hello everyone!

Hope 2014 is off to a good start for you!  I know it’s been since before Christmas, but here  is the second chapter of 90 Days.  You’ll notice some changes in the website, too: now the sequel has its own tab above per your requests.  In addition, there are two new Pinterest boards, one for Elisa’s  new wardrobe and one for the sequel, which includes many things mentioned in this chapter, from the Cottage door to… well…  no spoilers.

I hope you enjoy it.  There will be more Aiden coming up, and more sequel.  Link, song, and new Pinterest boards below.  🙂  THANK YOU!!

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“The Cottage stands there, with the presence of soul and the absence of time.” – Elisa Snow, Chapter 2, 90 Days

Song: I Am Coming Home, Skylar Grey, http://www.youtube.com/watch?v=u-6Yg8RSRqw

Pinterest Fun: 90 DAYS,  http://www.pinterest.com/anisurnois/90-days-of-hale/  ELISA’S NEW WARDROBE, http://www.pinterest.com/anisurnois/elisas-new-wardrobe/

Happy Holidays and a surprise chapter!

Hey everyone,

I wanted to wish all of you Merry Christmas, the happiest of holidays, and a healthy, lucky, sexy, and loving New Year’s!  I was going to write about how special you have made 2013 for me, by following Thirty Nights from its very first chapter to its current journey through publishing houses.  I wanted to thank you for all your faith, support, and thousands and thousands of messages, comments, reviews, cards, and notes you have sent me.  But if I did that, I would go on forever.  So instead, I will say simply a BIG THANK YOU and give you what you like!  Some more writing. 🙂  Over the last several months, so many of you have asked for this scene.  It is set before Thirty Nights starts, and I thought  it was the most appropriate to post today, on Christmas Eve.  Not only to use it as a scene for hope and love for all of you, but also in a moment of self-indulgence because this scene is very close to my heart.  Some of you know that Javier was partly inspired by my own brother.  Well, this last week, I learned that the American Embassy didn’t give my brother a visa to come spend Christmas with me.  So, this is for the apple of my eye, “Andrew,” as well as for all you who have been my muses in this process.  Oh, and don’t panic. Aiden POV will return soon, too.  I’m just trying to upgrade the website to include more of his chapters.  THANK YOU EVERYONE!! HAPPY HOLIDAYS AND SEE YOU IN THE  NEW YEAR (my hubby is dragging me to Seattle for a family get-together).  All my love, xoxo, Ani

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HAPPY HOLIDAYS!!!! xoxo, Ani

NEUVO DIA, NEUVA VIDA

Christmas Eve, 2008

“Javier, hijo, ándale, ándale, neuvo dia, neuva vida!”

My mother, Maria, has been waking me up this way since July 2, 1994.  New day, new life, she said.  I remember her with a four-year old’s eyes.  Tall, even though she is only five foot two.  Plump, because she was wearing three wool sweaters—yes, in July.  Happy, because she was smiling.  Strong, because she was carrying two black, duffel bags full of our clothes.  And right, because she was my mother.  New day, new life, she said.  She put me in three sweaters, too, and a coat.  She gave me my Optimus Prime transformer that my father had sent me all the way from Oregon, America, and took my hand.  Vamos a ver a tu papá.  Vamos a América, she smiled.  I followed her with a four-year old’s steps.  Small, quick, and trusting—rushing to keep up with the rest of the world.

“Javier, ándale,” her voice drifts from our tiny, American kitchen, with the same urgency, the same faith as it held fourteen years ago.  But unlike fourteen years ago, I am already awake, even though it’s only 4:30 a.m.  Still, I let her believe she is waking me up because she likes that.  My mother is nothing if she is not the first face her children see in the morning and the last they see at night.

“Okay, okay, I’m up,” I say, my voice still thick from sleep.  The house is quiet except Maria’s soft footsteps on the linoleum floor.  My father, Antonio, already left for work to build The Nines Hotel downtown Portland.  My sisters are asleep.  I look at the small Christmas tree in the corner, covered in tinsel and pink lights.  No presents there yet.  But the stockings hanging on the coat rack are stuffed, most likely with Maria’s knitted socks and gloves.  I bet mine will be navy again this year.

I get out of our couch—that’s my bed.  No, no, don’t feel bad for me. This sleeping arrangement is by choice because I have converted my bedroom into a painting studio.  More about that later.  I fold my comforter and sheets, and stuff them in the matchbox closet in our hallway where they will stay until around ten tonight, when I get back from work.  Why 10:00 p.m.?  Because my boss is letting me out early.  Merry Christmas Eve, America!

I shuffle down the hall to the bathroom, stepping on two dolls and a pacifier, and nearly breaking my neck over a soccer ball.  My sisters’ toys.  Four sisters now.  Anamelia just joined us two months ago.  It was almost fun until I realized where babies come from.  Then I went through a phase of throwing up in my mouth every time I saw my mother pregnant.  But I grew out of it.  Now, I just blame the five of us on my parents’ love for each other—the love that conquered time, distance, and illegal immigration—but I also know there is a little bit of good ole’ Catholicism in there, too.  As faithful Mexican immigrants, we go forth and multiply, filling America’s schools, streets, buses, and homes with American citizens.  So they can have the life that we came here to find.  The American dream could be an ad for aphrodisiacs.  Save an oyster, find America!  Neuvo dia, nueva vida.

In the bathroom, I curse my stubble to the deepest pits of Mexico.  It grows like fungus after rain.  The painter in me wants to grow it out Van Gogh style but Antonio believes in three rules that make a man: a clean-shaven face, a good woman, and a back-breaking job.  I am two out of three.  I’ve been growing a beard since I was eleven.  I’ve been working not one, but two, back-breaking jobs since I was fifteen.  As for the good woman . . . well, I’ll just paint her.  See, it puts a real damper on dating style when you are eighteen and living with your parents.

Hello Miss American Pie, my name is Harvey Sellers.  No, not really, but I can’t tell you my real name because I am a criminal by your laws.  In fact, your peeps call me illegal. I’d like to take you out to dinner somewhere on a hilltop, if my Honda Civic makes it that far.  But it has to be around eleven because that’s when I get out of work.  Is that too late for dinner? I promise to pack my mother’s carnitas . . . or salad, whichever you prefer.  Once there, we can dance.  Do you tango? Vertical? Horizontal? And at the end of the date, I’ll drop you off.  I won’t give you my phone number because you may know Immigration and Customs Enforcement police . . . you know, ICE men.  So how about that date, Miss?

And that is why I, Javier Solis, do not have a girlfriend.

I slap my newly-shaved face, now softer than Anamelia’s bottom after a new diaper, and start putting on my work clothes.  We’re supposed to get an ice storm today.  Lucky for me as a landscaper, ice storms are rare in Portland, Oregon.  But when they come, they turn the world upside down.  See, Portlanders have no fucking clue what to do with snow.  They usually walk around like dingbats, calling off school and public transportation, wearing sleeping bags with holes for legs and arms, and discussing the merits of global warming.  As a native Mexican with the word Sun for a last name, I would join them wholeheartedly.  But Boss pays extra on ice storms, which means they’re better than sunny days.

I put on my long underwear—sexy.  Then jeans—hot. Then my work coveralls—even sexier.  Repeat the process with three layers up top.  Steel toed boots? Check.  A man needs toes.  Ear muffs?  For sure.  A man needs ears, too.  Coat? Two, please.  They’re out in the foyer.  Actually, foyer is what Maria calls it.  In reality, it’s a two-by-two space cluttered with the girls’ shoes.

I come out of the bathroom, sweating bullets.  I can smell Maria’s fried eggs and potatoes so I sprint to the kitchen.  She smiles when she sees me, her chocolate eyes twinkling like the Christmas tree.  In five seconds, she will hug me, bless me, and ask about my work schedule even though it’s the same every day.  Five, four, three, two, one.

“Bendito, hijo, bendito,” she says, marking a cross over my forehead.  Then she slides   three eggs and a mountain of hash browns on a plate with reindeers—one dollar, ninety-nine cents at TJ Maxx, a present from Antonio two Christmases ago.  I sit at the kitchen table and dig in.  Maria pats my cheek.

“You growing.  You need new jeans, hijo.” She smiles but in her voice, I sense the hesitation of math.  She is adding up the dollars in our checking account.

“Not really.  You know me, I’m a kilt guy,” I say because that will make her laugh.  She does and for a moment, I sense an echo of the four-year old boy.  That boy is long gone but there are some moments—rare, Christmas-Eve moments—when Maria’s laughter turns back time to Optimus Prime transformers, hot July days, trips to America, and a mother’s guiding hand.  Nuevo dia, nueva vida.

“So what is Boss having you do today?” Maria asks in English.  She always asks this question in English, as though to emphasize its importance.

“Going over to Reed College.  Gotta treat the rhododendrons around campus. Then off to Feign Art.  Someone ordered a replica of that Pursuit of Happiness series I did last year and I have to finish it by January third.”

“Oh, that’s nice, that’s nice,” Maria says, patting my arm.  I know her pats by now.  On the cheek to say hello or I love you, on the head to say behave, and on the arm to say maybe later.  She reserves this latter pat for my “art talks.” She and Antonio know that if we really want to talk American dreams, mine would be to have my own gallery, paint the land I see versus the land I want, and of course, collect money from it.  And they think that’s as impractical as a man can get.  Pointless concern because as an illegal, I could never own or operate a gallery.  So instead, I settle for ghost-painting for Brett Feign who sells my work under his name and gives me about a fiftieth of what he makes.  Fair? No.  Acceptable? Yes.  It puts food on the table and I get to do what I love.  Not many have that luxury.  Not even Americans.

“How much is Feign paying for the paintings this time?” Maria asks.

“Same as always. Two hundred bucks a pop.  There’re five of them though so that’s good.”

Her face softens and she pats my cheek. “Buen hijo,” she says. A good son.  “Someday, you will not have to work so much.”

She speaks the words with a far-away look, as though that is the only aspiration, the holy promise. Because it is. She pats my cheek again, takes my plate, and walks over to the sink.

I watch her straight back.  It breaks too, under loads of laundry, bending to clean, wipe, sweep, and mop Portland’s hotels.  Still, on any given day, life is better here.  Or if not life, the dream of life.  Somehow it feels closer, graspable, or at least more vivid on this side of the border.  I suppose, in the end, a vivid dream is better than a blurry dream, even if it never becomes reality.

I still have a few minutes before six o’ clock, but suddenly, the promise of Nuevo dia, nueva vida, rings both loud and mute.  I stand to leave.  Maria turns around and wipes her hands with a kitchen towel, covered with snowmen.  Two dollars, ninety nine cents at Crate and Barrel.  A present from me four Christmases ago.  Maria is nuts about Crate and Barrel.  Which is why this year, I’m getting her stocking-shaped mugs, in addition to a painting of her and Antonio.

“You leaving already? You still have a few minutes,” she looks at the cuckoo clock on the kitchen wall.

“I know. I want to drive slow.  Ice and all.”

She blanches at the word ICE.

“I meant real ice, Mom. It’s okay.”

I walk over to her and give her a hug.  The word ICE in our house is the same as the word muerte. It is never said unless it happens. Damn the genius who named immigration police ICE.  What the hell are we supposed to call real ice without causing heart attacks for our parents?

“How about we call it Aspirin from now on?” I say.

Maria’s color returns.  Almost.  “Aspirin?” she smiles.

“Sure.  Aspirin is supposed to prevent heart attacks.”

She laughs and pats my cheek.  “Ah, sí.  Okay.  Aspirin.”

“I love you,” I say, and kiss her hair.

“I love you, too,” she answers in English.

I put on my two coats, pick up my packed lunch, and go out to brave the Portland Aspirin storm.

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By 11:30 a.m., I have snowballs instead of testicles.  Reed College has more rhododendrons than ICE has cops on the Mexico border.  Why the fuck does any college need so many rhododendrons? Oh right, the college that gave us Steve Jobs, Wikipedia, the CD, and who knows what else.  I usually keep my eyes on the ground and away from the brainiacs that attend this school but the truth is I have crashed a couple of their art lectures while pretending to take out the trash.  I even wrote down their syllabus and have been saving for the books.  At my rate, I will have a better chance at buying them one chapter at a time . . .  and should have them all when I turn sixty.  Awesome! I continue covering the rhododendrons with plastic bags and spraying them with anti-freeze, whistling Johnny Cash’s “One Piece At  A Time.”

“Umm… hello?” A soft voice, almost a windy whisper, interrupts me right at “you’ll know it’s me when I come through your town.”  I look up.  And man though I am, I gasp.  Airless, I have a sudden urge to cross  myself.

A few steps from me, is a . . . girl.  I think.  But the word does not fit her.  She is almost transparent, as though she lacks substance, not form.  She is tiny, no taller than five foot four.  Her skin is pale, almost like onion skin.  It stretches over her prominent cheeks and upturned nose like the edges of her bones are about to break through the delicate film.  Her lips are white, chapped, and slightly parted as though she is barely drawing breath.  Her hair is long, past her waist, and almost black.  It is thin, and I suppose at some point, it must have been wavy.  It blows in the wind behind her like a sigil—dark and ominous as the flag death would carry if it were in the habit of announcing itself.

Standing out above and beyond the haunting sight, are the girl’s eyes.  They are an astonishing color.  A deep orchid purple, almost indigo blue. I have studied human eyes and colors for my art but I have never seen eyes like this.  They are large, too big for her drawn face.  Long, black lashes frame them but she blinks very little.  The lashes flutter in the wind, too, like feathers.  I watch her eyes closely, wondering if she is wearing lenses.  She is not.  Her eyes are real.  Yet despite their vibrancy, they remind me of a hearth after the fire has gone out.  No embers glowing, no warmth.  Only ash.  Like her hair, her eyes must have had some life in them but whatever specter has hollowed her, has extinguished them, too.

I tear  my eyes from her face and look at the rest of her.  She is wearing a man’s coat, too large for her.  It’s a dark brown tweed, the sleeves rolled a few times to expose her frail hands, locked together.  The coat falls to her shins.  She has a dark green man’s scarf wrapped around her neck.  Under the coat, she is wearing a pair of black slacks.  On her feet, some black pumps that look like they belong on a mother, not on a teenage girl.  Her feet shift on the frozen lawn.  It’s not until I see that slight movement that I realize why the word girl does not fit her.  She is not a girl.  She is a ghost.

I look back at her face.  She swallows once and flinches as if the act caused her pain.  She looks at the anti-freeze spray bottle and then back at me.  Her shoulders are hunched and another word pops in my head.  Waif.  She has that aura of an abandoned child, even though she is probably about eighteen years old.  I try to say something —anything—but cannot.  There was beauty in this girl once.  The kind of beauty you paint, immortalize. A beauty underneath, between reality and imagination.  A painter knows a pretty woman at first sight, and a beautiful woman at the thousandth.  The Mona Lisa’s, the Simonetta’s, the Dora Maar’s. The muses. What could destroy that type of beauty with such vengeance? Why?

“I . . . I can help . . . help you with the rhododendrons?” she whispers again.  Now I realize that, in fact, she is not whispering; she is talking.  Whatever evil drained her beauty, muted her voice, too.  But quiet though her words are, I notice a British accent in them.

She waits with an empty dread in her eyes, like she is afraid I am going to say no.  Maybe she is crazy.  As in true mental illness.  I watch her under this new theory.  She blinks once and looks at the rhododendrons again like they may hold the answer on how to weird out innocent landscapers.  Yes, ill.  Ill describes her.  But not dangerous, no.  Just . . . hurting.  I open and close my mouth a few times, blink for the both of us, and find some words.

“Hey, there.  Ah, you don’t need to help me.  I got this. Uh, is there anything I can help you with?”  Some food maybe? Or gloves?  Or rocks in your pockets so you don’t blow away in the wind?

The moment she hears my “no” she flinches again and her chest rises as if she is trying to breathe.  “Umm . . . you can help me if you let me help you,” she whispers.

What the hell does that mean? Oh, that if I let her help me, it will in turn help her? How on Oregon’s green forests will that happen?  This girl needs to be in bed, hooked up to some IV or something.  Not out in an Aspirin storm, treating shrubbery.

I shake my head.  “Honestly, I think you should go home. It’s getting bad out here. Just go be warm or eat or something.  I’m almost finished here.”

At the word home, she closes her eyes briefly, then opens them, looking at the rhododendrons in panic.  “But . . . but . . . But if you cover their roots with leaves, it will be better for them.  And the spray you are using is not effective.  It doesn’t have a surfactant ingredient listed on the bottle, and it won’t help.  If you want, I can show you how to make one that will help,” she whispers urgently.  “Please?”

Okay.  Either this girl has some serious, tree hugger kind of obsession with rhododendrons, or she invents anti-freeze and is trying to dupe me into buying some, or she is downright nuts.  Besides, I know what I am doing with the shrubs.

“Look, ah . . . what’s your name?”

“Elisa.  Elisa Snow,” her whisper drops so low that I have to lean in to catch her words.  She almost mouths her last name as if her vocal chords cannot support the sound.

“Right.  Okay, Elisa.  My name is Harvey.  Are you feeling . . . you know, okay and all?”

She nods slowly in a way that could mean only “no.”  Some strange current starts to crawl and zap in my chest the same way it does when Maria is crying or one of the girls gets picked on at school.

“You don’t seem okay,” I push.

She steps back, looks at the rhododendrons one last time, inclines her head at me once, and turns to leave.  Maybe she accepted defeat with the stupid shrubs, or perhaps gave it up in exchange for her silence to my question.  Before I know what I am doing, I run after her.

“Hey, hey! Elisa?” I call, but she tries to walk faster.  I catch up to her in about three steps and a half.  “Hey, don’t run.  I thought you wanted to help me out?”  I say, keeping my voice casual like I do when I tease my sisters.  Maybe this way, she will tell me what’s wrong with her.  I don’t know why it’s suddenly so important for me to know, but it is.

She looks at me, and blinks twice—a record for her.  “You’d let me help you?” she asks.

“Well, yeah, sure.  As long as you tell me why you’re so upset.”  I meant to make it sound like a negotiation but instead, it came out as a question.

She dissects my face, with a thinker’s look.  A flash of intelligence gleams in her empty eyes.  “And you will let me help you until you are all done?”

“Yes.”

“Promise?”

“Promise.”

She looks around.  What could be so momentous about telling someone why she’s upset.  Oh shit, maybe it’s a crime? No, she doesn’t look like a criminal.  No, this is something painful.  I know that.  That’s why I’m standing here like a dude’s Christmas tree: stiff, dead from the root up, and with a pair of snowballs.

“So, what do you say? A secret in exchange for hard labor?” I offer.  I hoped to make her smile but she doesn’t.  Perhaps she does not remember how.  Or maybe my joke was not that funny.  Still, for some nutjob reason, I keep going.

“I promise to make the labor really hard if that helps? You can do all the rhodies by yourself even.  And you can show me what the deal is with anti-freeze and the surf-whatever.”

She looks up at me.  For an instant, a shadow of life flits in her eyes, almost like recognition or trust.  To my utter astonishment, she nods only once.

“Yeah? Deal?” I ask, unsure that a nod really is a nod with this girl.

“Deal,” she whispers.

I smile and wait in what I think is a very nice-guy, encouraging stance.  Elisa locks her hands together tightly, as if she is looking for something to grip.  Yes, my chest is definitely acting up.  She is so fragile and the pain in her eyes so acute that, of its own volition, my hand extends toward her.

“You can hold on to me, if you want,” I say.  If any dude anywhere has had a weirder conversation with a woman, I’ll give ICE my real name.

She stares at my open hand in that blinkless way of hers.  I am about to withdraw it when her fingers relax a fraction.  I hold my palm closer to her, like one might when offering a hazelnut to a wounded, trembling squirrel.

She extends her hand to me slowly.  It shakes like the last leaves on Reed’s oaks.  The weird crawl in my chest creeps up in my throat, changing into an ache I have never felt about a stranger.  Something about her trust is transformative, like that right ray of light that makes the canvass a window, not a frame.

At last, her small hand rests on mine.  Her fingers are icicles, brittle and frail. I wrap my hand around hers gently, afraid that if I shake it, it will shatter into a million crystals.  She closes her fingers around mine. They are weightless, almost a caress, not a grip.  Still, the touch must do something for her because she looks up at me.

“Thank you,” she mouths.

“Sure.  See? Not that hard.  Now, all this shrubbery is yours for the treating, just tell me what’s wrong.”

Her fingers tighten slightly on mine.  I wait for a long time.  At least a long time by an hourly worker’s standards.  “You know, those rhodies will freeze by the time we’re done here.”

That does it.  Yep, definitely a rhododendron hugger.  Her lips move slowly as if she is testing the words in her mind first.  Is it possible she has never said them? Then she looks up at me.

“Do you have parents, Harvey?” she whispers, as if she just took her last breath.

I repeat her words in my head, trying to make sense of the riddle.  Why is she asking about my parents? My eyes flit to her clothes.  A man’s clothes.  An older man’s clothes.  A father’s.  And the shoes.  A mom’s shoes, just as I thought earlier.  I suck in a sharp, icy breath as it finally hits me.  She is asking about my parents because she has lost hers.

I don’t usually have time to study my insides but there are some changes, body and blood changes, that even the most practical, overworked, meat-and-potatoes, full-beard-by-lunchtime man notices.  That’s where I am right now.  A strange, thick burn— like I’m inhaling paint thinner on fire—blisters in my throat.  Without thought or plan, I try to pull her slowly to me.  She doesn’t move.

“Will you settle for a brother on loan?” I say.  As the words leave my mouth though, I feel like I have signed and sealed some summons from above.  Like her parents hailed me to this frozen lawn, on this Christmas Eve, with the missive of angels.  And even though I offer her brotherhood, to Elisa, I will always be whatever is written in that missive.  Brother, family, or whatever the skies have in order.

She looks at our joined hands, and then in my eyes.  She nods, but the motion is more fluid, somehow.  Not as stiff.  She doesn’t smile but that flicker of life flashes in her eyes. “Can I help now?”

I pat her small hand as I realize what she is asking.  She wants something to make Christmas Eve livable.  Something she can breathe through.  The bite of frost, the prickle of shrubs, perhaps even the idea of protecting something —a life form as simple as a plant—from the end.

I swallow to make sure my voice is not frozen.  It is, but her purple eyes melt it into the only words she needs.

“Yeah, you can help me.  For as long as  you want.”

“Thank you,” she says with so much feeling that I am not certain whether she is thanking me for the rhododendrons or for something else.  Her voice is a little clearer as if she put all her strength behind it.

I smile. “Sure. But if I’m a brother on loan, you should probably know my real name.  It’s Javier.  Javier Solis.”

She doesn’t ask me why I lied. In fact, she doesn’t look surprised.  “My . . . parents,” she swallows as she says the word.   “They called me Isa.”

“Well, Merry Christmas Eve, Isa.”

She looks at me for a long moment.  A few wisps of snow fall over us.  “Merry Christmas Eve, Javier,” her fingers tighten weakly on mine.  Then, she lets go off my hand and picks up the bottle of anti-freeze.  She walks to the next rhododendron in line and starts covering the base and upper roots with all the leaves she can find.  Her hair gets stuck in the branches but she doesn’t care.  She pats down the layers of leaves with an odd energy.  Almost dedication.  She starts to fold sleeves of plastic and tucks the branches in with a motherly edge to her delicate face.  At length, a faint, almost invisible pink tints her cheeks.

The Mona Lisa’s, the Simonetta’s, the Dora Maar’s.  And the Elisa’s.

I look up at the sky that sent me a missive, realizing it was not a commandment; it was a gift.  Every painter has a painting, every painting has some art, every art has a maker, but not every maker is an artist.  An artist exists only if he has a muse.

Snowflakes fall on Elisa’s hair.  Merry Christmas to me. 

Thirty Nights and all related materials © 2013 Ani Surnois

Meet Mrs. Hale – Aiden’s Mother (and his baby pics!!)

HAPPY HOLIDAYS EVERYONE!

On Thanksgiving, while I was eating things like soup due to my broken tooth, and seething that my hubby was gorging himself in turkey and stuffing, I thought to myself: yes, but he does not have almost 1,000 followers in his blog (ignoring the fact that he does not have a blog)! So I sat there with my soup, giving thanks for all of you. For every time you have clicked on this blog, followed it, spread the word, told someone about the story, sent me a message, wrote a review, or simply thought of 30Nights, THANK YOU!!

In honor of the holidays, I thought you should meet Aiden’s mother, Stella Hale, through an interview.  I have had a lot of questions about Aiden’s childhood.  Let’s see if she can answer some of them for you. As always, some sequel hints are embedded as well. Be careful, Stella does not know that she is a character in a book.

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Stella Hale (Daphne Zuniga)

AS: (has changed into sweat pants for the occasion) Mrs. Hale, I’m Ani Surnois and I’m your son’s creato—ahh…creativity director… yep, that’s me.

Stella Hale: Hello, Ms. Surnois, how do you do? Do I owe Aiden’s brand-new campaign called Il Legal to you?

AS: Well, I only named it but it was Aiden’s initiative through and through.

SH: (smiles proudly) That’s my son! May I ask … where am I exactly? I was just in an airplane, and my husband was telling me to get some sleep, and now I’m here. I have a family emergency, you see, and I have to get to Portland, Oregon, ASAP.

AS:  Umm… yes, the plane is … refueling. You will be on your way very shortly.  While that happens, this … ah… place is my head. Sort of.

SH: I beg your pardon?

AS:  My head … my office.

SH:  Ah! Ah, yes, of course. (looks around with bright blue eyes, very much like Aiden’s). How curious a place! What is that thing in the back? Is that a… ballroom?

AS:  Oh,that! Yes, yes, it is. Here, don’t mind that, Mrs. Hale.  I’m doing a … biography of Aiden. And I’ve seen so much curiosity about his childhood. Would you be willing to answer some questions for me?

SH: Of course, of course. As long as I get back on the plane in the next few minutes. I really need to see my son. (fidgets and wrings her fingers.)

AS:  (feeling like an emotional leech.) I understand. I’ll get you out of here very soon.  Here, have some Baci chocolates.  They really help.  Now, let’s get started.  What was Aiden’s first word?

SH: (eyes soften and speaks softly.)  Aiden didn’t have a first word. He had a first sentence.

AH:  A first sentence?

SH:  (nods with a smile).  Yes, he said “Mama,” paused for a just a second and continued “Mama, fank you.” I couldn’t believe my ears. He dropped his little bouncing ball and I gave it back to him, and there it was. “Mama, fank you.”  So I did it again, and again he said it. With a big grin. “Mama, fank you.” I called my husband, Robert, at work in a tizzy. He came home immediately—we spent the whole day just watching Aiden. He was only 13 months old! And the words were almost fully pronounced. (shakes her head. Oh hell, there’s a tear. Yep, there it goes, down her cheek.) We should have known right then that something was different. But the pediatrician kept saying “he’s just a smart boy.”  We had no idea just how advanced his little brain was…

AS: Are you referring to his eidetic memory?

SH: (looks up startled) You know about that?

AH:  Umm… yes.  Aiden told me.

SH:  Really? That’s very unusual. Aiden does not share private information. (frowns, purses lips, eyebrow flies in the air and squints her eyes at me.) Are you sure you are his creativity director?

AS:  Positive. I also do his hair so that means we’re friends. Plus, I’m very nosy. Mrs. Hale, when did you first notice Aiden’s intellectual gifts?

SH: Well, in retrospect, from the first time he fully opened his eyes. They were almost… too intelligent for a baby. Here, I have a picture, would you like to see it?

AS: (melting into a puddle of raging female hormones) YES, PLEASE!

SH: (pulls out of her bag, not a wallet, but an album, thicker than Brothers Karamazov, full of Aiden baby pictures and sniffles).  Here is my favorite. This is how he watched us from the very beginning. Like he understood it all! Even Doctor Nikos who delivered him said, “smarty eyes! Looks like he’s telling me how to do my job.”

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Aiden’s Baby Blues

AS: (can’t talk because she is experiencing an out-of-this-womb moment!)

SH: (looking at the photo.) When he was born, he came so gently. Doctor Nikos said it was almost as if he was worried he would hurt me. It took Robert and me a while to conceive but once I got pregnant, Aiden gave me no trouble… Here are some other ones (starts flipping feverishly through baby pictures).  Here, this one. He was born with a full head of hair. Robert called him “Mohawk.”

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Baby Mohawk

SH: I tried to comb it a few times but Robert wouldn’t let me. Here he is with our dog Marlow. He loved that dog! We always had a dog. I have no clue why Aiden doesn’t have one now. He’s so good with dogs. Every time I ask, he gives me some joking answer like “because I don’t have a mailman,” or “because I can’t neuter another male.”

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Aiden and Marlow

SH: I have some others, too— would you like to see them? (pulling more pictures now.) Are you okay, Ms. Surnois? You seem choked up?

AS:  Ah, yes, yes, I have a tearduct allergy. Something about polaroids. Go figure. Mrs. Hale, aside from the intelligent eyes, when was the first sign of his memory?

SH: (looks up from the baby pictures as if she forgot I am here.) Oh! When he was five. One night, I was reading Fantastic Mr. Fox to him.  The next night, I was tucking him in and started to read again but I couldn’t remember the page I’d left off so I picked up a few pages earlier.  Suddenly, he started reading with me! It took all my strength not to scream. I was terrified. I thought he was really reading. But then I covered the words with my hand, and said “Aiden,can you read it now, love?”  So he recited what he remembered from the night before: “Bogis and Bunce and Bean, one fat, one short, one mean, these horrible crooks, so different in looks, were  nonetheless equally mean.” He didn’t know how to read, he just remembered it perfectly (shakes her head again, tearing up.)

Here he is, reading later, on Manzanita Beach. This is how he used to read, roughly two pages or so per minute, which is the speed of an average teenager.

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Aiden reading on Manzanita Beach…

AS: Was eidetic memory something that ran in your family?

SH: (shrugs.) We don’t really know. My grandfather spoke four languages so there may be a genetic strain but scientists can’t say. I wonder if that’s why—(stops abruptly if she spoke one word too many.)

AS: If that’s why what, Mrs. Hale?

SH: (shakes head).  An errant thought… my apologies.

AS: No, please, I’d like to know.  And the sooner you tell me, the sooner you can go.

SH: Well, I was wondering if Aiden worries that the memory would  be passed on to his children. Whether that’s not part of the reason why he has never really talked about having a family?

AS: (mental note to address with Aiden; he did put this in his first letter to Jacob Marshall. Damn him!) How many languages does Aiden speak?

SH: Seven, I think.  Let me see… Farsi, Arabic, Mandarin Chinese, Russian, Greek, Sanskrit and English. The first four, he learned in the military, of course. The others, he picked up from reading.

AS: (picks up her jaw from the floor.) How did Aiden get so wealthy so quickly? A lot of … umm… investors want to know about that.

SH: (breaks into a laugh).  Well, darling, he didn’t exactly get wealthy “quickly.”  See, Aiden started making money when he was six. He started his own business, inventing mnemonic devices. (stands up straight, looking proud)

AS:  (picks up jaw from the floor again and glues it to her face.) What?

SH: (laughs again).  It’s true. One day, I went to the grocery store but forgot his Honey Nut Cheerios. He was not a happy camper. So he had Robert—who is an architect and engineer–install this contraption in my alarm clock that shuffled song lyrics in sync with our grocery list. That way I would never forget. The first song that played when the alarm went off was “Sugar Pie, Honey Bunch.” I couldn’t believe it. It was the story of being Aiden’s parents: being astounded on a daily basis.  From then on, he started inventing other mnemonic devices. One time, he converted his baseball card statistics into a gambling operation, and showed up at home with all sorts of treasures from baseball bats and toys to candy. We made him return them—he was furious. He kept saying “I worked so hard all day long and no one helps me.” (laughs.) But soon, the private middle schools around Seattle were buying his mnemonic devices. We started patenting them for him, and saving the money. By the time he entered high school, he had about $100,000 in the bank.

AS: So that’s how he started HH?

SH:  Yes, many years later. We held the money in trust. And I’m glad we did because he’d have blown it all away in his wild years. We just managed it until he returned from Iraq. Then he pulled it out, used it as seed funding for HH, and the rest is history. It helps if you never forget the stock market trends.

AS: What is your favorite moment of Aiden’s childhood?

SH: (wipes her tears.) There are so many. Like any mom. He was a character. But one that always makes me laugh despite the fact that it was horrifically embarrassing for Robert and me was something he did  when he was 4. It showed me even then that he wanted to be like his parents and wanted a happy family.

AS:  What happened?

SH: Well, he was in preschool one day. He usually played baseball or ran around in the jungle gym but he had this little girlfriend for about a week—Taylor. Taylor wanted to play house. The teacher told me that she and Aiden tucked in their baby dolls—Aiden got in trouble for holding the doll upside down—and then pretended to go to bed. There they lay, the two of them, next to each other. Taylor pretended to turn off the light and closed her eyes. Aiden tossed and turned, crossed his arms, and huffed and puffed. Eventually, bored, he asked Taylor “when are you going to go Aaaaaah so I can go play ball?”

AS: Oh my God!

SH: (laughs and blushes).  I know! Robert and I were mortified when the teacher told us. We had no idea how much he was retaining. We were always careful of course, but he was four! He didn’t know any better, he just remembered a pattern. We had to be so careful.  So very very careful. And we still let him down. (wipes a tear.)

AS: Looking back, would you have done anything different in raising Aiden?

SH:  (looks down). Wouldn’t any parent? Hindsight is twenty-twenty. I would have done a lot of things differently.  A lot…

AS: For example?

SH: I would have never kicked him out when he was spiraling. I would have rather he killed me in his rage than shut the door on my only son. I would have given him a brother if I could have. I wouldn’t have miscarried during our beach vacation.  I would have never let him join the military. Never, ever. I  would have slept outside his bootcamp every night. I would have laid myself in front of that damn plane when he was deployed. I would have gone to Afghanistan. To Iraq. Carry all that gear for him. All those guns. Have him sleep on me rather than on cold desert. Have my arms around him instead of bullet rounds. Enlist myself if they would let me, take his place.  It really should be a law that mothers be allowed to take their children’s place in war. We would all do it.  All of us. Kill those animals that touched a hair in his head. Or have them torture me. They hurt my baby boy. He’s always my baby boy. But I can’t turn back time. I just can’t… (wipes her eyes, straightens her camel-colored cardigan and looks up.)  My apologies, Ms. Surnois… do you have any other questions? I really must get back to my son.

AS: (sobbing too, feeling like she might have wanted to take Aiden’s place as well). Only two more. Is there anything you think would help him?

SH:  (looks at me, smiling.)  Love.  Love, if he lets it. But he is so convinced of his own danger that I don’t know what it will take for Aiden to ever really allow love in his life.  If he has been able to isolate his own mother for years, what could possibly convince him to allow another woman to love him?

AS: Is that what you think Aiden’s main obstacle will be? Letting anyone love him?

SH: (nods firmly.) Yes. Yes. I think he will love, I have no doubt about that. And he will love deeply, that’s the only way he knows how. But accepting love in return… that, I don’t know. He has not accepted it from me, not once in the last 14 years … (wipes her eyes again, shakes her head.)

AS: (thinking furious of a way to cheer her up.)  Can you show me another Aiden baby picture?

SH: (smiles immediately.)  Oh yes, yes, of course.  Here is one with him making his funny faces. He has not changed much.

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Where is my boob? – Aiden “Mohawk” Hale

AS: Mrs. Hale, thank you so much for your time. I see they have refueled the plane, and you’re ready to go.  I’m sure we will see more of each other.

SH: (stands.) Thank you, dear.  Oh, the ballroom in the back is all lit up!!  What is that for? Wait— a girl just appeared in there! Who is—?

AS: Ah, don’t worry about that Mrs. Hale. That girl is a dream.  Have a safe flight.

SH: You too, Ms. Surnois.  And please, darling, I know you are a creative and all, but sweat pants??

THANK YOU FOR READING EVERYONE!!!!! I had no idea you would enjoy the interviews so much. We have more coming up, including Reagan, Elisa, Anamelia, and some other characters. 🙂  See you soon.  All my love – Ani

Answers and The Expanded Thirty Nights Soundtrack

Hey everyone, thank you so much for all your comments, questions, love, and support!! You all rock (pun on reason for this post). I have received a lot of questions on the whole of Thirty Nights, current status, and future steps.  I will post answers to those questions that are not going to be resolved in the sequel in the next few days.  If you have a question, feel free to send it to me at asurnois@gmail.com, and I will add it to the list.  🙂

Some of you have requested the full Thirty Nights Soundtrack (rather than the limited one I first posted).  I love you guys for the attention to detail you give this story.  Here it is to listen to some of these in the final hours!!  You will see everything from Beethoven to a rap song associated with the epitaph and Aiden’s dick (boy, you guys have a lot of questions about his dick).  See if you can guess which songs go with each scene (some I have tipped you off to).  Trust me, listening to this is much better than if I was singing.  My mom says “it rains when I sing.”  🙂 Anyway, hope you like it!

On a final note, hang in there!! I know some of you are going through withdrawals.  I am too, which is good because there will be Aiden POV soon.  Lots of love, Ani

P.S. Oh, and there will be a Thirty Nights Holidays Playlist soon too.  🙂

Piano playing

Fur Elise- Beethoven

Hey Hey, My My – Battleme  (Elisa’s rejection)

Romeo & Juliette, Je Veux Vivre – Maria Callas  (seeing Aiden Hale)

The Things That Stop You Dreaming – Passenger

Immigrant Song – Led Zeppelin

Take You Away – Angus & Julia Stone

30 Minutes – t.a.T.u.

Broken Life – Blue Foundation (long intro, but worth it)

Dark Star – Polica

Don’t Let Me Be Misunderstood – Nina Simone

Chocolate – Tricia Sebastian

All I want Is You – Barry Louis Polisar

Burn This Town – Battleme (Lie to Me)

Sentimientos – Tango Project

Hearts a Mess – Gotye

Sunday Morning Coming Down – Johnny Cash (Elisa waking up drunk)

Tiff – Polica

Closer – Kings of Leon

Breathe Mia – Sia

Caruso – Andrea Bocelli

Crazy in Love – Emeli Sande & The Bryan Ferry Orchestra

Girl, You’ll Be A Woman Soon – Neil Diamond

Tonight – Lykke Li  (embargo starting)

La Traviata – Giuseppe Verdi

Une Femme Amoureuse – Mireille Mathieu

Il Tempo Se Ne Va – Adriano Celentano  (Elisa’s parents story, song is about father and daughter)

Moonlight Sonata – Beethoven

No Light, No Light – Florence + The Machine

Let Her Go – Passenger

The Limit to Your Love – Feist

This is What Makes Us Girls – Lana del Rey

Baila Morena – Julio Iglesias

Mondo Bongo – Joe Strummer & The Mescaleros

The Moth and The Flame – Les Deux Love Orchestra

Million Dollar Man – Lana Del Rey

Even After All – Finley Quaye

Beyond Love – Time Bomb

You’re Onto Something – Ivan & Alyosha  (no joke, that’s the title of the band! Straight from the Brothers K)

Freak Like Me – Santigold  (Aiden’s and Elisa’s brains, after Aiden’s eidetic memory disclosure)

Some Nights – Fun.

Sail – Awolnation

Hello Veitnam – Johnny Wright

Soli – Adriano Celentano

My Dick – Mickey Avalon (the epitaph song)

Fever – Peggy Lee

Love Song #2 – The White Buffalo

Policy of Truth – Depeche Mode

I’m Feeling Good – Nina Simone

You’ll Find a Way – Santigold

La Vida Es Un Carnaval – Celia Cruz

Amado Mio – Pink Martini

Assassin’s Tango – John Powell

Schedryk  (Christmas) – Pink Martini

Baby, It’s Cold Outside – Dean Martin

Crawling King Snake – John Lee Hooker (second epitaph song)

You’re All I want For Christmas – Bing Crosby

Cream – Prince  (Elisa’s striptease)

Sadeness – Enigma (Elisa’s striptease)

Criminal – Fiona Apple  (Aiden’s revenge)

From Clare to Here – Ralph McTell  (Lady Clare)

30 Lives – Imagine Dragons

Ave Maria – Celtic Woman

Clandestino – Manu Chao

O Children – Nick Cave and The Bad Seeds  (babysitting)

Asturias – Isaac Albeniz  (Javier’s kiss)

Bang Bang, My Baby Shot Me Down – Nancy Sinatra  (The fight in the library)

O Fortuna, Carmina Burana – London Philharmonic Orchestra  (the attack and Aiden’s fall)

Paint it Black – The Rolling Stones

Bonfires – Blue Foundation

P.S. I Love You – The Beatles  (reading Aiden’s letter)

Stubborn Love – The Lumineers

Remember – Michael Groban

Your Bruise – Death Cab for Cutie

Only Time – Enya

Fire in Blood/Snake Song – Nick Cave & Warren Ellis

Star-Spangled Banner – Whitney Houston

Safe and Sound – Azure Ray

See You On The Other Side – Ozzy Osbourne

Ashokan Farewell – Jay Ungar

30 Nights Finale, a Surprise, and Happy Veteran’s Day!

Sometimes things happen by design.  Sometimes by accident… these are the words Elisa  uses to describe why Aiden and she came into each other’s life.  I never thought they would ring so true for my last post of Thirty Nights which, by accident, happens to be on Veteran’s Day.  Perhaps, as she says, accident will become meaning and plan.  Perhaps it’s a sign that the story should go on.  Or perhaps, I have gone crazy and am in a padded room somewhere.  Please indulge me for a few moments (crying a little over here…)

I wanted to do something special for you today!!  I spent all Veteran’s Day today taking pictures of the Reed Campus and all other moments referenced in 30N.  I wanted to put them together as Elisa ends this phase of her journey and starts a new one.  And – SCARY – I managed to make my first Youtube video for you – Thirty Nights from Aiden’s Camera!!  If you know me, you know how radical this is and how much I love you.  Computers and I don’t get along.  As you will see, I tried to take pics of the places that meant the most to them.  Just like Elisa wanted in her last wishes.  I hope you like it.  Hopefully, you won’t sob like I am right now.  You will see the first fan art (for Master’s Muse), The Immigration Building, their last wishes, the Solis home, and the last moments of silence is the ending… (I couldn’t figure out how to add sounds of tears there)….  Go easy on me, I am a Youtube virgin!

My last note for Thirty Nights before we continue Aiden’s Nights and 90 Days is to thank you!!  From the bottom of my heart.  In my blog stats, I have viewers from just about every country, from the United States (my home) to my birth country (my origin – though they don’t know they are reading a compatriot’s story).  To all of the Americans that gave me a home when I needed it, and to all those “originers” that gave me life – THANK YOU!  And thank you to all of you for reading, encouraging me, becoming friends, supports, critics, lovers, haters but always  putting time in 30N and me – THIS IS FOR YOU!

Thirty Nights comes down a week from today, at midnight (embargo night style).  Then we start Aiden and more – Aiden’s story will have new parts you have not read, including all skipped days.  Until then, trust me that I want these three happy.  All my love, Ani (video, songs, and links below).

THIRTY NIGHTS – AIDEN’S CAMERA  http://www.youtube.com/watch?v=1jMnVTk8AQw

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He is the dream, I am its meaning… Elisa Snow.

Song for Chapter 39, Only Time – Enya 

Song for Chapter 40, Star-Spangled Banner – Whitney Houston

Three more chapters up (getting there!!)

Hey lovelies… here we go!  Three more up.  I know these are hard:  but hopefully, among the hardship and tears, you will see the beauty of these three souls. My goal is to highlight the hidden terror of PTSD. We all get the terror of Elisa and Javier but Aiden, like most PTSD soldiers and Marines, hides it all inside. It was very hard for me to write his past through a third-person but I knew Aiden himself would never “tell.”  That’s the curse of PTSD – silence and judgment.  I hope to God that real people who live with it find as much love as Aiden has and allow themselves to accept it.  🙂

The last two chapters will be posted together tonight or tomorrow.  I thought it would be easier on you this way than rush through all of them.  Thank you as always for your support, messages, and encouragement – including those of you who commented for the first time!! Love hearing from you and it makes this process so much more enjoyable.  There’s no writer without a reader – that’s the truth.  And I have been blessed with the best readership I could have asked for. Truly!  As questions come up, feel free to email me.  It will take me a few days to get to them all while preparing everything else, but I will get back to you.

New and senior readers alike will find new things in these chapters.  Specifically, more of Aiden’s backstory.  Also, of course, I am keeping more surprises for the official version that gets published (whether by a publisher or me so there are things that will be new at that time.  This way, you feel like you get something new each time, specially those who know the story so well by now.)

Songs and links for all these chapters are below.  THANK YOU!

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Song for Chapter 36, Corpus Elisa – O Fortuna, Carmina Burana (the video contains the translated lyrics from Latin.  I can’t think of another song better suited for this chapter.) http://www.youtube.com/watch?v=FWiyKgeGWx0&list=PL53A75CD61DF4762D

Song for Chapter 37, The Way Only a Man Can – Paint It Black, The Rolling Stones, http://www.youtube.com/watch?v=n1zBG2TEjn4

Song for Chapter 38, Marshall – Bonfires, Blue Foundation, http://www.youtube.com/watch?v=iyJy1GLxYf0

Two new chapters are up (Christmas!!)

Thank you so much everyone for your birthday and anniversary wishes for TMM/30N.  And thank you for all your good-luck wishes, too.  As one of you quoted, fingers, toes, and mosquito bites crossed.  So funny!  I am so lucky to have readers like you.  Truly – I couldn’t have asked for better followers.  Smart, funny, loyal!  What more can a writer ask for?

These chapters were fun to write.  Here they are with some added pictures.  Check out the pinterest board for more pictures too.  A special hello to my Sons of Anarchy girls (yes, that’s a different story) who are particularly distraught this week after what happened in that show on Tuesday.  See below for links and songs.

All my love to all of you!! xo Ani (still recovering from my all-American dinner of chicken wings and sweet potato fries.)

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Song for Chapter 32:  Baby, It’s Cold Outside, Dean Martin http://www.youtube.com/watch?v=u9DPF-bE5EA

Song for Chapter 33:  Sadeness, Enigma http://www.youtube.com/watch?v=TFLRHPUWBI8

 

Happy First Birthday Master’s Muse/30Nights! (and a chapter at the end of the ramble)

Warning: cheesiness and tears ahead!!

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One year ago today, after 14 years of fighting America’s immigration system, America finally opened its doors to me and I became a citizen!  As my husband snapped pictures and filmed, along with other proud families, I had a rare moment of utter clarity:  all my life, I had pursued only one dream.  A single one!  To be safe, to choose my own destiny, my own husband, my own life.  It’s small, it’s cliche, it’s something you hear everyday – but none of that makes it less self-defining.  In a strange movie reel, America flashed before my eyes the same way our dreams of “The One” do:

I started learning English with a flashlight or a candle that often burned the tip of my nose dark the next morning.  

My first memory of hearing the English language was Michael Jackson’s Dirty Diana song.

My first memory of hearing the word “rock and roll” was at a traditional wedding where I was the equivalent of a flower girl but it meant I carried the bride’s dowery around.  As I folded her new bed linens, I heard a strange music.   It was Ray Charles “I’ve Got a Woman.”  I followed it to the flat rooftop of the small house where I saw the young guests dancing in the dark.  A boy whose face,  name, or relationship to the wedding I don’t remember said to me “Dance little rocker!”

And so on and so on.  I will spare you the journey, but when I was swearing my allegiance, I looked around me and I saw what they called “Faces of America.”  Every race, every color, every creed…. all for one dream.  I wondered what each of their fights had looked like…  And just like that, as I vowed  that I take this obligation freely, without any mental reservation or purpose of evasion; so help me God,  30 Nights was born in my head!   Within 30 minutes (true!) of my oath, my husband and I were driving like lunatics to make the polls to vote in the presidential election.  I dropped my ballot with about 10 minutes to spare from closing!  That evening, after a burger, a beer, and doughnuts, I started outlining 30 Nights.  Here are my first notes 🙂  (ignore my chicken scratch, there is a reason Elisa writes in calligraphy!)

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A bit later, I put pen to paper and my babies, Elisa, Aiden, and Javier were born.  So today, in a way is their birthday too – at least their conception!  🙂 Here are my first doughnuts in America, courtesy of my friend Arilee and coworkers who saw this journey with me.

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A year later, almost to the date, Thirty Nights is heading to the publishers!  I looked up some statistics, hoping to find that the death rate for people on their birthday is very low.  But unfortunately, I found the opposite.  It’s apparently 14% chance.  Well, I am told that traditional publishing chances these days are even lower, less than 1%!!  So my birthday wish, ironically, remains the same today as it was when I first started having the American Dream:  not to be a statistic!

The rest of Thirty Nights/TMM will be posted very quickly in the next few days and will come down officially next week to maintain its creative integrity.  It will give you time to finish it (especially the new readers!) and – if it’s not too much to ask – please bless it with your love and care the way you have done all this time.  Maybe if we combine our wishes and happy thoughts, it will help this story on its little journey!  I admit to some superstition and belief in karma and since you have helped this story form, it felt wrong sending it off without your little “Godspeed!”  There will be other things that will be posted on the blog, Aiden POV, outtakes, sequel, a new story (yep, you read that right!!), and of course all the rejection letters as they roll in.  If Nabakov got 367 rejection letters, I cannot imagine what my number will be.  Hideous, as Elisa would say.  But none of that today.    Let’s have another TMM/30N chapter!  THANK YOU everyone, thank you my country of origin and thank you America!!!!

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Song:  Amado Mio, Pink Martini  http://www.youtube.com/watch?v=0MV2A-XwoSw

 

Chapter 30 of 30N/TMM is up :-)

Well, when you are sick and sleep 18-hours per day, you wake up at all sorts of ungodly times.  And since you can’t really think or write new material, you post old ones.  Hope you enjoy it!  Thanks for all the support on the last chapter.  You guys really like car sex.  :-).  Song (including Spanish translation) and link below.

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Song, La Vida Es Un Carnaval, Celia Cruz http://www.youtube.com/watch?v=0nBFWzpWXuM

La Vida Es Un Carnaval (Life Is A Carnaval)

Everyone out there that thinks life is unfair,

Needs to know that’s not the case,

Because life is beautiful, you just have to live it.

Everyone out there that thinks they are alone,

Needs to know that’s not the case,

Because in life, there is always someone.

Ay, there’s no need to cry, because life is a carnival,

It’s more beautiful to live singing.

Ay, there’s no need to cry,

For life is a carnival

And pain evaporates through song.

Anyone thinking that life is cruel,
Needs to know that’s not the case,
That there are just bad times, and it will pass.
Anyone thinking that things will never change,
Needs to know that’s not the case,
smile to the hard times, and they will pass.
Ay, there’s no need to cry, because life is a carnival,

It’s more beautiful to live singing.

Ay, there’s no need to cry,

For life is a carnival

And pain evaporates through song.

Chapter 29 of TMM/30N is up!

Hey everyone!  Thanks for your patience.  I have been struck by the flu and these last few days have been pretty miserable.  My Aiden POV is a little late but it’s coming together.  In the meantime, here is another chapter.  I remember getting so many questions after Aiden disclosed his PTSD and memory about what he feels when he sees Elisa.  Hopefully, this chapter answers that.  Thank you again for all your comments and questions.  I owe a few of you some responses and will do so once I’m up and running.  Thanks!!  Song and link below.

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Song:  Peggy Lee, Fever  http://www.youtube.com/watch?v=4eIDtwcFXcI

Chapter 28 (one my “little darlings”) of TMM/30N

Okay, here we go as promised.  I reminisced with this chapter because I remember how many messages I got about what Aiden would do if he read the epitaph.  Here it is in its original with a slight nod to the book that brought us all together.  And I couldn’t help the picture below.  Or the song – it’s one of my favorites (and a cool fan-video too).  I translated the lyrics from Italian below if you want to read them.  Thank you as always for reading and commenting.  I do love hearing from you!!  Song and chapter link below.

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Song.  Soli, Adriano Celentano, http://www.youtube.com/watch?v=F-G8ssIeAs0

SOLI (ALONE TOGETHER)

It is useless to ring the bell,

No one will answer here.

We shut out the outside world, along with its noise.

A white lie with your folks

The fridge full and then

A little soccer on TV.

Only you.  Only me.

It is useless to call.

No one will pick up.

The phone flew outside of the window

From the fourth floor.

It was important, you see,

to think a little about us.

We are never together,

but here and now,

yes, we will be.  now, yes.

Together.

The skin for a dress

Together

Sharing a panini for two.

I and you,

breadcrumbs on the bed.

Together,

Tightly a little more

Only I, only you.

The world behind the glass

seems a movie without sound

Your innocent loving

Makes your body more real

You are beautiful when you want

Girl, and then woman

You never let me down.

This is how I want you.

Together,

Leaving the lights on.

Together

Look inside your heart, who is it?

You and I.

Together

With the time that has stopped.

Together.

Finally us.

Only us.  Only us.

It’s useless to ring the bell,

No one will open the door.

We shut the world out, along with its noise.

A white lie with your folks

The fridge full, and then,

Some soccer on TV

Only you, only me.

Chapter 27 of TMM/30N is up (song, link, and new bits even for TMM pro-s)

Hey everyone!  Sorry for the delay.  Sometimes reality interferes even with the best escapes like this one.  But I hope to have an Aiden chapter for you soon.  In the meantime, even seasoned TMM readers will notice some new parts here – parts that were in my original story, not in FF, and that may change some hypotheses you had about the story.  I hope you all enjoy it.  I have a special spot in my heart for this chapter because it was after this that I was officially admitted to the secret FB group of FF writers.  Now, I have met some of my best readers, mentors, and friends there. Thank you all of you for your support.  Song and link below.  Love, Ani

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Song:  Some Nights, Fun http://www.youtube.com/watch?v=5ho0y4en95Y

Two chapters this time! Ch. 25 and 26 of TMM/30N are up…

Okay, to  make up for skipping a chapter yesterday, I am posting two chapters tonight!!  Thank you so much for continuing to read and comment and give me feedback.  All of you!!  And thanks to those who have submitted their entries for the Louboutin writing challenge.  So fun!  Song and links below…

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Song for Chapter 25 (Heart of Doing Business), Million Dollar Man, Lana del Rey (it’s as if the words were written for this chapter) http://www.youtube.com/watch?v=B5H467MnzVs

Song for Chapter 26 (Boy, Man, God), Beyond Love, The The, http://www.youtube.com/watch?v=Y7j9TFmH7VU

Chapter 24 of TMM/30N is up (link and song below)

Thank you everyone for reading and commenting!  I am so lucky to have such great readers.  A special shout out to Lyn R. this week for her helpful edit recommendations and sharp eye.  As promised, we will be moving quickly now.  Every day.  Chapter 24 coming up.  Also, by popular demand (which has shocked even me), I will incorporate book recommendations, reviews, etc., going forward.  Nothing big but I always get questions on what books I am reading –  perhaps because of the classics and the poetry references in 30N.  So I will keep them short and to the point so that those of you who don’t want to hear about them, can ignore them easily.  Those of you who want to geek out on books, the more the merrier.  Join the group, recommend anything you want.  Okay.  Hope you like this chapter!  And thanks to those who have responded on the Louboutin challenge.  Let me know if anyone else is interested and I will include you in the submission as well.

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Song.  This little tune is very rare and difficult to find.  But it’s a beautiful song and it often plays in my head when I think of how hard I fell for my hubby (that’s a different story).  The Moth and The Flame, Les Deux Love Orchestra.  They have it on spotify/facebook, not even on youtube!  Also on iTunes.  It’s such a beautiful song if you can find it.

 

Chapter 22 of TMM/30N is up (link and song below, and a little challenge)

Thank you everyone for following, reading, writing to me, commenting, and sharing this journey with me.  As always, you make the trip worth it.   The painting below is titled Snow Stars – given Elisa’s last name, I found it appropriate for this chapter.   See fun challenge below (thanks Analeyna!)

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Snow Stars.

Song:  This Is What Makes Us Girls, Lana Del Rey, http://www.youtube.com/watch?v=UGapatrKPWw  (one of my favorites – to all my girls out there.)

Fun Challenge:  A couple of you liked the Marine Corps Louboutins  on my Pinterest enough to suggest that we all try to write a little snippet about Elisa, Aiden, or ourselves involving the shoes (below).  It doesn’t have to be long.  No rules. I don’t have prizes except to offer that I write a snippet of 30N or 90D (except the ending) for the winner.  So this is just for fun.  If you feel up to it, here is the SHOE! I wish I owned this!  Let me know, and we can post the entries here.  Or you can do it anonymously too, if you’re shy.   Either way, you’re wonderful!

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U.S Marine Corps Louboutins

Chapter 21 of 30N/TMM is up (song and link below)

Hey lovies, I know these next chapters are a bit hard on the heart so I will post them quickly so not to keep you in suspense.  But, they are consistent with Aiden’s blind commitment to do what’s right.  Hang in there.  And thank you to Bunny Wallace for suggesting to me the payment structure for Javier.  Thank you also to all my usual readers and reviewers who continuously support me and remind me why I am doing this:  because you enjoy it.  All my love, Ani.

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Song:  Feist, Limit to Your Love http://www.youtube.com/watch?v=Kwjn8YaaB1Q

 

90 Days of Hale: Chapter 1- Amor Vincit Omnia

Hello everyone, this used to be the first chapter of 30N sequel but it has now been removed so that the story can be published.  Hopefully you will soon hold it in your hands.  Thank you so checking and hope to see you soon! – Ani.

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Song:  Suo Gan, http://www.youtube.com/watch?v=6lapculOfR0

Check out the images on 30 Nights Pinterest.  http://www.pinterest.com/anisurnois/30-nights-of-snow/

Thank you for the wonderful support!

90 Days of Hale ©2013 Ani Surnois

Ch. 19 of TMM/30N and the song that always makes me cry… This is for my dad (he would know why!)

It has been over 14 years since I cannot listen to this song without tears in my eyes.  This one is for my dad, who is Elisa’s father namesake and inspiration!  Love you daddy, even though you probably can’t read this!

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Song:  Adriano Celentano, Il Tempo Se Ne Va (Time Goes By) (about a father and daughter, see translated lyrics from Italian below) http://www.youtube.com/watch?v=–dqleeZ43M

Lyrics Translated  “Time Goes By”

http://lyricstranslate.com

That dress, where did you snag it?
What an astonishment
to see you wear it,
if your mother sees you, you know
tonight, we will be in deep trouble.
It’s strange but it’s really you
14 years old, or maybe a little older
You haven’t held your Barbie for some time now
And your walk is that of a lady now.

The phone calls are always a secret,
how many words in a single breath
I’d like to ask you who it is
but I know you will be embarrassed
The door is shut badly and you
on the mirror, doing your make-up
showing your cleavage.
soon, you will go out at night
and on those nights, I will never sleep

And so the time goes by
and you no longer feel like a little girl
growing in fear of your age
I had not realized it before
And so the time goes by
among dreams and worries
lacy stockings have already replaced
the white knee-length socks

Becoming a woman is natural
but a daughter
is something special
Maybe you already have a boyfriend
how many times have you cried for him
The skirt a little short and then
Malice in some of your gestures
and soon, you will go out at night
those nights, I will never sleep

And so the time goes by
and you no longer feel like a little girl
growing in fear of your age
I had not realized it before
And so the time goes by
among dreams and worries
lacy stockings have already replaced
the white knee-length socks.

LOVE YOU DADDY!

Ch. 18, a poem, and a thought… thank you as always (links below)

I always read poems about a woman’s beauty, but not enough of them about the beauty of a man.  This poem is Elisa’s conception of Aiden’s beauty.  I hope you like it.  Song and poem below (the song’s lyrics are perfect for this).

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MALE

Your body knows no beauty that falls softly

Loosened as the moonlight on my skin,

Lilacs don’t bloom with your fragrance,

Petals don’t open at your whim.

Your beauty knows nothing of azure light,

Of droplets of dew or blossoms of cherries.

Suspended in your dense, perfumed breath,

I think of steel, not of lavender prairies.

You come with a violent beauty, like war,

One that tears through body and blood.

I crave no touch but your rough, iron hands,

As I lay sodden in your carnal flood.

Your beauty storms, beats, defiles,

Sharp tempests of air in my burning lungs.

I know my margins only from your fire,

My riverbeds and valleys only from your tongue.

Your skin doesn’t soothe, it flays me alive

I break under your fingers as morsels of bread

Clasped around your salty infinity

Your hardness shatters me like spume over crags.

I bear the brunt of your opulent being

Like this I love you, neither wrong nor right

But a man with clenched body and mind

The love I love loves me fierce and blind.

Song:  Une Femme Amoureuse, Mireille Mathieu (the words are PERFECT, translated below) http://www.youtube.com/watch?v=8GzICQ6_Cxc

Translated lyrics:

Time flies like crazy
But today it stops for us
You look at me and who knows if you see me,
But I see only you,
I have only one question,
Your eyes, my eyes
And I sing your name
If someone else comes
I’ll drive him away and I will protect myself.

Chorus:
I am a woman in love
And inside me burns the desire of building around you
The walls of my life,
It’s my right to love you
And to want to protect you
Above all.

Yesterday, today, tomorrow
Are only one day, when you hold my hand
It’s like a fantastic plan made in heaven
For the love between us,
To be together for a long time
Or separated by oceans.
If danger comes
I’ll eliminate it and I’ll protect myself

30 Nights Poems ©2013 Ani Surnois

30 Nights of Snow ©2013 Ani Surnois

30 Nights Playlist

Hey everyone, last day of vacation here (Boo!).  To delay the Monday, post-vacation abyss, I am posting the “soundtrack” (does that word work outside of the movie world?) for 30 Nights.  So many of you have asked for and recommended songs over the last few months, and I have adopted some of those recommendations.  Thank you so much for thinking about 30N in so much detail!!  My goal with the list of songs was to have music from various parts of the world that represent all the diverse readership of 30N, but also the immigration theme.  And of course, I tried to pick songs that have resisted time because time is such a big issue in 30N/TMM.   Hope you all like it!!  Lots of love (while trying my best to banish Sunday blues).  Feel free to guess which songs go with each moment from 30N/TMM.  xo, Ani

Intimate lovers embrace

30 Nights Of Snow Soundtrack

Fur Elise, Ludwig Van Beethoven, http://www.youtube.com/watch?v=_mVW8tgGY_w

Romeo et Juliette, Je Veux Vivre, Maria Callas http://www.youtube.com/watch?v=ZjQkvxIQkJw

Immigrant Song, Led Zeppelin http://www.youtube.com/watch?v=GnpaPGHFsL4

Don’t Let Me Be Misunderstood, Nina Simone http://www.youtube.com/watch?v=9ckv6-yhnIY

Sentimientos, Tango Project http://www.youtube.com/watch?v=0mvKvqHyas0

Breathe Me, Sia http://www.youtube.com/watch?v=SFGvmrJ5rjM

Closer, Kings of Leon http://www.youtube.com/watch?v=eg3F4zpOdK8

Caruso, Andrea Bocelli http://www.youtube.com/watch?v=MlzZ3vuDbf8

Girl, You’ll Be a Woman Soon, Neil Diamond http://www.youtube.com/watch?v=qGvMjgLXBi0

Tonight, Lykke Li  http://www.youtube.com/watch?v=N0Q6NGvdmXQ

I Just Want You, Ozzy Osbourne, http://www.youtube.com/watch?v=bDb8OPUS7LM

La Traviata, Giuseppe Verdi (The Drinking Song) http://www.youtube.com/watch?v=VfBxYxU5vwQ

Moonlight Sonata, Ludwig Van Beethoven http://www.youtube.com/watch?v=nT7_IZPHHb0

No Light, No Light, Florence + The Machine http://www.youtube.com/watch?v=ATfUdaZQLMA

The Limit to Your Love, Feist http://www.youtube.com/watch?v=Kwjn8YaaB1Q

Mondo Bongo, Joe Strummer & The Mescaleros http://www.youtube.com/watch?v=vPjaXu6g1Xk

Million Dollar Man, Lana Del Rey http://www.youtube.com/watch?v=B5H467MnzVs

Hello Vietnam, Johnny Wright http://www.youtube.com/watch?v=Fs4puvFVRmI

Sail, Awolnation http://www.youtube.com/watch?v=2CaypEojjKQ

Beyond Love, The The http://www.youtube.com/watch?v=I-1_7UXjKsM

Fun, Some Nights http://www.youtube.com/watch?v=6zqRYGlkgjE

The Policy of Truth, Depeche Mode http://www.youtube.com/watch?v=Hp3JgWmQHcE

La Vida Es Un Carnival, Celia Cruz http://www.youtube.com/watch?v=uaZoajkutG8

Deja Vu, Inna http://www.youtube.com/watch?v=O8R0O1LcPAM

Amado Mio, Pink Martini http://www.youtube.com/watch?v=MDx2N4BmS_M

Assassin’s Tango, John Powell http://www.youtube.com/watch?v=64HLXWjbJxE

Cream, Prince (no link on youtube)

Sadeness Part 1, Enigma http://www.youtube.com/watch?v=RNYC3kAsPiw

Ave Maria, Celtic Woman http://www.youtube.com/watch?v=kWV02z6JOaE

Clandestino, Manu Chao http://www.youtube.com/watch?v=rylGaxCyVYY

O Children, Nick Cave & The Bad Seeds http://www.youtube.com/watch?v=S3RhOU8dH2o

Carmina Burana O Fortuna, London Philharmonic Orchestra http://www.youtube.com/watch?v=FWiyKgeGWx0

Only Time, Enya http://www.youtube.com/watch?v=RW9JX6961KM

Star-Spangled Banner, Whitney Houston http://www.youtube.com/watch?v=eHruYuEfIyE

Ashokan Farewell, Jay Ungar http://www.youtube.com/watch?v=CGeCPv6gw_U

Aiden’s Letters… (this is the first letter he wrote to his son’s mother)

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Letter 4

My All,

To whom else does a man write on a day like this?  Not to his son – there are no lessons or answers to give.  Not to his mother – she would only weep.  Not to a friend – he already knows.   He writes to his woman – because she forgives.

I should write to you about how you have kept me alive.  I should say that these nights, I only fall asleep if I synchronize my lungs to yours.  You breathe like the Moonlight Sonata.  At first slowly, softly, like a butterfly on my lips.   Then, because I can’t fall asleep unless I am inside you, your breathing changes, now like a humming bird’s wings under my hands.   Your body rises and trembles, and yet you never leave my lips.  You hold on to them, as I breathe the air that you create faithfully.   And that’s when it happens.  For a blind instant, your breathing stops and it becomes a single word.  My name.  That’s how you come.  That’s how you go.  With my name on your lips, blindly, maddeningly, and for me alone.  

As you fall asleep, your breathing slows.  Deepens.  I feel an instant of jealousy for whatever dream pulls you away from me.   But your lungs let in and out a steady airflow, as if they know that without it, I am nothing.   It takes 15 of your breaths for me to fall asleep.  

I should write to thank you for breathing…  But instead, I write to add to the burden that you already carry on your delicate alabaster shoulders (I have kissed them a thousand times). 

It’s done, love.  Baghdad is razed to the ground.  Only 35 out of 650 animals in the zoo survive.  Almost 170,000 Mesopotamian artifacts are missing from the National Museum.  The National Library and all manuscripts over 7,000 years old burned down.  I don’t know how many men, women, or children are dead, or how many of them from my hand. 

Yet, there was a moment I reveled in it.   We raided a marble palace with golden doors.   You may have seen it on TV.   That is where Saddam’s son, Uday, lived.  Marble, gold, silk, milk-filled pools.  Around it, homes with no running water.  Stray dogs.   Children playing soccer with an American helmet quoting Joshua 1:9, For the Lord my God is with me wherever I go.   Blood danced in my veins as we stormed the golden doors.  I laughed at the carnage.  I whistled as we searched for bodies in the marble ruins, hoping one of them was alive so I could end him myself.

Marshall asks God for forgiveness, but I have no God with me, I have only you.   Still, every man needs an altar.   Mine is the taste of your lips and the glow of your skin.  And your soft eyes that are neither tearful, nor sad.  They sparkle with the light of open doors.  The only doors that welcome someone like me.  I suppose this letter is my knock.  And because you are not real, you let me in.

Yours,

Aiden

Ani’s Note:  Some of you may have wondered why Aiden asks Elisa “not to leave his lips” the first time they make love.  Perhaps this letter will give you  one of the answers.

30 Nights of Snow ©2013 Ani Surnois