Hello again friends! Hope you’re having a wonderful Sunday. It’s sunny in Portland and warm enough for shorts, which are a nice change from pandemic sweats. Here is Chapter 17 as war starts for our couple. I hope it gives you a good break today from everything you are facing in your lives. Thank you as always to everyone for reading and writing to me. xo, Ani
The lab that has studied Aiden’s mind since childhood is the size of Goliath. A dizzying number of screens glow from the vast white walls and the runway of white desks lining them—neuroscientists apparently use computers like chemists use vials. Monitors hang even from the ceiling. In each corner are clusters of futuristic equipment that looks like it belongs at the helm of a starship. But more overwhelming than all this is the platoon of neuroscientists waiting for us. Seven white coats stand in line as we walk in, two more are on video screens projected on the wall and—the only colorful wink in the white expanse—Corbin is smiling at us from yet another video screen straight from Portland.
“Aiden, Elisa, great to see you!” He waves at us in a checkered sage shirt.
“Victor,” Aiden nods at him. I wave back but I’m riveted by the woman standing in front of the line of the white coats. She is Amazonian in stature, white and silver from the crown of her short, swept back hair to her grey eyes and eyelashes. Her skin is ivory lace, each wrinkle a neural pathway leading to her steady, penetrating gaze. She is regarding me with gravitas, and I see a flicker of recognition in her eyes.
Aiden pulls me close as he introduces me with unrestrained pride. “Doctor Helen, this is my Elisa. Elisa, this is Doctor Brahms or Doctor Helen to me.”
“You are a daughter of Oxford,” Doctor Helen states like an edict. Even her voice is regal, with a ring of authority that silences the beeps and signals tweeting from the monitors.
I have to resist the urge to bow. “You knew my parents, Doctor?” My voice bends with the reflexive reverence she inspires.
“I did. I’m very sorry for your loss.”
“Thank you,” I whisper as Aiden’s hand clutches my waist.
“Your mother was my favorite,” she adds in her commanding tone. “She helped restore Ashmole six-eleven—the very first manuscript in existence to discuss human memory.” She turns her dignified gaze on Aiden. “That was the manuscript I had to unearth the day I met you.”
At her words, the icy expanse of the lab’s tundra thaws for me, as though Mum’s warm hands are molding it to back to spring. Aiden smiles. “April twelve, 1987, six thirty, I believe. You said to my mother there was no such thing as fate to explain me.”
Doctor Helen’s grey eyes shift with a sort of wonderment when she looks at him. “I have yet to see evidence of fate. But I’ll allow serendipity. Speaking of both . . .” She turns to her team and they rumble as one. “We have a lot to do. Let’s get started.” She pivots royally to her desk, her lab coat billowing like a mantle behind her as the other researchers scramble to catch up with her ringing footsteps.
Aiden and I take our white seats in front of her—the white is so absolute, I wonder if it’s intentional to avoid triggers—and Doctor Helen introduces us to the rest of the platoon. “On the screens behind me are Doctors Nagapan and O’Connor from Edinburgh. You already know Doctor Corbin, of course, and this is our Oxford team.” She pulls out a binder from below her desk and I thaw further. It’s the only warm, personal detail against the white blank slate. The binder is covered with a collage of Van Gogh’s most famous prints—the wheat field with crows, the vase of sunflowers, the blue irises, the French Alps, his self-portrait—Javier would like it. She flips the binder open with a thud.
“Right then,” she announces. “Our plan today is to test Elisa’s calming effect on Aiden and see whether it’s simply placebo or whether there is scientific evidence of it. This will help us implement an experiment for the next eighty-seven days to reconsolidate Aiden’s memories with the hypothesis that the traumatic ones generally, and his startle reflex in particular, will decrease in intensity once allowed to freely associate with Elisa’s effect on him. Questions?” She reels all this so quickly that I have to blink a few times to realize she is looking at me—who else would have a hard time understanding this in such company?
“Umm, why does it matter whether my effect is placebo or real if it helps Aiden?” is the first question I manage, feeling utterly out of my depth. Chemicals are so predictable—memories and emotions are like fate.
But Doctor Helen regales me with a stately smile. “Excellent question, indeed. Therapeutically, Doctor Corbin would say perhaps it doesn’t matter in the short-term. But for this experiment to hold in the long run, as I understand you both wish, your effect must be real and significant at that. Any other questions?” More rapid-fire decrees, but I also can’t help but feel she wants me to keep asking. Next to me, Aiden is beaming with pride as though I’m the Einstein of neuroscience, not a blob of nerves.
“Ah . . . how do you plan to test my calming effect?” Me again, the Einstein. Except abruptly I feel exposed, riddled with a new fear I did not expect. We have taken for granted my calming effect. It’s our lodestar weapon—the mother of our bombs. Is that about to be eliminated too like the protein was this morning? And then what do we have left but our love and Aiden’s strength?
“You’ll see shortly. Aiden, did you bring the scent we requested?”
“I did,” he answers and nods at me. With trembling fingers, I hand my precious vial of Aeternum, feeling like I’m cutting out an artery of my heart. One of Doctor Helen’s assistants takes it from me with hairy bear fingers instead of the gentle, rose-breeze hold it deserves.
“Please be careful!” I urge before I can control my tongue.
“Don’t worry, Elisa, we only need a microliter of it.” Doctor Helen nods at her bear mercenary who marches out of the lab, taking my artery with him. But I can’t even stare behind it because Doctor Helen fires at us again. “Any more questions?”
Aiden asks his first. “How do you plan to trigger my startle reflex without me seeing it coming if it has to be in a controlled setting?”
Personally, I think it’s a brilliant question at the crux of the matter, but Doctor Helen simply waves her hand. “Obviously, I cannot tell you that, but trust me, I have a plan. I have known you for twenty-eight years, Aiden.”
“And this plan,” he retorts as his chair creaks with tension. “Guarantees Elisa’s safety?”
She doesn’t even blink. “It does. And if you need further reason to believe that, I owe it to her mother.”
That seems to pacify him for the moment while my nerves are buzzing like the hundreds of monitors around me. “And your sleep?” Corbin pipes up. “Have you tested it together with Für Elise?”
I clap my eyes on the Van Gogh prints, and let Aiden handle this one. “We have,” he answers in his controlled tone. “Two nights so far. Full eight hours the first, only three last night, but that was an exception and it’s changing tonight. No nightmares. Little movement. Some increased . . . nocturnal activity.”
The Starry Night is a true masterpiece, isn’t it?
“Full eight hours, really? That’s two hours extra than just Für Elise alone. Let’s keep track of that. Now, what is this increase in nocturnal activity?”
Artists are so warm unlike my next of kin in science who decide to torture me more with questions about our nocturnal activities—all of which make Corbin gleefully happy and Aiden monosyllabic with Aidenisms. I stare at Van Gogh’s self-portrait in the asylum, feeling like our most precious moments, our secret parts—every touch, every caress—is being siphoned into their clinical files. And although I know they’re our allies, maybe even generals in this war, my nerves disappear and abruptly I feel anger. Anger at science, anger at fate that Doctor Helen says doesn’t exist.
Finally the interminable discussion of nocturnal activities ends and Doctor Helen stands. The rest of them stand with her—very clearly not daring to blink without her command. “Aiden, you know this next part. We’ll need your heart rate and brain electrical activity. Elisa, you may stay with him for this. We’ll instruct you on next steps when you’re finished. Everyone except Morse, out with me.” She closes her Van Gogh binder and strides out of the lab with her court of scientists at the same time that the Edinburgh team and Corbin turn off their screens. The only one left is old Morse. He is a Graham-thin fellow in his seventies with wispy, static white hair; Aiden clearly likes him.
“How have you been keeping, Morse?” Aiden asks as he stands, holding out his hand for me. I take it, clueless about where we’re going, wishing I could take the Van Gogh binder with me.
“Oh, older and slower, Master Aiden. You are the one with the exciting life. Falling in love—golly gumdrops, I thought the monarchy would fall before I saw that.”
Master Aiden winks at me. “Old Morse is a monarchist. He’s been handling this part of the circus since I was seven. No one could get me to sit still for this back then except him. You’ll see why.”
I smile at old Morse as though he is Aiden’s Mr. Plemmons. He shuffles with us across the colossal lab to a monitor the size of a windshield, which is attached to a dashboard of countless buttons and dials the way a cockpit looks on TV. Next to it are two more white chairs.
“Morse has to attach a few electrodes on me, Elisa. Have a seat.” Aiden brushes my cheek and starts unbuttoning his blue shirt. I fall down on the chair and with every pore of his revealed skin—the warm skin I love, the skin I have kissed more times than I can count—the anger returns. Anger that his golden skin has to be exposed under harsh fluorescents, attached to electrodes in the cold, sterile air of this lab, only so that we can be together. Only for this simple, human dream of being in love.
“I’m fine,” Aiden assures me, seeing it all on my face. Shirtless now, he takes the chair in front of me and old Morse starts hooking him to a wheat field of wires over Aiden’s temples where the bead of sweat glimmered as he was climbing the oak, over his forehead I kissed only this morning, through his hair where I knot my fingers when we make love, over his chest where I rest my cheek. When Morse glues the next one over Aiden’s heart, I stand, unable to sit still.
“Elisa, love, this doesn’t hurt, I promise. Old Morse knows what he’s doing.”
“Oh, I know, I just want to look around.”
I glare at the blank monitor screen attached to Aiden’s electrodes, its beeps cawing around us like the wheat field crows. And suddenly I become Van Gogh’s sunflowers—firing seeds like bullets at the world. I am his cypress tree darkening your sky so my star can glow. And I can understand preferring an asylum to a world that did this to my love.
“Don’t touch the red, dear! You don’t want to fry Master Aiden’s brain now, do you?” Old Morse cautions me as I hover over the dashboard where the wires are ready to extract the inner Aiden, reducing the wonder that is him to more beeps. How could I have been excited for this? How could I have bounced on my car seat this morning? Now all I feel are murders of crows diving in and out of me.
“Of course not!” I spit out more sunflower seeds, glaring at the row of red buttons on the dashboard—the blood hue feels jarring to Van Gogh’s colors swirling in me.
But Aiden is perfectly still. His eyes are the blue irises, lightening and darkening as I flit in and out of his vision. His torso is the inverse mountaintop of the French Alps despite the adhesive discs on his skin. His eyes are following me with concern, and he opens his hand in invitation for me to sit back down. I perch like a raven on the chair next to him and grip his warm, strong hand in both of mine.
“Please relax,” he says as though he sees all the madness inside. “I’ve done this dozens of times, although I’ve never enjoyed it until now. And in about three minutes, you get to meet my brain. You love that part. Think about that, okay?” The dimple winks like the starriest star of the Starry Night as he tries to comfort me. The man who needs peace the most is trying to assure me. At that, the rippling stops inside me, and the crows disappear. I am here for him, not the other way around. I force my body to be still like his, willing my calm effect to fall around him like a shield. Finally the last electrode is attached, old Morse flips a switch on the dashboard, and the monitor glows to life. After a flicker, Aiden’s brain waves oscillate brilliant blue on the huge screen and right below them, in gold, is his heartbeat.
“Oh!” I gasp, my hands flying to my mouth, all anger draining out of me.
“Shh, listen,” Aiden says with a smile and I cup my ear as we did with the willows. After a static whirr, I can hear his mind speak. It’s a humming sound, a bit like soft waterfall and echoing wind. And every few flickers of the brain waves, his heart beeps as though not wanting to be outshone. Except this beep sounds like a piano note—not a caw—to me, more beautiful than Für Elise.
“Can you make out words from this one?” Aiden’s eyes are dancing in response to the wonder he must be seeing in mine. Peripherally, I register old Morse leaving us but I’m lost in the music of Aiden’s mind and heart. Mmm, ding, …
“Mine,” I decide, eyes on the monitor. How could I have wanted to shatter it five minutes ago?
“Yours.” The waves flutter gently on the screen and my eyes fly to Aiden’s face—he is smiling. “Come here, Elisa,” he murmurs as if we’re in our warm bed, the only two people in the world. He pulls me on his lap and takes my face in his hands. His eyes seem to take in the moment, as his scent washes over me—headier than the Aeternum perfume. Then his lips brush against mine. At the some moment, a beep chimes from his heart.
“Oh!” I gasp again, eyes flitting to the monitor, lips glued to his. The gold line of his heart is spiking. His hands tighten on my face, bringing me entirely back to him, as he parts my mouth with his tongue. More beeps ding—the song of our kiss—and I close my eyes, listening. Ding, ding, ding. We chuckle together, mouth to mouth.
“Look,” he whispers, freeing my face as his lips start their favorite trail along my jawline to my ear, inhaling the perfume there. I open my eyes and gaze at the screen even as my eyelids want to flutter close. But I cannot blink because the heart waves are swelling and dipping. Then suddenly the beeps go wild—I panic but then I feel his body hardening against me on his lap. He chuckles again. “This, I have to see.” He meets this part of himself—the visual transcription of his desire for me—with curiosity. I hope he can turn it into self-love, I hope he can see what I see.
“Now you look,” I tell him and let my lips travel over his sculpted jaw down to the hollow on his throat away from the electrodes. The dings go mental, and his waterfall laughter washes over us. How are we ever going to pull apart?
But Doctor Helen’s brisk voice blasts through the lab over some sound system. “All right, you two. We need a baseline reading. Some neutral thoughts would help, Aiden. Elisa, if you could go across the room. In fact, if you could please wait outside the lab altogether while we finish. You can see Aiden afterwards.”
“Look what you did.” Aiden grins while I spring away from his lap, cheeks burning.
“They could see us?” I whisper in mortification.
“Of course not. They must have just received the data, and they know how to interpret it. Go on, love, I’ll finish here soon.”
I leave him there with all my strength, looking back at his face every few slowing beeps—his smile is fading with each step I take. The moment the heavy lab doors close behind me, the wound starts to fester again. I pace at the threshold, arms around my torso. If it hurts so much when we’re only apart for a few minutes, how will I live with it if this experiment doesn’t work?
One of Doctor Helen’s assistants enters a room down the hall, and I sprint behind him to sneak. The metal door has a narrow glass pane at the top, and I have to rise on my tiptoes to reach it. Even then I can only see more screens on the wall showing the monitor in the lab. To my untrained brain, it appears Aiden’s brain activity and heart lines are straighter than when I was there. I stare at every slight undulation, barely breathing.
“All right, Aiden, we have what we need. Morse will clear you and I’ll give you time to go to the fMRI room for the next part,” Doctor Helen says from behind the closed door. I race back to Aiden’s lab for a glimpse of him. The moment he comes out in his jeans and open shirt, all electrodes and adhesive discs gone, I can tell from his guarded eyes that he is not excited about this part. But he smiles when he sees me and pulls me against him with a sort of urgency.
“What happens now?” I ask as he starts walking down another white hallway opposite from the kiss lab. His long stride is slower.
“This is when they scan this beast.” He points at his temple.
Before I can find any useful words, he has stopped by yet another white door at the end of the hall. “I have to go in, Elisa. I’ll see you on the other side.” He kisses my hair and then he is gone without a smile. The door closes behind him with a click. A spike of fear lances the wound’s raw edges, rooting me here, palms against the cold door. There is no audible movement for a while, then it sounds like another door is opening within the same room. The sound releases my feet and I dash back to the control center, reaching on my tiptoes to see. But all the screens on the wall are dark. No one says a word as my toes start to wobble . . . Phosphorus, 30.974 . . . silver, 107.87 . . .
“Aiden, can you hear me?” Doctor Helen finally calls from behind the door. I can’t hear Aiden respond, but she must because she adds, “Very well. This will be hard, but you know the process. Lie still, blink and swallow as little as possible, and look at the photographs that will appear on the screen right above you. Forty-five minutes as usual, but after that, Elisa will join you. Try to hold on to that. We start in . . . three, two, one.”
Then the room goes dark and there is total silence. Not a single syllable or movement. Not one sound to tell me what is happening to Aiden. The pain in my chest rises up my throat, constricting it with panic. The white hallway becomes a tunnel of ice, and my teeth start chattering. It takes exactly one minute to realize I cannot breathe through forty-four more minutes of this. Without a second thought, I pound on the door. One of the researchers opens it with wide outraged eyes, but I’m past caring.
“I have to see,” I say, my own voice sounding foreign to my ears.
“Let her in,” Doctor Helen calls, and I step inside quietly, squishing myself into the corner behind the door. The control room is pitch-black except the monitors. Each scientist is at his or her desk, studying their own screens displaying numbers and patterns I cannot comprehend. One central monitor shows what I assume is Aiden’s brain and the way blood is flowing through it like a storm. Doctor Helen sits at the helm of the room, her back to everyone else, but that’s exactly what I need. Because I can see the wide screen she is commanding where a reel of photographs plays with eye-watering speed. I try to blink as little as possible as I realize these must be the images she is feeding Aiden in the MRI machine. They seem innocuous at first, without a visible pattern to me. Traffic light, Christmas tree, chess set, a blue bike, on and on, a few hundred. Then abruptly my own face startles me—the photo of me sleeping, the only one Aiden had before he came to England. And after my face, the reel changes—people now. Some I know, some I don’t, some I can guess: Aiden’s parents, Benson, Cora, James, two others I assume to be Hendrix and Jazzman, a military headshot of a young Black man in his Marine blues, countless unknown others, again in the hundreds, again with no pattern I can decipher. Then the reel changes quickly a third time—these images are more familiar, warming me. An Aeternum rose, a stave of music from Für Elise, Javier’s fateful painting of my jawline, a Baci chocolate, purple eyes . . . My eyes fill with tears as I realize she is feeding Aiden every image he must associate primarily with me.
I almost miss the next abrupt change of the reel from my tears. Then once I see it, I wish I had never seen. Because the images they are blasting on Aiden now are of terror, gruesome to the extreme. A military helmet splattered with human brains, disembodied torn human limbs, an imploded rib cage glistening in the sun, half a little boy, a flayed corpse, a face that once must have been human before it was peeled, eyes gauged out, nose, lips, and ears scraped off, and the young Black Marine who, with a strangle in my throat, I conclude must be Marshall.
“Stop!” I shout, bolting to my feet, my voice echoing in the control room as all the scientists except Doctor Helen gasp and leap off their seats. I jump forward to—what, do something, anything to the screen of horror—but the bear assistant throws himself in front of me, glaring in disbelief. “Don’t show Aiden those! Please!” I cry, trying to get around him.
But it’s Doctor Helen who speaks in an even tone never looking away from the screen or stopping the reel of terror. “We have to, Elisa. Now, please, we need quiet, or I’ll ask you to leave.”
The bear blocks my view of the screen, towering over me until I fall back on my corner and sink to the floor. He flits back to his desk, freeing my line of sight again. I should close my eyes, but I don’t because if Aiden has to see these, so will I. My stomach heaves violently, bile rising to my clamped teeth—over and over until my insides are burning with acid. A knifepoint pain stabs through my skull, dulling even the throbbing in my chest. I clamp my arms around my knees, pressing my back against the corner, rocking in place to fight off the shudders, as Doctor Helen triggers Aiden’s traumatic memories, searing his retinas while he is captive in the MRI machine with hundreds of sickening, macabre images. It’ll be over soon. It’ll be over soon, my love. Only twenty minutes left. Then we can go back to the cottage where Mum’s magic will help you, and you can sleep while I go back to Bia—to the lab that is trying to fight fear, not inflict it.
Doctor Helen changes the reel again, now alternating the horrific images with the images Aiden associates with me. Marshall—my face, flayed corpse—my face, dismembered body—Aeternum, on and on. Bile rises again and I grip my skull as I stare in horror at what he is living through for us. Then the speed of the reel skyrockets until the images become so blurry I can no longer distinguish them from each other.
“Is he truly processing at this speed?” Doctor O’Connor’s voice pipes through a speakerphone, and I realize the computer is feeding the same images to him in Scotland. Rage burns my throat as I try to find air now that the images have blurred for me.
“Yes, he is,” Doctor Helen responds in a majestic tone that makes me want to scream. “He is extraordinary. We cannot explain him.”
“But maybe we can help him,” Corbin says over the phone with a protective edge and, if he were here, I would hug him. Or ask him to hug me.
Doctor Helen does not respond in any way. Her silence strangles me more than the reel of terror, more than the failed oxytocin this morning. Is she silent because she doesn’t think we can win? Because she doesn’t think we can save Aiden?
“Last wave,” she announces and, for some reason, they all sit up straighter while I shrink smaller. The reel is still too fast for me so I fix my eyes on the image of Aiden’s brain. The brain I wanted so much to meet. The brain that is absorbing image after image of trauma so that Aiden and I can be together. But now that it’s here in front of me, I only see Aiden’s heart.
At long last the reel stops, landing with the image of me sleeping. My face fills the screen—calm and peaceful, hopefully filtering that peace straight into Aiden’s mind.
“Aiden,” Doctor Helen speaks on her microphone, and I jump to my feet again, fighting off dizziness. There is no response from him whatsoever. “The worst is over. Remain still and keep your eyes on Elisa’s photo.” Then she turns to me. “Elisa, if you could join Aiden now in the fMRI room, please? Richard will show you. Quickly. We need to capture these next few minutes.”
I barely hear her last words because I’m already bursting out the door, not waiting for Richard who runs after me. I streak down the hall toward the last room Aiden entered, but Richard leaps in front of me.
“Miss Snow!” he cries, hands out to stop me. “You have to remove your clothing in this room first and all metal from your body. The MRI machine is very strong. There are lockers for your valuables and another door that will lead you straight to it.”
“Fine, fine,” I shout, ducking past him and shoving open the door. It’s some sort of antechamber, but I see Aiden’s belt, shoes, and clothes folded neatly on a bench. I rip off my blouse and jeans, cursing the underwire of my bra. My only valuable—Dad’s watch—goes inside a locker, and I throw a gown over me. Then I wrench open the other door, plunging down another endless hall to the clearly labeled MRI room. I burst through those doors too, wanting nothing but to take Aiden in my arms away from all these computers and horror. But I can’t because he is still inside an astronautic-looking MRI pod.
“Elisa, are you in?” Doctor Helen’s voice blares through an overhead speaker.
“I am,” I gasp, hoping she can hear me.
“Good. Aiden, this part is new to you, too. We have never done this before. We will slide out the bed so that you’re out of the bore waist down. Then we will continue the imaging, so don’t talk or move. Starting in . . . three, two, one.” She counts evenly and the MRI bed rolls out, exposing Aiden’s long legs and narrow waist. He is covered with a pale blue sheet except his toes.
“Now, continue to remain as still as you can. I’ll ask Elisa to come stand next to you and say your name when she’s there. Do not speak. Elisa, now please.”
I sprint to Aiden, forcing myself to say his name as I normally would, not gasp it. I hope I sounded calm, I hope he can hear me.
“Very good,” Doctor Helen coaches. “Aiden, same orders: no movement or talking—we are still imaging. You will be smelling Elisa’s perfume in . . . three, two, one.” A stream of air blasts everywhere, making me shiver in my thin gown, but not because it’s cold. Because the scent of Aeternum floods the room and presumably the MRI bore. I gulp it, closing my eyes, gathering all my strength from every corner of my mind like he gathered roses across the globe for me. The perfume fortifies me like a tonic, and I brace myself for whatever comes next.
“Now then,” Doctor Helen speaks. “Elisa, please take Aiden’s hand gently and again say his name when you do so. Aiden, continue not to move, no matter how much you might want to. In . . . three, two, one.”
I reach under the blue sheet and find his hand. It’s curled into a shuddering granite fist. I wrap both my hands around it. “Aiden,” I say, and the shaking slows a fraction, but the fist remains locked.
“Well done,” says Doctor Helen. “Now the last part. Elisa, I’d like you to talk to Aiden. I want you to describe the present moment to him as if he is unable to see it. Bring him back to you, as it were. Aiden, your job is to focus every single thought on Elisa, continue to watch her image on the screen, and stay away from the images you just saw as much as possible. Feel what you need to feel, but listen to her voice and continue to stay still. We will start in . . . three, two, one.”
Wait, I want to call. Wait, I’m not ready. But Aiden is stuck in some horror while I scramble to find words. I draw another gulp of Aeternum air, and start. “Hi, my love,” I say, not caring who else hears except him. “I’m here. Where is here, you might ask. Here is a white room, with four white walls, smelling like the most beautiful memory in the world. Or in practical terms, like hundreds of Aeternum roses that you shipped for me from Kenya because I had never seen them. Isn’t that incredible? But more incredible than that is this moment right here. Just the two of us, you inside this white MRI machine under a blue sheet and me in a matching blue gown standing next to you in my rose socks, holding each other’s hand because this moment right here is your our fight and I’m so proud of you. That’s why this moment is more important even than Aeternum night. And also because I can see your toes. I’ve never told you, but I love your toes. Who knew there was such a specific type of love? But there it is, making my own toes wiggle in response. There’s some track lighting too—it’s a bit harsh, you wouldn’t like it, but I like it because it lets me see some of you even if you are under a sheet. I hope you’re not cold. It’s a little nippy here. But my hands are warm around yours so think about that and come back to me when ready. I’ll be right here. I love you.”
I stop talking, worried I said too much, too little, too fast, too slow. I don’t know—but I tried to deploy some of our collected weapons: our love, humor, his fighting spirit. Maybe that helped. The fist stopped shaking and has opened.
“Excellent work, both of you.” Dr. Helen’s voice booms over the intercom. “We have what we need. Aiden, you can relax but try to stay in the moment. We’ll give you some time and privacy, and then we’ll discuss.”
The static of the microphone cuts off and the MRI bed slides out, jettisoning Aiden in front of me. I immediately find his eyes—they’re bottomless ocean blue, the depths ravaged by the horrors the images must have triggered, but they are lightening. Specks of turquoise are already flickering.
“Thank you,” he says, and the hell he must have lived through is in his voice, too. It’s slow, hoarse, the way one might sound after a long illness. He takes a shuddering breath and stretches, searching his body that tenses here and there. I give him time as he opens and closes his hands, rolls his wrists and shoulders, wiggles his toes. He smiles then—a worn, exhausted smile that barely lifts the corners of his lips, but a smile still. “Toes?”
“Toes and everything.”
I sit on the edge of the narrow MRI bed, ready to give him more time but he opens his arms—they seem heavy. “Come here,” he says as he did before.
I lift his sheet—he is wearing his grey briefs underneath—and lie gently on top of him because the MRI table is too narrow for both of us. His heartbeat is fast under my ear. He folds his arms around me and I feel his lips in my hair. He is Van Gogh’s Alps again but this time in wrought iron, shoulders rippling like the wheat field, skin frozen like the Alps’ snow, breathing wounded and clipped. He doesn’t talk. I search through our weapons to help him stay in the moment and find one. His words of self-love. “You’re loyal. You’re strong. You’re loving. You’re fucking smart. You’re an excellent fighter. You always win. You’re thoughtful. You are loved.”
And Aiden comes back with a shaky breathless sound that could be a chuckle. His fingers trace my spine over the thin cotton of the gown. I lift my head and watch his eyes clear as they gaze back at me until they beam with my turquoise. At that moment, he kisses me lightly, holding his mouth to mine. I follow his lead, and at length his body comes to life. The heaviness becomes strength—I feel it in his hold, in the way his hands clutch my waist, travel up my arms, and knot in my hair. His lips brush along my jawline, down my neck, and he pulls the gown off my shoulder, kissing to the very tip. By the time he is back at my mouth, the Alps of his body are a different mountain—vibrant and warm, rippling with a faint breeze of desire. But he simply holds me, his fingers memorizing my skin.
“It was a lot easier this time . . . with you.” His voice is back to its beautiful husky timbre, although slower.
I kiss above his heart, fighting a shudder at his words. If this was a lot easier, how was it without me? At least he has a three-month break until he has to be inside this torture chamber again. At least the next eighty-seven triggers will be just Aiden and me in our cottage with Mum’s magic. And I’ll do everything I can to make them the best eighty-seven days of his life. A thousand happy memories to each horrific one.
The telltale static of the sound system makes us both tense. “Aiden, Elisa, if you feel ready, could you join us in the control room?” Doctor Helen calls.
We climb off the MRI bed, neither of us looking back at it. We help each other get dressed in the antechamber—not because we need the help, but because we need the touch—and plod down the halls to the neuroscientists.
But only Doctor Helen and her Van Gogh binder are in the command center now, as well as Corbin over the phone. We take the two seats in front of her, never releasing each other’s hand. Did we win this battle? Or are we about to lose more?
“Aiden, how are you feeling?” she starts with him, as she should. Yet, I taste anger in my tongue. Even if she’s trying to help us, she will always be Doctor Pain to me now.
“Better,” he answers politely. “Much better than five years ago when we last did this.”
“That’s wonderful,” says Corbin; it sounds like he is clapping. “Well done, both of you.”
“You certainly look better and sooner,” Doctor Pain agrees. “And that’s a good place to start. With the encouraging news.” She bestows a nearly invisible smile on us—noticeable only because the gravitas of her face is so absolute. I grip Aiden’s hand tighter. “There is little doubt now that Elisa’s calming effect is more than placebo. It’s very much real to you and its impact on your brain is no different than a powerful injection of serotonin.”
“Of course it’s real. It’s too strong to be anything but,” Aiden responds with conviction as if he never doubted this part, while I draw the first effortless breath since smelling the Aeternum. We get to keep the mother of bombs.
Doctor Pain gives him one stately nod. “That strength, however, is hard to quantify. But based on the fear-related brain areas with heightened CREB protein, we guess Elisa’s effect reduces your terror by about twenty-thirty percent.”
Something about her words tickles a memory of my own but I have no power to chase it because she just drained me with her last two words. “That’s all?” I ask, unable to control the fear in my voice.
“That can’t be right,” Aiden argues. “It feels a lot stronger than that. You saw how quickly she brought me back. About half the time of my best record on medication.”
“I saw. And it’s possible that Elisa’s effect is stronger—our experiment is limited by laboratory conditions. We tried to approximate her presence as much as possible inside the MRI bore with her picture, smell, voice, and touch, but we were lacking the sense of taste and of course the sum of her and the two of you alone together without my voice interfering which of course you associate with unpleasantness and pain. But the point is that we are unable to give it beyond twenty-thirty percent.”
When neither of us can speak—I because all I hear is eighty percent chance of losing this war, Aiden for whatever reason that’s making his jaw clench—Doctor Pain continues. “That said, there is something surprising we discovered about Elisa’s effect on you. It appears to be particularly effective at counteracting images of war.” She gives us another regal smile that I cannot return.
“What does that mean?” I ask. “Is that good or bad?”
The regal smile remains, but her eyes seem to soften when she turns to me. “I believe it to be encouraging.”
“By all means, take your time to explain,” Aiden says in his arctic tone, and I have a mad Van Goghian desire to laugh, if I could move my face.
Doctor Pain’s near-smile becomes more visible. “It means that although Javier’s painting is what brought Elisa’s effect to life, it was very clearly conceived a lot earlier by you yourself, Aiden. We believe it goes back to your war letters. In a nutshell, when you were surrounded by war atrocities, you calmed yourself by writing letters to an unknown woman. And your powerful memory started to associate the idea of being in love with this mysterious woman with being at peace. When Javier practically handed such a woman to you in a frame, he completed a process that had already started twelve years before. That’s why Elisa is able to bring you back from images of war much more quickly. Because you chose her. Your memory itself gave her that power. And I hope in the end that will make a difference.”
“How big a difference?” Aiden’s voice is soft now, perhaps with the same wonder, the same H-O-P-E that is flooding me. Somehow knowing that my effect on Aiden is by his mind’s own choice makes me feel like we belong together in a real, not magical way.
“Unknown. All of this is conjecture at this point. We are not operating within known scientific concepts when it comes to you.”
“But you have designed an action plan for us?” Aiden prompts.
“We have. You just did your first session of it. You’ll need to trigger yourself with traumatic images and have Elisa bring you back to the present moment as she did now but to the full extent of your senses, every day for the next eighty-seven days, at the same time, the same place away from the bedroom or anywhere you associate with rest.”
Aiden nods tensely in understanding, but I no longer feel the chair underneath me. “Excuse me, what do you mean ‘first session’? What do you mean ‘traumatic images’?”
Aiden’s thumb rubs my palm as if to comfort me, but she picks up a box from the desk and brings it on her lap, glancing at me with a trace of concern. I watch in horror as she takes out a monitor wearable over the eyes, like a virtual reality headset, and hands it to Aiden. “This has been uploaded with all the images you saw during the fMRI. You will have to watch them every day, Aiden. I’m very sorry, but it’s the best way.”
“No!” I gasp, jumping to my feet again and grabbing the headset before it can touch his fingertips.
“Elisa, be careful with that!” Doctor Pain’s clinical tone betrays the first note of anxiety as she stretches out her hand. The Van Gogh in me wants to smash the implement of torture on the polished floor. I clutch it to my chest instead.
“Love, what’s the matter?” Aiden rises on his feet too, brushing my cheek—still slower than his usual reflexes. “This isn’t like you.”
“I don’t want you watching these images again. I saw them, Aiden. They’re awful.”
Where the prospect of watching the reel of terror eighty-seven more times didn’t shake him, hearing I watched it once does. He blanches and his entire frame locks in horror. “You saw them?” The strangled question is clearly meant for me but he turns his lethal gaze on Doctor Pain, and for a moment he looks truly frightening. He looks exactly like the Marine who lived the atrocities I only saw in pictures.
“It wasn’t her fault,” I intervene despite my own problems with the regal neuroscientist. “I barged in after snooping. And yelled at everyone.” I peek at Doctor Pain, face hot enough to power all the monitors. “I’m very sorry about that, Doctor.”
“It’s quite understandable.” She nods and meets Aiden’s sniper glare without flinching. “She had a right to see them. This is her fight, too. She clearly loves you very much.”
He turns his eyes back to me, but they’re wild with anxiety now. He cups my neck, except it feels like he is checking for vital signs. “Are you all right?”
“How could I be all right, Aiden? I’m worried sick about you. Watching these horrors every day is torture.”
His hands come around my face, light as if I might break. “Love, please sit. Don’t worry about me, I can handle it,” he pleads. His voice is tender with the concern I’m adding to the agony that must already be burning him. I drop on the chair, gripping the torture headset. He sits down too but shifts his chair so close to me that our arms are touching. His hands are open, ready to catch the monitor that will brutalize him in case I drop it.
“Doctor, please!” I look only at Doctor Pain now, and all my anger at her drains away, all that’s left is terror for him. “This is too much. Why can’t Aiden simply summon a memory on his own instead of watching these? I thought that was the plan.”
“I’m sorry, Elisa, that was our initial idea but it won’t work based on the tests we just ran. Aiden’s brain is too powerful for that, his memory too smart, too quick and adaptable. We have to meet it at its level, while combining exposure therapy with reconsolidation. Please trust that we considered all other methods.”
A total silence follows her words, and I wish Corbin would speak or Mum and Dad would alight from above to put an end to this, to show us another path that doesn’t involve Aiden walking barefoot through the fires of Iraq to come to me. But Aiden pries the implement of torture from my grip—pries it by gently opening each finger one by one—and takes it from me.
“I’ll do it,” he says with finality, leaving no room for argument. There is no hesitation in his voice, no fear. Nothing but resolve.
“Wait!” I gasp again. “Can’t he at least alternate—one day with images, one day by himself? Or would it help if I watched with him on a TV or something? Please?”
“Over my dead body!” Aiden snarls, angling himself as though to hide me from the world. He holds the headset of horror behind his back where he knows very well no one will reach.
Doctor Pain’s face softens in a maternal way that startles me, and she takes my hand. Her touch is not cold, as I expected it to be—it’s warm and tender, like crimpled organza. “Elisa, daughter of Clare, you are so very much like your mother even though everyone says you have Peter’s talent. How I wish I could say to you there was an easier way. But Aiden’s startle reflex is too strong, child. This is the best method that stands a chance at helping him. Many others are more traumatizing or dangerous if you can believe me.”
Abruptly, she becomes Doctor Helen again. Next to me, Aiden relaxes now that she has ruled in favor of him being the only one to watch the horror. “How high is that chance?” he asks. “Knowing that I’ll do this regardless.”
Doctor Helen releases my hand, but the maternal edge stays on her face when she looks at him. “Unknown. Unknown how high. Unknown if it will work at all. Science can’t give you any answers for this. You will have to give the answers to science.”
I grip Aiden’s hand again, and Doctor Helen sees it. “But you do have a choice.” She regards us both now, and the gravitas returns to her face.
“We do?” I whisper, and I no longer know to whom. To science or magic?
Doctor Helen is the only one who answers. “Of course. There is always a choice. Option one, you do this—you stand to risk everything or gain everything. Option two, do nothing—continue as you are but risk Elisa’s safety and Aiden’s sanity if another attack happens again. Option three, you say goodbye now—you lose each other, but perhaps someday science discovers something new, although we cannot promise that will happen.”
A deep chill falls over the control room—or perhaps it’s just me. And the space feels cavernous, but perhaps it’s the wound in my chest that just ripped wide open. The air feels muddy and liquid too—but maybe it’s the river water. And I don’t see the overhead track lighting—it’s extinguished like the dark void before and the dark void after Aiden. No stars, just endless night.
I realize now that Aiden and I have turned toward each other reflexively. His eyes find mine, agonized as though he is back in the MRI.
“We’ll give you a moment,” Doctor Helen’s voice sounds faded but Corbin speaks for the first time.
“One second, Doctor, if I could add my two cents. You are the memory expert and I’ll defer to you on that. But in my experience, Aiden and Elisa’s connection to each other is just as unique on its own right. We cannot underestimate the risk of significant new trauma to them if they lose each other. I fear they would also lose themselves.”
His words light a single candle in the darkness. A candle like the one that burned by Romeo and Juliet.
“Well said,” Doctor Helen agrees. “Aiden and Elisa, you have a difficult choice before you. We’ll leave you alone now so you can decide.”
The door closes behind her as our foreheads fall against each other. Aiden sets down the headset of torture, and wraps both my hands in his—fingers knotted together like the branches of his oak tree that we climbed today. Was it only today? Has it only been one day of war?
“They say it’s a difficult choice,” he says. “But to me, that’s the easiest part. Option one is the only option I can live with. I cannot risk your safety or give you up without all my fight.”
“Are you sure, my love? It’s too much pain, you would be hurting too much.”
“We knew this would be hard.”
“Not this hard. We didn’t know you would have to watch those horrible images every day. Was that M-Marshall?” Despite my resolve to be strong for him, tears fill my eyes. I try to wipe them, but he is there first. He dries them with his fingertips before they spill and pulls me gently onto his lap, folding his arms around me like he is trying to fit me inside his heart.
“Yes, but he is gone, love. No matter how hard I’ve tried to keep him here, he’s gone. All of it is gone, and I’m trying to lay it to rest. I’m just sorry you saw them. I’m sorry they’re in your head. I’m sorry they touched any part of you. I’m sorry I’ve dragged this torment in your life. I’m sorry I am the way I am—”
I place my hand over his mouth. “Please, don’t.”
His eyes rage with acute conflict between fury that I know it’s at himself and desperation to give me what I want. His jaw is flexing as if to contain all the sorries left unsaid. He takes my hand from his lips and rests it on his cheek. “You’re right,” he finally says. “I’m sorry for so many things that don’t matter anymore. All that matters now is us. Do you choose option one? Will you still fight with me now that you’ve seen all this?”
The direct question leaves me breathless—because it was never really a question. “Of course I will. I promised you that.”
He shakes his head, eyes still agonized. “Not because you promised. I’d understand if you change your mind. A part of me still wants you to—you’d be better off. But I will never force your hand again. Do you want to fight with me now that you know what it will take? Do you have faith in me, Elisa, to overcome all that?”
He asks that last question in a hard, jagged tone—a counterpoint to the vulnerability he must be feeling. I realize with horror that, in my fear for him, I’ve made him question this most axiomatic truth, instead of protecting him as I was trying to do. I grab his face not at all gently like he does with me. “Aiden, I have faith in you most of all. Your strength and our love are the reasons I said yes. Nothing I’ve seen today changes that. If anything, I’m more in awe of you. And I didn’t think I could love you more but I do. Don’t you ever question any of that. Of course I want to fight with you.”
He nods as much as he can in my tenacious grip, his eyes no doubt seeing the pure truth in mine. But his arms tighten around me like a vise. “That’s all I needed to hear. All those images, I can watch them every day, every hour if I have to, if I know you’re on the other side waiting for me.”
“I will be. And after you watch them, we will make the rest of the day so happy that even you will forget what you saw.”
He releases my finger-hooks from his beautiful face, bending it to mine. Love is a strange, powerful weapon. We are in a clinical, cold room, surrounded with monitors whirring with danger, bombarded by the beeps of the risks we’re taking, suffocated by horrific images of the enemy ahead and the enemy within, yet we both smile as our lips meet. And the monitors go silent—there is only the soft sound of our mouths and our breath, hitching with desire, not fear. Or maybe it’s not love. Maybe it’s madness. Maybe we are not in Van Gogh’s paintings. Maybe we are Van Gogh himself—cutting off ears, eyes, and hearts for each other’s love. Whatever it is though, I don’t care as long as I am with him.
He breaks the kiss first, but seems as unsteady as me. “Let’s call them in so we can go home. You need sleep and I need you.”
Sleep is not in the formula for me this summer, but he doesn’t need to know that right now. He sets me back on my chair and strides out of the door to locate Doctor Helen while I sit here processing how a room that seared him with so much cruelty became a place of love. When they return, Aiden sits next to me, arm around my shoulders while Doctor Helen dials Corbin to join over the phone.
“Elisa, Aiden says you have made your choice,” Doctor Helen starts.
I nod, smiling that he waited for us to tell them together. “We choose option one.”
Neither of them seems surprised by this. “In that case,” Doctor Helen says with significance. “Three rules. First, self-care. This will take its toll. In Aiden’s case particularly, sleep is crucial as the memories begin to reconsolidate. Continue to follow the routine of that first night and keep track of everything. Let us know if you start noticing any changes.”
“We will,” Aiden nods.
“Second, endorphins. Live the life you want to live as fully as possible, and stay in the moment. That’s the point of all this. We stand a much better chance if Aiden has as many happy memories as he has traumatic ones.”
“We will,” I promise while Aiden’s fingers draw a happy circle on my shoulder.
“And third—the startle reflex.”
The happy fingers stop and Aiden turns into stone at the mention of the formidable foe. His hand in mine closes into the shuddering fist again. Doctor Helen nods, her face severe as she notices his lockdown. “I’m sure we don’t need to explain how imperative it is that you guard against the startle reflex during this time.”
Corbin interjects in a forceful tone. “I couldn’t agree more. For both Elisa’s safety and Aiden’s mental health.”
Identical shudders run through Aiden and me at the same time—probably for different reasons. I shudder at the fear in Corbin’s voice when he talks about Aiden. I’m sure Aiden is over there in his chair terrified for me.
As if he feels the shudders himself, Corbin continues, “To help with that, we think you should implement some safety measures since you’ll be living without Benson. Maybe things like pepper spray or some other method to incapacitate Aiden should the startle get triggered during this process.”
Aiden is nodding in vigorous agreement before Corbin has finished while all I hear is incapacitate Aiden. “Agreed. Benson and I are already working on some options.”
I watch Aiden terrified about what options of self-incapacitation the most self-loathing man in the universe is contemplating. At my look, he backtracks quickly. “Correction, Victor. Elisa and I will be working on some options.”
He rubs the goose bumps under my sleeve, raising his eyebrows at me as if to ask, is that better? I nod, somewhat relieved, while Corbin chuckles. “My wife wishes I could learn as fast as you, Aiden.”
Aiden smiles, but his turquoise eyes that have absorbed so much trauma today stay on me. Abruptly I want to leave. I want to go back to the cottage—just us and Mum’s roses that will heal him as he sleeps, while I try to be Dad and solve the protein that can protect him when he is awake.
Seeing the urgency in my eyes, Aiden stands. “We need to go,” he announces. “It’s been a long day.”
Things wrap up quickly then. One minute, we’re collecting the box with the torture headset, the next Corbin is gone and Doctor Helen is walking us through the door.
“We’ll be in touch to schedule the next scan. In the meantime, here is your perfume,” she says, giving me back my treasure that immediately warms my fingertips. “Oh, and I thought you both might like this.” She takes a polaroid out of the Van Gogh binder and hands it to us. “It’s a picture of your kiss,” she explains as I take it with trembling fingers.
There, on the black glossy paper are Aiden’s electric blue brain waves and his golden heart line, spiking and swelling as we were kissing.
“May it bring you both calm when you feel the most fear.” Doctor Helen casts the words like a benediction.
From her binder, Van Gogh’s brushstrokes look suddenly ordinary compared to the brushstrokes of Aiden’s mind, but my own brain waves are abruptly spiking. Because Doctor Helen may have just given me another gift.
©2021 Ani Keating