NINETY DAYS: CHAPTER 9

Hi everyone and welcome to all the new and old readers who are returning! It’s been wonderful to see your names and social avatars again. Thank you for coming back to Aiden & Elisa, and for your comments to me. You support and encouragement means a lot. Without much delay, here is Chapter 9.  Tic toc…

9

Stardust

            Living with the truth turns out to be harder than I imagined.  It’s harder because now I know exactly how much he couldn’t bear to be with me after the attack. It’s harder because there is absolutely nothing I can do to change that. And it’s harder because now I don’t dream of him at all. And that’s the worst part; it’s like losing him all over again.

Still, as difficult as living with the truth is, it’s easier than living with myself. Because harder than everything else are the what-if’s. What if I hadn’t believed him when he told me he reported Javier? What if I had looked closer? What if, instead of forcing myself on him after the attack, I had left as he asked? What if! What if! What if! Like a sledgehammer to the brain, shattering all my rules.

The only things getting me through are Oxford and Reagan’s visit in three days. Of course, we all have to live through Javier’s trial in forty-eight hours first. I cannot think about that. I grab Dad’s lab coat and run out of the cottage for the bus stop even though it’s only five in the morning. But today—after two days of orientation—is my first time working in my father’s lab at Oxford. And although things like joy and excitement are beyond me, I cannot bear the idea of embarrassing my dad.

Walking at dawn alone, without him, feels like the Portland airport, but worse. It’s as though losing him was a cataclysmic event, a big bang that could not be contained in one continent. It has expanded now, radiating through the planet, finding me here in my little, peaceful town, pulverizing whatever flimsy structure I had managed to build.

But the moment I step on the bus, I feel a little stronger, las though Oxford’s hard limestone permeates my skin. By the time the bus drops me off at the University Center, I am centered too.

On the outside, the Chemistry Building looks calm and quiet. But inside, it’s teeming with life. Apparently Oxford does not sleep even in the summer. Students are huddled over books, clutching thermoses of caffeinated drinks, eyes bloodshot with shadows underneath. At least here my face will blend right in. Researchers are stretching their arms in the air, twisting their backs side-to-side, loosening the night’s knots. And behind closed office doors, I’m certain there are professors poring through papers or staring into space at concepts the rest of us cannot see. The entire building is humming with single-minded pursuit of knowledge, with the thrill of discovery within. There is no space in its vast horizons for lost loves, immigration trials, or past crimes. Oxford has its eyes on the vistas of possibilities, on the finite rules of science that survive any big bang, that explain everything. And because of that, Oxford is perfect for me.

But am I perfect for it? As I enter the cavernous state-of-the-art lab that could fit Denton’s in one of its fume hoods, I’m not at all certain. At least ten researchers are there already and when they spare a moment to look up, they all stare.

“Ah, Elisa! Here you are!” Edison calls, striding toward me from one of the cryogenic freezers. “I was beginning to fear you had lost your way.” Clearly, 6:30 in the morning is too late for this crowd. I’m sure Dad used to come to work later, but then again he had Mum and me. Edison is betrothed to science.

“I’m sorry,” I mumble, mortification draping over Dad’s lab coat that I’m wearing.

“Ah, not at all, not all. Like father, like daughter, I reckon. Peter would get in late too, but accomplished twice as much as us, the brain of his.”

Not wanting to waste another second, I start scuttling to the closest empty lab desk, but Edison chuckles. “No, my dear girl, you’re this way, with me.” And he starts marching the length of the lab at a pace that is only technically not running. I scramble behind him, feeling inquisitive eyes on my back, probably relieved that I, the flake, will not be anywhere near their experiments.

“Here we are,” says Edison, opening a door to a lab within the lab—like a heart chamber. I expect to see more futuristic technology, but this lab is homier, with a warmer glow than the harsh fluorescents of the Goliath around us. And, at the very front, as though he is waiting for me, stands a man, probably in his thirties, wearing a white lab coat identical to mine, except the initials: GRK. The moment I look at him, I feel the need to squint. He has lustrous blond hair as though a thousand sunrays are weaved in each strand. His skin is golden and his eyes a butterscotch hazel. He is so lanky that, clad in his brilliant white coat, he could be a neon beam himself. And he is the only one not staring. He is simply smiling.

“Elisa, welcome to the lab where many seasoned chemists wish they could brew. This is Bia.” Edison says the name of the Greek goddess of force and energy with reverence. “And this is my chief researcher, Graham Knightley.”

I’ve been practicing a smile and I employ it now as I reach for Mr. Knightley’s hand, expecting it to be hot due to his sunny appearance but it’s cold, like a true lab resident. “Hello, I’m Elisa Snow. It’s nice to meet you, Mr. Knightley.”

“Graham, please! And I know who you are. We’ve all been very eager to meet you.”

If he meant this as reassurance, it has the opposite effect on me. All I can think about is how I am going to embarrass my dad next. What was I thinking taking this on in my current state? I should have worked at the local pub for a while or forever as there are no dreams left for me. But before I can panic thoroughly enough to submit my resignation, Edison claps his hands once, as if to call attention, and says something that changes everything.

“Now, Elisa, you know your father and I had this dream of inventing proteins that are easy to digest but accomplish big things. Like the protein that fights hunger, which you’ve already developed.” He inclines his head to me while I use every brain cell to block memories of selling that protein to him to buy my green card. “Well, shortly before Peter’s accident, we had another idea: develop a protein that fights fear.” Edison whispers this last word, as though it’s an incantation or some secret gospel. For him, it is. As it instantly becomes for me. It triggers a memory of Dad in those last few weeks locked up in our library in that fervor that took over his brain sometimes. He would never tell me the idea that possessed him until he thought it through or found a way, no matter how much I questioned him. “You’ll know soon enough, Eliser,” he’d say. But he never had a chance to tell me that time. He died before the answer came. But I’m still here: how can I resist finding the answer for him? If I cannot dream my own dreams, maybe I can dream my father’s.

“Did Peter tell you about this idea?” asks Edison with a fanatical gleam in his eyes, as though he can read thoughts.

“No.” I shake my head, disappointing him no doubt. “I just remembered that he was in one of his zones right before—” I swallow. “But he never told me what it was.”

“Oh.” The gleam in Edison’s eyes disappears, but he recovers quickly. “No matter. I think he may have made more progress than you realize. So, here in Bia, Graham and I are continuing this work. Every day, every night—for the last four years. We get close sometimes, then lose it right at the moment we inject the 2-AG molecule in the peptide bonds. It combusts into flames. This one is tricky—trickier than anything else I’ve tried. But with you here, maybe we have a chance. Perhaps something will occur to you that has not done to us. And imagine if we do succeed!” Edison’s eyes glint again. “Imagine brewing a life with no fear. What that would mean to you, to me, to so many.”

            To my dad, I finish in my mind. It’s impossible not to feel that I will let Edison down; how could I ever do in a summer what my father wasn’t able to in his life? But how could I not try? How could I not give it every day and every night of what remains of my existence? This is the last thing I have from him.

Time becomes a blur then. Edison leaves for a lecture, and Graham and I work side-by-side, as he shows me their progress, their challenges, and where they’ve gotten stuck. He works quickly, elegantly, his gloved fingers handling the equipment with fluidity, like piano keys.

Every once in a while, he mentions Dad: “Professor Snow would have seen right through this” or “I think he’d have done it this way.” At some point, we both start talking to Dad out loud and neither of us seems to think this is mental. But mostly, we work in a companionable silence trying to reduce the elusive 2-AG molecule into any form compatible with peptides that doesn’t combust. Testing one compound here, another there—like a new musical note in a melody. Many look at chemistry and see fumes, liquids, beakers, flasks, burners. But that’s not what chemistry is: it’s music. Each element, each atom is a note. Each piece of equipment is an instrument. Mix these two compounds together, and they hiss. Mix those two others, and they babble. Throw this fifth substance in, and they ring like trumpets. Find the right formula, and you have a concert. A concert that feeds you when you’re hungry. A concert that makes you brave.  Someday, perhaps a concert that keeps you young. But it’s always music—chemistry is the soundtrack to life.

“Break?” Graham asks after a while.

“No, it didn’t. See? The peptide is still intact.”

“No, I mean, take a break with me?” Graham annunciates slowly, as if thinks I might have forgotten how to speak English.

“Oh! No, no, no!” I say quickly like he suggested I should swallow the liquefied peptides. Who needs a break? What could I possibly allow myself to think? Not to mention I’m not ready to converse casually with people who are not Reagan. Graham’s eyes widen a fraction so I amend to keep him from seeing the madness within. “I mean, thank you, but I’d really like to finish this first. I might—”

“Eliser, it has waited four years, it can wait forty minutes. Besides, I’m famished.” He smiles, but I’m frozen solid. “What’s the matter?” He frowns when I don’t move, probably questioning my mental stability at this point.

“My dad used to call me that sometimes,” I whisper, remembering Dad laughing at his own pun: Eliser—Elixir. “I haven’t heard it said out loud in a long time.”

Graham blanches. “I’m very sorry, I should have asked. Only that’s how Professor Snow referred to you and I suppose it stuck—” he clears his throat. “My apologies, I shouldn’t have used it. What would you like to be called?”

Simple manners, yet the question feels suddenly important to me. “Eliser is fine,” I answer, surprising myself.  Then again, is it really a surprise? The girl I was, named after Beethoven’s melody, is gone forever; no one will be playing the piano again for me.

Graham waits as though he guesses I’m processing something. Or perhaps he is getting used to everything taking me longer. “A break might be a good idea,” I concede, trying to sound normal as we walk out of Bia.

Without failing, the researchers’ eyes follow us out. By the time we reach the building cafeteria though I realize it’s not just the researchers. A couple of professors come up, shaking my hand, saying, “Welcome back! Welcome back!” The kind-faced woman who prepares our lunch grins at me. “Ham and mustard for your sarnie, dear?” she asks. I can only nod as I realize she is guessing I like my sandwich like my dad. Even the elderly groundskeeper weeding the quad when we go to eat outside looks up and tips his hat. “Bless my soul! It’s Peter and Clare’s girl! Welcome home, child! Welcome home!” I keep my practiced smile glued firmly on my face but it must not be very convincing because Graham picks up his pace, leading us to the ancient oak tree on the other side of the quad. As we perch on its thick roots, I try to look like I’m unwrapping my sarnie when really I am trying to breathe. All these people—each a molecule in my parents’ life—happy to see me, and all I can think is they have it wrong. I’m back, yet I feel gone too long.

“All right there, Eliser?” Graham prompts. The fact that he has eaten half his sarnie is a clue as to how long I’ve been drifting.

“Oh, sorry. It’s just all this. They all . . .” I can’t find words to explain what I’m feeling.

“Stare, smile, and welcome you back with open arms?” Graham finishes for me. “Come on, it could be worse. Besides, it’s only your first week here. By Friday, they’ll have moved on to something new.”

That should comfort me, but it does not. “It’s not just that. Even Edison . . . he—I don’t know how to put it.” What is the feeling Edison gives me sometimes? Like I’m not meeting expectations? Or like I am? I can’t decipher it.

Graham sets down his sarnie on the paper plate and turns to me. In the sun, he is even brighter. “Listen. I, Edison, the others—we can’t imagine how hard it must have been losing your parents. But you have to understand, Peter Snow was a legend around here. And your mum curated Ashmole’s manuscripts for heaven’s sakes. Everyone loved them. Their accident rocked Oxford! And now, everyone feels like they’re catching a glimpse of Clare again, or a bit of Peter. It’ll pass. With time, they will see you for you.”

There is no me left, I want to say. He is missing the real problem. “I’m more worried about disappointing Edison, about not being able to do this. I’ve only just graduated, and you two are light years ahead of me. Shouldn’t I be scrubbing beakers in Goliath instead of helping you in Bia?”

“Ah, yes!” Graham nods. “Feeling inadequate at Oxford—that’s novel. No one’s ever felt that before. Definitely not me. And especially not Edison.” He winks with sarcasm, probably trying to lighten the mood.

It does not work. I don’t mind not keeping up with the brainiacs. I mind embarrassing my dad. I mind failing at his dream. These are things I cannot tell Graham, but he must have a sense—he is one of the brainiacs after all—because he speaks again after a few more bites. “Listen, Eliser! I was born to study chemistry. I have no passion or interest in anything else, and I’m told I’m not brilliant with emotional conversations either. But I do know one thing: you can work day and night, you can study harder than anyone else, you can sacrifice everything, and you still won’t achieve something that does not live in you. To me, to Edison, and the other researchers, Peter Snow was a chemistry god, and mortals can’t do what gods can. But to you, he was only your dad. And whether you think that’s enough or not, he lives in you. So don’t do what Edison or anyone else expects: do what you and your dad would do. And all will be well.” He frowns at the last words, as if he is assuring himself as much as me.

I turn his words in my head. Could the answer be there in their simple precision?

“Do you still live at the cottage?” Graham asks abruptly, like he has reached his capacity for emotional reassurance.

“How did you know about the cottage?”

He gives me a look that can only be described as an eye roll. “Everyone knows about the rose cottage.”

            And how it was abandoned. “Yes, I’m still there.”

“Well, after you’ve adjusted a bit, you could invite some of the profs and researchers—not all, mind, some of us can be positively cutthroat—and you can start forming your own relationships, hm? And if you finally finish that sarnie so we can get back to work, I might even be persuaded to leave the lab for a few hours and come over to help you with deep emotional things.” He chuckles, pointing at my sandwich. I wrap it back quickly and hop up.

“I’m ready.”

“Can I have that if you won’t eat it?” Graham asks, quite serious. For some reason, I think of Javier—of that big-brotherly feeling I always had around him. They are opposites, Javier and Graham, in every way: Javier is dark where Graham gleams golden. Javier lives for art, and Graham lives for science. Javier sees straight to one’s soul, Graham sees the molecules. Javier is losing everything in two days, and Graham is only starting. Yet they’ve both given me the same thing: a sketch for the next step.

I think about that while riding the last bus back to Burford, nine hours later. We all have before-and-afters that change us forever. Our personal big bangs—massive explosions in our skies that form and transform our galaxies from the ashes and dust left behind. And we go on, each time a new star, gravitating across the universe until our orbit collides with other stars, and we form constellations we call families, friends, love. My constellations have imploded—one by one, each star was extinguished. I have been rotating around their void, searching for a trajectory of some kind. I’m not a star, only a cloud of ash left behind. But what if it’s not all ash—what if it’s the stardust of those bright, bold stars?

I see a solution then. Maybe I can use what’s left of my energy to ignite the stardust back to light. Use my orbit to make Dad’s dream come true, care for Mum’s roses, help Javier’s family, and let him live free of me without guilt. And if I can do all that, maybe my lost stars will shine again. And maybe that’s enough in the end to transform this existence from inertia into life.

The cottage is quiet when I go in, Mum’s roses fast asleep in their beds, tucked under the velvet sky blanket, with the moon as a side lamp. As I switch on the lights, I wonder if the cottage sees in me what I see in it: no more dust or cobwebs, warmer, with some signs of life. Fresh-cut roses here, open books and empty teacups there, a little fire in the beehive fireplace, trainers on the doorstep. At least the cottage must think I’m alive.

I make some spaghetti, tapping my foot while the water is boiling, eager to kindle my stardust. When the pasta is ready, I take the plate with me to Dad’s library.

First: Javier’s family. In two days, their own constellation will implode. I send an email to Bob, my lawyer, to confirm that the trust I set up for the Solises is ready for them to use immediately after the trial. It’s not the same as having their brother, but it will help. Then, after finishing almost all of the spaghetti in thought, I text Maria. I cannot call her while she is living with his parents; I won’t ever let my orbit collide with his again, no matter how distantly.

            “Mamá, it’s me. I’m sorry I haven’t called, I will soon. I know the next two days will be very hard. But please remember what I told you before I left: no matter what happens, you, Antonio, and the girls will be okay. I may be gone, but you’re in my heart. I’ll take care of you. I love you, corazon y alma.”

            I stare at the inadequate text, wishing I could tell them about the money but Bob was strict that I could not before the trial. The message bubble becomes green as it’s delivered internationally, and I picture it arriving in her phone, in his childhood home, beeping in her hand or by her ear. She’ll be looking at it now, dabbing her tearful eyes, whispering “Bendita, bendita.” As I wipe my eyes along with her image, a bubble floats on my screen:

            “Isa, amorcita! I miss you. I love you. You here in mi corazon. Reagan says you hurt and no talk. Be strong, hija. Be strong. Eat your comida. Sleep your sleep. God is good. God will save all my children. God will bring you all back to me. I go to church now for pray with Stella. Call me, hija, I miss your voice!”

A tear drops on my phone screen. All her world is about to end, and she’s telling me to eat and sleep. I will never regret giving up my green card so she can live, and live well. Another tear drops on Stella’s name—his mum. The only other woman in the world who has borne the brunt of his startle reflex and the exile that follows. Who knows some of what I’m feeling. Maybe Maria and Stella will form their own constellation—two mothers with sons alive but lost. I send Maria a heart emoji and turn on Bod.

Second up: Javier himself. I cannot save him, but I can avenge him. I draft a full account to The Oregonian, exposing Feign’s fraud and telling them about the true Da Vinci. Javier’s genius will be known even if he will not be there to see it. I save the draft and schedule to send it Friday after Javier’s trial is over. None of us will have anything more to lose by then. I write to Oxford next, asking about their fine art program admissions for international students living in Mexico. Although America would be Javier’s dream, I know the universities there will not admit him after he is deported. But Oxford might—Javier has no past here. And, with his family secure and my cottage as a home, maybe he can pursue his art. Maybe his star can finally shine.

It’s near midnight now but I don’t feel tired. I still have Dad’s dream left. I dig out all of Dad’s notepads from every single shelf and drawer and stack them into towers on the floor, like miniature skyscrapers. And then start reading. Flipping through the pages, tracing every scribble and covalent bond with my finger, looking for anything he might have wanted, wished, or thought about the protein of bravery. But I can’t find anything—some of it I can’t even read or understand. My eyes start to itch, even though I’ve only made it through two of the fifteen towers. Oddly the lack of progress calms me. I have many years ahead to fill with this dream.

But as my eyelids start to droop and another dreamless night stretches before me, I can’t ignore the star I’ve been avoiding. His. He is the hardest of them all. Because his most powerful wish is to be able forget, and I have no proteins for that. But there was one other thing he wanted: me to forget him, me to stay away. And I will, but not because he is a monster. I will leave him because it’s best for him and best for me. I see it now so crystal clear. The end of love is never in anger. Love ends only when it’s the right thing. And this is right even though the agony sears me to my cells. I stand then, not surprised by where my feet are taking me. I think I’ve known since the field epiphany it would come to this. A goodbye to the man I know, not the one I heard that day.

The safe in the wall clicks open at the code, and the aged envelopes Benson gave me tumble forward. “You were brilliant, Benson. I just wasn’t quick enough to see it,” I whisper as I grab their rough, commissary paper, hands trembling so hard I almost drop them. The pain in my chest changes—it doesn’t throb; it suffocates, wringing my veins and airways until I can’t breathe. But I clutch the envelopes to that spot between my lungs he first brought to life, keeping the eyes on the periodic table until I find oxygen again. Then, gently as though the edges will slice me, I tear the envelopes with Mum’s letter opener.  The reddish coarse sand trickles on my fingers. And like that very first time I read his words, I sink on the floor.

            April 14, 2003

            My All,

            I come to you the way we come home. With dust on the skin and fire in the blood. It’s always dark when I come to you, the shamal winds wailing, the sand cycloning in places you haven’t touched (probably for the best). The light is always on above our door, the curtain is always moving. I raise my hand to knock, but I don’t want to knock gently. I want to pound with my fist on the door, tear it off its hinges, and make the foundations whimper. I want the night to go deaf from my arrival. I don’t want to enter, I want to burst into your arms and there I can kneel, molding into your small hands back into the man you believe me to be.

            I want to go blind from your eyes. I have no idea what color they are (I have tried blue, green, brown, black—nothing fits you). I want my eardrums to rupture at your cry when you finally see me.  I hope you yell at me, hit me, slap me. “What the hell took you so long?” I hope you tell me.

            And I will stand there, absorbing your blows more than any bullet, with no words. No words for your face, for the smell of you, for the crackling fire in the fireplace.

            “So help me God, Aiden Hale, what took you so long?” you will yell again, furious.

            But I will not answer you. How could I tell you that I had deserts to cross, oceans to swim, thousands to murder, more to free, bleeding brothers to carry on my back for miles and miles and miles before I came to you? You will never hear that outside of these letters. I have made an oath to give only music to your ears (and some really filthy words).

             So instead, I will look at your face. I loved you at first sight. At last sight. I didn’t need to see all of you to know that I was yours. Probably only a single strand of your hair blowing in the wind, or your hand peeking from your sleeve, or maybe even your shadow, and I loved you. This is how I want to love. In a way that will finish me at the end of the desert, at the end of the war. At the end of it all, I want to die because of you.  

            “Are you going to answer or will you just stand there gawking at me?” you will shout.

             I will reach for that strand of hair I first saw and kiss it. “Bed,” I will say.

            Yours,

            Aiden

Dawn breaks outside the cottage, the first ray of sun filtering through the library window. All the letters are open, each word tattooed forever on my retinas. They all start and end the same: “my all” and “yours.” In between are the words of a fairytale, of a man and a woman who could only be together in letters and paintings. And that’s where they should always remain, in a happiness we could not give them in life. I tuck all the letters back in their envelopes and place them in the safe.

“Be well,” I tell them.

But as I shuffle the rest of the safe contents to close the door, another speckle of stardust falls out: a torn piece of paper with Dad’s script, so rushed he must have barely finished it before locking it in:

“Fifth time. Not December. Add love.”

            I stare at the words. To anyone else they would make no sense. I don’t know what they mean either, but I know what they are: Dad’s code when he discovered something. I lock it back in the safe as outside, a new day starts in England, ticking away the hours to Javier’s fate.

©2021 Ani Keating

NINETY DAYS: CHAPTER 8

Hi everyone,

Thanks to those who read and dropped me a note on the last two chapters. It means a lot to hear from you, and keeps my story going.  Here is Chapter 8–I think it will answer a big question many of you have been wondering since the story was first posted. Hope you enjoy it. xo, Ani

8

The Truth

            The next day is short. And long. It’s short because I spend most of it sleeping while my mind and body grapple with the consequences of my homemade drug use. It’s long because when I finally wake up at three in the afternoon, groggy and dazed, there are still hours left before I can camp on the field and hope for sleep—and him—to find me naturally this time.

I can’t say how I spend those hours. My mind is more determined to replay every minute of last night’s terror than register any hour of today’s waiting. It dissects every detail, magnified in Technicolor and surround-sound, while the present plays in the background like muted elevator music. Every time I try to pause the rewind reel—by washing Mum’s parka, by preparing my clothes for Monday, by tending the roses and allowing the occasional thorn to prick my skin—my mind wrenches me back to the dream, reliving the path we took, his words, my reckless leap into deep rapid water, over and over and over. Perhaps my mind is trying to learn something new, or perhaps it’s entirely broken. Whatever the reason, my brain only reconnects with the present when the sun starts to dip and I have to find our old camping tent in the depths of the garden toolshed. From that moment onward, my mind and body seem to meld together, moving in tandem, focused inexorably on every preparation for the night ahead. As though survival depends on it—because it does.

I finally find the tent from our last family camping trip to Scotland. That same old ache enters the fray of my insides, but my brain is too interlocked with my body to falter. Next, I grab the bare minimum essentials for tonight: my sleeping bag, a flashlight, a change of clothes in case I end up in the river again, and a thermos for tea. But packing it all in a way that I can carry defies all my mathematical skills. And it breaks all my three cardinal rules in one fell swoop. Because I have to unpack my rucksack from America to manage to pack for my trek tonight. It’s impossible not to think of the past as I dig out my clothes that still smell of Portland, that still carry him in their fibers. Raw, utterly un-scabbed by time, the wound inside my chest rips open and for, a few moments, I can’t breathe. But The Oregoniannewspaper Reagan bought for me at the airport to honor my tradition tumbles out and restarts my lungs like James’s arms did yesterday. I flip through its carbon-printed pages, marveling at the date. June 1. Only a week ago, yet it feels a lifetime away. So much happened on that day. How did the world have room for more? But it did. Someone won the Powerball, the Timbers lost to the Sounders, and—my breath catches again—Brett Feign’s investigation made the papers: “Brett Feign, prominent local artist and owner of Feign Art Gallery prosecuted for tax evasion, fraud, and assault on an officer.” I snort. A single headline for an investigation that caused so much grief. I crumple up the paper and toss it in the waste bin, wishing I had time to light it on fire. Maybe if I survive my expedition tonight, I will. I don’t need souvenirs or reminders of that day.

The sun is lowering further now, and I manage to cram all my camping gear inside the rucksack, except the rolled-up tent which I’ll have to carry in my arms. I gulp down some canned soup, and set out on foot, locking the door behind me.

“See you soon,” I tell the cottage, hoping this is not another promise I will have to break.

The evening is balmier tonight. The fluffy clouds are lit up with sunset, like apricot rose blooms across the sky, deepening to copper in the bottom with iridescent halos on top. With a sigh, I realize they look like my favorite rose: Aeternum Romantica.  The rare rose I’ve only ever seen once…when he shipped hundreds and hundreds of them from Kenya for me. The jolt of pain from the memory knocks me breathless, locking my feet. I clutch the packed tent to my chest, hugging it close. “Hydrogen! I whisper. “1.008. Helium, 4.003. Lithium, 6.94…” It doesn’t dull pain—it hasn’t been working well since the hilltop grave—but at least my breath flows again and I’m able to move. The Aeternumclouds glow brighter above. I tell myself this is a good omen, and troop ahead awkwardly under my load.

I follow the same trail along the river as last night, but this time I will take the bridge. As he meant for me to do in the dream.  The nightingales start their dusk mating song, and the Aeternum clouds float across the sky. When I reach the bend in the river, a shiver runs through me, but I keep walking, noticing with relief there are no tents or tall figures around. Wherever James is, at least I don’t have to face him.

The limestone bridge is only a quarter mile further—“we’re getting closer,” he said in the dream—but I’m still huffing and sweating by the time I reach it. Its arches curve over the river straight onto the field. I cross it as quickly as I can, and finally I’m on the other side.

I stop to catch my breath for a minute while scanning the field.  It’s empty, a dark bronze under the twilight sky. The grass sways in the breeze, taller on this end than by the cottage. A beech or elm tree punctuates through it here and there, like guards standing sentinel in front of some invisible gate. At the far border opposite me, the town’s lights are starting to twinkle.

“What does he want me to see here?” I mumble to myself, feeling abruptly foolish for this whole endeavor. Worse than foolish; downright mental. Yet, there is no question of me turning around. I heave the tent into my arms and start searching for a spot to camp for the night. I don’t know where he would want me but, since he’s been pointing to this field as far back as the cottage, I have to assume I should camp in that direction. So I cut through the grass parallel to the river, breathing hard again. Eventually I make it back down across from Elysium. If I squint, I can see the peaky rooftop of the cottage in the distance. There is a strong beech tree nearby, about the size of the one planted for me in the garden. That seems like another good omen, so I set up my tent under its branches with a lot more effort than it takes to understand Dad’s and Edison’s theory of crystalline structures of inorganic matter. When it’s finally erect and secure, I’m so exhausted that I plop on the grass, panting and sweating, not even bothering to crawl inside, just staring at the sky as the stars begin to cross-stitch constellations across the navy velvet canvass.

At length, my breathing slows, and the breeze dries the beads of sweat off my temples. An inky darkness drapes over every blade of grass. And reality changes with the night. Instead of quiet, the field seems brooding. Rather than near, the cottage feels too far. Instead of alone, I feel lonely. And instead of a solution, this camp feels like closure.

I stand then. This would be a good time to take out my flashlight and comb through each centimeter of this field. Search behind each tree trunk, shake down the branches. It would keep me occupied, and it would block these thoughts. But instinctively I know the search would yield nothing. Whatever I need to see here is not part of my conscience, I cannot access it while awake. No, this is subliminal, somewhere deep, interred in the subconscious recesses of the mind. And for reasons I cannot grasp, it will only reveal itself with him.

I crawl inside the tent, certain that my psyche will summon him here when it’s time. The familiar thrill starts crackling in the closed space like electricity. The cheater is stronger tonight. My conscious being recoils from it in revulsion—I hate this frisson that binds me to him like an umbilical cord. But it will be over soon. If tonight doesn’t work, on Monday, I will call a doctor. My insides resist that option too for other reasons, reasons having to do with not seeing him again, but I shove them aside. They don’t change anything.

I slide inside the sleeping bag, sipping my chamomile tea, waiting for sleep to find me. But hours pass and nothing happens—probably because I slept in so late or because I don’t have the willows’ lullaby. Every once a while, I test reality: I can push my finger against the tent’s nylon fabric without it going through. I can trace back my steps. Awake. Awake. Awake.

Then, sometime in the night, something changes. Instead of wondering when he will come, I start thinking where he is. Is he in his home nestled in the hills of Portland or at his Alone Place, sleeping outside like me? His stars are just starting as mine will be fading. And it feels like a metaphor for everything.

“Elisa.”

His voice rings out, so clear, so close. I jolt upright, expecting to see him right next to me, but the tent is empty.

“I’m outside,” he says like a caress, like an answer to my unspoken question. In an instant I’m out of the tent and onto the field, as though his words were marionette lines.

He waits for me under the silver moonlight, with those eyes that look past the world. They trace my jawline like always, as the tectonic plates shift and find that peaceful spot that belongs to me alone. He smiles my favorite lopsided smile, and the dimple I know so well forms in his cheek like a kiss.

“Thank God you’re safe!” he says with relief, and his right hand lifts a fraction as though he’s reaching for me. Instinctively I step forward into his touch, but his hand flies behind him. The abrupt motion leaves me drifting.

“I should have listened to you,” I whisper, still looking at the empty space his hand left behind.

“Don’t be sad, my love. We can try again now. I’ll keep you safe. Do you trust me?”

“Yes.” My answer is resolute and automatic.

He smiles the full-dimpled smile again, then starts striding across the field, always a step ahead of me. But even though he walks slower tonight, I never seem able to catch up to him. I notice he is leading us away from the river, in the opposite direction, toward the edge of the field that borders town. I don’t ask him where he is taking me, it doesn’t matter; I know he will lead me there in the end. Instead, I look only at him, the hair tousled from the wind, the ever-tense shoulders, wishing he would slow down so I can see his otherworldly face. As though my wish was a silent command, he looks over his shoulder, and his pace slows to a stroll.

“You’re not in a hurry tonight?” he says.

I shake my head. Another dimpled smile. “I like it better this way, too.”

“Why?”

He stops abruptly, gazing at me without an answer. The smile is still there but the dimple disappears. So small a pucker but it leaves a chasm open in my chest. I want to bring it back.

“I was thinking of you,” I say. “Right before…before you came.”

“Oh?” The dimple reappears.

“I was wondering where you were, where you sleep.”

“You know the answer to that one.”

I shake my head. The dimple disappears again. “I am always with you.”

I want to tell him it’s not true, that he has never slept with me, but I don’t want the dimple to go away. So I just nod, and he starts walking again. “We’re almost there,” he says, his tone a mixed note of sadness and triumph. “Just straight ahead.”

We’re almost across the field now, as the rows of gabled rooftops and chimneys loom in the lightening night. Their windows are still dark, but the overnight lights of the shops are glowing, closer and closer. Then suddenly underneath my sneakers, I hear the thump of cobblestone instead of the whish of grass. We’ve reached the town.

“Right across the street,” he says, but for the first time, lets me lead. I cross the cobbled alley to the line of ancient shuttered shops. Now what? I turn to him for direction, but he is still on the other side, looking at me with unfathomable eyes.  “Three doors to your right,” he says before I can ask anything.

I count the doors—one, two, three—and there, in front of me, is a very familiar whitewashed shop, with mullioned windows and barrel pots full of evening primroses that Mum planted as a gift on the shop’s fiftieth anniversary. On the eave above, under a pool of light, hangs its sign:

Solstice Gallery

Fine Art

Ivy Lane

Burford, Oxfordshire, OX18 4PA

“Aid—” I start to call him in confusion but as I read the words again, something astonishing happens. The letters start moving, scrambling together, bumping into each other, sliding out again, dropping off, like vectors in chaos. My eyes are frozen wide, tracing every move as the mosh pit of letters spins and rearranges itself over and over.  Then, in a burst of intuition, the letters stop and new words appear before my eyes:

Solis Ice Reality

Feign Art

“Oh!” I gasp. The force of my realization yanks me back violently, wrenching me awake as my scream drowns a fading whisper: “Once I love, I love forever.”

The world comes into sharp, crystallized focus, but it takes me longer—longer than any other night—to get my bearings. The raw wound by my heart is throbbing, pulsing like a heartbeat of its own, making my head spin as every event, every word of those last few days in America replays under this new light. I sink on the sidewalk, gripping the cold, cobblestone for balance and leaning my head against the wall of Solstice Gallery. The letters on the eave sign are immobile, exactly as they’ve always been, but I only read the truth, the reality of what happened with the Solises. It was always Feign who turned Javier in; it was never him.

Every puzzle piece falls together now, so obvious, so simple I could only have missed it by emotion, not logic. Feign panicked when the Department of Justice came looking and found Javier’s sketches of my face. Tax evasion he could defend, but he could never risk the world learning about Javier. So he took him out by calling ICE and reporting him for stolen supplies: just another illegal immigrant thief locked up in a cell. Who would believe Javier now even if he talked? Who would care what his family would say just to save him? And who would ever know that Feign was the tipster when he could do it anonymously, just like Benetto said at Javier’s hearing? Leaving the blame open for the taking. And who else would swoop in and take it but the man who needed it so desperately? The man who needed one unforgivable reason for me to leave him because I wouldn’t have left him any other way. How neatly it all fits together now that I see: link by link, a chain reaction shackling us all together, friend, family, lover, and foe.

I don’t need to look across the street for him—for I know he is forever gone. My subconscience summoned him to help me see what I must have known all along but refused to acknowledge. It stitched together these subliminal messages from my past—innocent tidbits of data so familiar, it was automatic, instinctual that I would know them even asleep. Things like opening the front door, the familiar path along the river through Elysium, this little gallery where Mum and I would come on weekends to browse the pastoral paintings, and the well-known “Fine Art” sign which sounds so much like Feign’s gallery back in Portland that used to make me snort with its pun. My subconscience arranged it all, sliding each detail into place, while I clung to denial and anger for survival. She was not the cheater, I was. But how to make me listen? How to make me see the truth when I was blocking him at every waking moment? There was only one time when my subconscience could do that: in my dreams. And there was only one dream I would obey so fully, so irrevocably: him. So the harder I worked against the truth during the day, the more it tried to burst through at night, until now I see it with finally free, clear eyes.  All my mistakes, all my wrongs. Because worse than running from England, worse than abandoning the cottage, worse still then falling in love in my last days in America, was my belief—my conviction—that the man I loved, the man I knew was a monster. Is there a more grievous crime?

And he let me believe it. Because he would rather I hate him than be with me.

I curl inward in myself, trying to withstand the violent sobs. Everyone else trusted him and tried to tell me: my own lawyer, Reagan, even Benson. “In hopes that they will lead you to the man you know, not the one you heard today.Don’t make a mistake you will both regret for life,” Benson wrote. The waves of pain drown me here, slumped on the empty sidewalk, trying to breathe. Just to breathe. Do I deserve even that much? No, I don’t, but my parents do. For a long white, I shiver under the gallery sign, forcing air in and out, hugging my torso to keep it from imploding.

But dawn comes. Lightening up the street, the shops, the empty field, making me visible. Some brain cells register that my town shouldn’t see me this way—that Mum and Dad don’t deserve that—so, shaking, still gasping for air, I start back the way he brought me. The field seems endless, like an abyss without him.

Aiden, his name breaks through now that the walls are shattered, each musical syllable a new knifepoint in my chest, but I still try to silence it. Because none of it matters it in the end: despite the truth, he still will never be with me. And despite my crimes, I still would never be with him. How can you be with someone who will go to any length, pay any price not to be with you?

By the time I reach my tent, the sun has risen and the morning clouds are brilliant white.  No more Aeternumroses like omens in the sky.  Just an ordinary day, ending an extraordinary life. Because I know now, I know from the tangled strands of my hair to the blistered soles of my feet, what comes next: somehow I have to learn how to live without my anger, without my hatred of him. From this dawn until I’m passing from this life, I will have to live with the truth. I will have to live with myself.©2020 Ani Keating

NINETY DAYS: CHAPTERS 6 & 7

Happy weekend, everyone! And thank you again for all the kind messages, wishes, and prayers about this story and myself. Please know they are very appreciated, and many of them have come at a time where I need them most. Here are the next two chapters while the words are flowing. Things are getting close to a big reveal. I hope you enjoy them! xo, Ani

rose in smoke swirl on black

6

CHANGE

            Days go by. Even in England. The sun sets and rises, the date changes on the calendar. But time does not pass. Everything seems suspended in the same, eternal moment. Case in point: here I am, on my fourth dawn in England, still waking up screaming on the riverbank; still shivering in the cold air of his absence; still staring at the empty field across the river. His parting words still ring in my ears, reverberating all around my rose garden: “Once I love, I love forever.”

            Yet change happens. Almost imperceptible, but it happens. For one, each night, he is leading me further along the riverbank, away from the cottage; and each night, I follow more willingly. Awake, I’m fully aware of the potential for disaster, for real danger here. What if I sleepwalk right through town onto the motorway? Or slip and crack my skull against a rock? And yet, in my sleep, I trust him wholly, blindly, never to lead me into any harm. Because—change number two—the desire for him, the curiosity for what he is trying to show me is growing stronger, not weaker. I love him more in my dreams, the less I love him when I’m awake. And exponentially, the pain in my chest is getting worse, not better. As though each dream is chipping away at what little progress I manage to make during the day. Like Prometheus, tied to the rock, growing his liver only for Zeus’s eagle to eat it again in the morning.

            But, unlike Prometheus, I’m adapting or at least learning. For example, I go to bed fully dressed now, even my sneakers. I don’t lock the door until after the dream because it doesn’t keep me inside. I agree categorically that this is pathological behavior. The first thing I should do when I get back inside is not prepare for my meeting with Professor Edison this afternoon, but book an appointment with a well-respected psychiatrist. Yet I can’t bring myself to do so. It’s not hard to understand why, as the sky starts to lighten but I still stand in the exact spot where he left me: because then these dreams might stop and I’ll never learn where he is leading me so urgently. But I must know if I am to overcome him, if I am to keep the oath I made on my parents’ grave. So I have a plan: tonight, I’ll find out once and for all.

            I walk back to the cottage, gazing at the field across the river one more time, wishing I could solve this riddle now. But I can’t because my meeting with professor Edison is in nine hours, and I’ll need every minute between now and then to get ready.  It’s not my scientific knowledge I worry about—I’ve been studying nonstop for this meeting since he emailed me back three days ago, not to mention the last four years. But I have no idea what to do about the face in the mirror that has transformed. Pale, gaunt, with deep shadows under the eyes that initially will remind Edison of my mum until he looks closer. Because worse that the drawn cheeks and the sallow skin are the lifeless eyes: dull, more plum than violet, and blood-shot. I wish I had Reagan here to transform me into Liz Taylor as she once did. As it is, I spend the next three hours with teabags over my eyes and rose oil over my cheeks, trying to force a semblance of color on my skin. While home remedies attempt the work of magic wands, I revise again every scribble of Dad’s notes about his projects with Edison and every one of Edison’s own eighty-seven published articles. I know I’m overdoing it for just one meeting. I’m very careful not to hope Edison will give me a job—that would violate Rule Number Three—but I do need to be able to hide the mess I am enough to make Dad proud. The entire Chemistry Department will be talking about me: Peter Snow’s tragic daughter come home at last. 

***

There may come a time in my life—perhaps when I’m Mr. Plemmons’s age—when I might be able to sit with Reagan and tell her about the bus ride from Burford to Oxford today. About how it felt to sit on the seats that carried Mum and Dad to and from work twice a day, every work day except the day they died. About how the handrail felt exactly like their hands holding mine until this very last stop. But that day will not come for a long time. 

            I teeter off the bus, clutching Dad’s leather briefcase. Then, slowly, I lift my eyes to see Oxford’s medieval skyline for the first time since before the accident. The gothic spires, towers, and cupolas of the ancient colleges spike like heartbeats on an EKG line. Domed rooftops stretch out like knobbly protective arms. Every facet glows like limestone skin under the molten sunlight of the afternoon sky. And through it all, like emerald lifeblood, run the colleges’ lush parks, forests, gardens, and meadows.  

            Four years ago, I rejected this dream for another, thinking it would break me to face my parents’ second home. It never occurred to me that Oxford would have the power to do the opposite: heal. But as I stand here on its threshold, two hours early, braced for the lance of grief, that’s exactly what happens. I stop shaking, the nausea of the bus ride recedes, and I only feel a sense of shelter. It releases my locked knees and pulls me, like gravity, inside the university circle. I stroll the worn lanes with ease, feeling as though Mum and Dad are gliding on either side of me, as in our home movies, blissful that I have returned to the place they loved so deeply. The landmarks of their life feel like hugs, not bruises: Mum’s tiny office at the Ashmolean, the King’s Arms pub where Dad and Edison would drink cask ale after work, the Bodleian Library where they taught me how to check out Ashmole’s manuscripts using the old tube system. By the time I make it to the Science Area quad and steel a peek at my reflection on the windows of the chemistry lab, there is some color on my cheeks.

            But the moment I enter the reception lobby of the Chemistry Building, that small rush of blood drains from my face. Because there, steps from me, carved in bronze, is my father’s bust. 

            He looks at me. His eyes, seeming too sentient for a statue, are crinkled at the corners as they were in life when he would smile. His jaw is sharper, more sculpted, the way it would look when he was chewing at the end of a pen. His lips are parted a fraction as though he is saying, “ah!” And right below his bust, an engraved plaque says:

“I am in my element.”

Peter Andrew Snow

Oxford Chemistry Department, 1993-2011

            I don’t realize I have walked to him until my hand molds to his bronzed cheek. The metal is cool yet it warms my suddenly icy fingers.

            A gentle cough startles me. Professor Edison is standing a few steps away, watching me with a small smile and wistful eyes—an improvement on Mr. and Mrs. Plemmons who looked positively frightened by my face that first day I dropped by. Edison looks exactly as he did four years ago, except thinner and his forehead is more lined.

            “I’m sorry to startle you, Elisa. But oh, how welcome you are!” he says with feeling, stepping closer and handing me a handkerchief, as I realize I must be crying. So much for not appearing tragic. I dab my eyes quickly.

            “Hello, Professor Edison. It’s good to see you. I’m sorry, I wasn’t expecting…” I hand him back the handkerchief. It’s initialed NFE.

            “Nigel, please. I’ve known you since you were in nappies.” He rests his hand on my shoulder gently—as physical as British men get for such a reunion. “And don’t apologize, this is my fault. I should have mentioned Peter’s sculpture, but I suppose it’s such a natural part of my day, it didn’t occur to me.”

            The casual reference to my dad’s name derails me for a moment so I force a smile.

            “Are you well? Do you need something to drink or a spot of lunch?” Edison asks quickly. My smile must not look like a smile.

            “No, no, I’m fine; just a bit jetlagged.” True enough, even if not at all relevant to this moment.

            “Of course,” he says quickly. “Right then, let’s go in. Do you still remember your way around this place?”

            I nod, and he breaks into a full smile, leading me down the long hall to the research lab where his office and my dad’s used to be. The entire trek there—perhaps relieved that I’m no longer crying—he is talking. “I must tell you, I was gobsmacked to see your email. Just absolutely astonished. I’d given up all hope you would ever return. It would be completely understandable, of course, with everything you lived through. But, here you are, looking right like your mum—dear, beautiful Clare! What a day!”

            He shakes his head as if in wonder or perhaps to give me a moment to respond.     “What a day,” I say back, for entirely different reasons.

            “So what brought you back, hm? I must give thanks to whatever it was.” 

            I’m ready for this one; I have rehearsed the answer down to each inflection so that it doesn’t sound like the lie that it is. “Well, my student visa ended after I graduated Reed, but I was missing England even before then. I suppose home is home. It always calls you back.” As I say the words, however, I notice they don’t sound like a lie, as they did a few days ago or even this morning. Did Oxford make them true?

            We reach the end of the hall now, and my attention closes in on the last door to the left. Dad’s office. If Edison says anything, I can’t hear it over the pounding of my heart.  When he opens the door, at first I think he’s trying to give me a moment, but then I register that this is now his office. A rush of heat rises creeps over my neck. 

            “Ah, my fault again!” Edison sounds alarmed that he might have triggered more tears. “I should have said. See, I moved in here after Peter—well, you know. I didn’t want to at first, but it felt … better. Closer to… to him.” Edison closes his eyes briefly, as I grasp that I’m not the only one who was left behind grieving. Of course Edison would have missed his friend. And of course Oxford would not have left a professor’s office vacant for years. Yet, I can’t help feeling angry, offended somehow, without any right to the feeling whatsoever. 

            “Here,” Edison says, beckoning me inside. “You can look. I didn’t change much. I still have his computer, his books, his files.” He waives his hand around the small office and my anger disappears as quickly as it came. Because he is right—not much has changed. Even the potted miniature roses that Mum gave Dad on their last spring are there on the windowsill. There is only one yellow bloom, but it’s enough to feel like a smile.  Edison is still looking like he is sitting on its thorns.

            “It’s fine, Professor—I mean, Nigel. I’m the one who should apologize. Of course you would have missed Dad. How can I blame you for that?”

            He takes a deep breath, then smiles again. “Bumpy start, I know. For both of us. To be expected, I suppose. How else do you start after all that’s happened? Well, let’s try it again.” He chuckles and sits on my dad’s chair, gesturing for me to sit across from him.        The conversation feels more natural then. He only asks about my projects, what I’ve been working on, and if any of it has to do with Dad’s previous work. The world-leading professor comes out: singular in his focus, consumed by his curiosity, his relentless search for knowledge. Beyond work or passion, chemistry is his life.

            “So what are your plans?” he says, eyes still sparking with the fervor of describing his last publication. “Are you back for good?” 

            I don’t trust myself to verbalize yes so I simply nod. 

            “Well, do you want to test things here for a bit? Maybe intern for the summer?” Edison cuts straight to the point. I watch him stunned. I hadn’t even dared to ask.

            “Do you mean as a research assistant? Here? In your lab?”

            “Of course!” He shrugs as though this is the most natural thing to be offering me. “We have hundreds of research projects going, and look at your credentials. I’d offer you a position even if you weren’t Peter’s daughter. But you are his daughter, and that is everything.” He says this with finality, leaving no room for argument. And why would I argue? This is exactly what I need. 

            “Wow,” I say.

            “Is that a yes?”

            “Yes, absolutely, yes, but—”

            He frowns. “But what?”

            “But is this right? Shouldn’t I apply first?”

            He smiles then. “My dear girl, do you know who you are? You’re the only child of the finest chemist this institution has ever seen. His talent lives in you; it’s quite obvious. You’ve had your name down for Oxford since you were born! I’ve already spoken to the rest of the faculty—they’re quite agreed.”

            I swallow hard. I don’t know what to say to any of that. Can I do this in this state? Can I be who Edison thinks I am?

            “Don’t you want this opportunity?” Edison sounds perplexed. 

            That question, so elemental, does it. “I can’t hope for anything more,” I answer truthfully because I can’t. That would violate Rule Number Three. 

            Edison’s smile becomes as bright as the yellow rose. “Well then, you can start whenever you want.”

            “Tomorrow?”

            He grins again. “I don’t believe we’re quite as desperate as to have you start on a Saturday, but Monday would be brilliant.”

            For the first time since landing on Heathrow Airport, I have something other than dread to expect in the morning. 

            Edison stands then, and I gather my Dad’s briefcase to leave. But Edison’s eyes are trained on it, unblinking, with something like hunger. “His briefcase!” he whispers, as though seeing it for the first time.

            “Yes, I took this with me to America. Can’t imagine going anywhere without it.” 

            “No doubt. No doubt,” he mumbles, still staring at it as he follows me out. I turn to shake his hand, but he reaches behind the office door. “Here,” he says, bringing out a white lab coat. For a moment, I’m confused—why would he give me his lab coat?—until I see the initials embroidered on the front pocket: PAS.

            “I think you should have it for Monday,” Edison says awkwardly without meeting my eyes, and throws the coat over my shoulders. 

            The bus ride back to Burford is easier with Dad’s lab coat wrapped around me. It’s even more imperative now that I stop the dreams this weekend. So that I can take this last chance at life. So that I can be my father’s daughter.

7

SAVIOR

Later that evening, I sit on the wrought iron reading bench, watching the last sliver of sun dip behind the horizon of the field across the river. The field turns lavender gray from the evening shadows. Its grass sways, like wavelets with no shore. Beyond it, in the distance, the town’s first nightlights are twinkling like fireflies. 

            “See you soon,” I say, standing up, tightening Mum’s pashmina around me. I could wait here for sleep, but not yet because—change number three—routines form, like slender reeds growing on a marshy path: not enough to support you, but enough to show you the way. My reeds are: wake up in the morning, force down porridge, study, research lucid dreams, tend the roses, Skype with Reagan, put on sneakers and the parka, go to bed, sleepwalk, scream, stumble back home, sleep, repeat. And now, Reagan is calling. She keeps it short tonight, like the last few nights, giving me barely any detail at all. If I didn’t have a plan to implement, I’d worry that distance is stealing her away from me. But she’s juggling a lot—visiting Javier, the Solises, her own life—for me to demand any more of her time.

            “Say hello to Javier,” I say. “But remember, don’t tell him I’m gone until—”

            “I know, I know.” Reagan’s voice is brisk. “I’m sick of all the secrets.”

            “But you still love me?”

            “Like a pest,” she says, but her soft, teary eyes say “I love you to England and back.” 

            After she’s gone, I get started for tonight. A strange energy builds in my muscles, like excitement or thrill. I know this is because soon I’ll have the answers. But deep down, I’m terrified that there is another reason for my excitement: that the buzz is the cheater, feverish to see him tonight. No matter. Soon, she’ll be gone too.

            Dad’s cupboard of chemical ingredients has not been restocked in over four years but it still has the basics I need: galantamine, mugwort, valerian root, choline bitartrate, a few others.  From my research, these substances, or oneirogens, may induce lucid dreams and keep the dreamer asleep longer and deeper, allowing them to redirect their dreaming. Although mine are not lucid dreams—quite the opposite actually; I’m not awake, I’m fast asleep—the same side effects theoretically should apply. Theoretically. 

            I grind the substances and measure each dose carefully on Dad’s digital lab scale, trying not to think how apoplectic he would have been if he ever saw me doing this when he was alive. How do you know what side effects it will have on you, he would have spluttered. What lab testing have you done? What control group? What safeguards? 

            “I’m sorry, Dad,” I mumble as I mix the substances together in simmering water, and spin the mixture in his centrifuge. “But I don’t have time. If I don’t do this now, the dreams might kill me. And that would be worse than any side effects, wouldn’t it?”

            No, he would have spit out through his teeth. Think like a scientist! They could be equally deadly! 

            “Unlikely in these doses.”

            Unlikely does not equal impossible. Go to a doctor! Now!

            “I can’t. I have to know. I’ll be all right, I promise.” I let the sickly green liquid seep in the vial for fifteen minutes. Then with a final swirl, I swallow it in three gulps. Its bitter, resin taste stings my tongue.

            For a few moments, terror locks me here. What have I done? What if I’m wrong? But worse than all the questions is the loudest one: what if this doesn’t work? What if it doesn’t give me the answers? I would keep trying until either the cheater or I wind up dead. And that cannot happen. I promised my parents I will live. 

            I clean up the mess of my experiment and get ready. Sneakers on? Check. T-shirt, jeans, and parka? Check. I unlock the front door, turn off the lights, open the window, and curl up on the sofa under my quilt. No need to go upstairs tonight. I close my eyes, taking a few deep breaths, and focus only on the whoosh of the river and the willows’ lullaby. She’s here. She’s here, they sing still. An owl hoots into the night, as the breeze carries the scent of roses inside me. I follow the rose scent in my mind, as it rides the river breeze through the window into my nose, blowing gently on the open wound by my heart, then flowing out with my breath into the garden. She’s here. She’s here. Flying back again with more perfume, floating inside me, and then drifting back out to the willows. He’s here. He’s here.

            I fling my eyes open, holding my breath, but the room is dark and silent. There is no voice calling my name, not a sound. Then the willows rustle again, he’s here; he’s here. I bolt up and flit to the window. And there he is, a silhouette by the Elisa blooms, gazing at me.

            “You were waiting for me this time.” His voice is as soft as the rose breeze, a murmur blending with the willows. “I’m here.”

            A sense of impatience, a high surges through me and I sprint to the door. In a blink, I’m next to him, looking up at his face, darker tonight as the moon is waning. But his eyes light up in peace as always, two safety beams in the blackest hour.

            “You’re eager tonight,” he chuckles in that old waterfall way I remember, and the sound fills me with longing. “Maybe you’ll finally see. Come, let me show you.”

            He turns from me, always a step ahead, striding to the riverbank. I follow him without question, without doubt, an electric energy gathering inside me, raising goosebumps on my skin like static.   

            We reach the riverbank almost at the same time, and he traipses along it, toward Elysium. I know this path; we’ve been here before. 

            “No questions tonight?” he asks after a while.

            “Would you answer them?”

            He chuckles again, but it has lost the waterfall sound. “That’s why I’m here.” The familiar note of sadness enters his voice. He walks faster now, leaving Elysium behind, but always along the river. “It’s there!” he says with hope, almost pleading, pointing at the field across. “Right there! We’re getting closer.”

            “There’s nothing there, Aiden. Nothing but grass.” 

            He stops abruptly and turns to me, eyes burning. “You’re wrong!” His voice breaks, the last word like a sob, and his hands fist in his hair. “You’re not looking far enough, Elisa. Please!” His shoulders convulse once and his angelic face contorts in pain, so sharp, so staggering that it counterpoints straight into my own heart. “Aiden, it’s ok, I’ll keep looking, I’ll—” The words die in my mouth. Because in his beautiful face, glimmering under the starlight is a tear. It trickles down from his closed eyes over the sculpted cheek. “Please, my love!” he begs. “Look closer!”

            A few things happen all at once. The electrical energy that was building in my tissues radiates through me like a force field, as if the sound of his pain, so raw and primal, lit up a fuse. And then I’m running. Streaking past him down the riverbank to the point where the river bends and narrows into a chute.

            “Elisa, wait! Not that way!” he calls behind me, but I’m almost there. I can see the opposite bank, closer and closer. “Stop!” his voice rings out, filled with dread. But with one jump off the balls of my feet, I leap hard off the bank, aiming for the boulder peaking in the middle of the chute to trampoline me to the other side. The last thing I hear is his terrorized “No!” and then I plunge through black, rapid water.

            Every cell screams awake, as the cold river fills my mouth, my nose, my ears. It’s much deeper than I thought. The current sucks me under and flings me around, dragging me downstream, no matter how hard I kick my legs and arms to fight it. I try to grab anything—boulders, branches—but there’s nothing. My lungs are out of air and stars burst in my eyes. I push harder, trying to orient myself toward the surface for air, but the rapids roll me like a log and a wave of dizziness disorients me. Mum, Dad, I think. My promise. I try to kick harder, but my legs feel like lead, pulling me under. I can’t find my arms.  I wish I had heard him say, “Once I love, I love forever” one more time. The current jolts me again, and then a thick branch must twist around my torso like a band, yanking me hard. I brace for my skull to hit the bottom but suddenly I slice through clear, cold air.

            For a while, there is only chaos. I’m coughing and spitting out water, heaving for breath as the band constricts my torso again. Some more water gushes out of my mouth and finally air flows freely. I draw huge gulps of it, gasping, trying to right myself up and find the ground. And that’s when I become aware that I’m still being carried somehow. I thrash away, afraid the river is coming for me again. 

            “Fuck!” I hear a harsh oath right next to me, almost in my ear. My body stops flailing as I realize I’m not alone. And the bands around me are not branches, they’re someone’s arms. I don’t know the voice, yet it sounds familiar. An American accent. 

My savior sets me gently on the riverbank on the side of Elysium, breathing hard. I try to make out my savior’s face but it’s still dark and my eyes are blurry. The body is obviously male, tall, bulky, as he crouches in front of me.

            “Are you all right?” the man says anxiously. His accent gives me an instant feeling of safety, as I had in the dream. Oh no, the dream! I blink, clearing more water from my eyes, as I try to make out where I am and exactly how far the river dragged me. 

            “Hello?” the man calls more loudly now, sounding panicked. “Can you hear me? Are you hurt? Do you know where you are?”

            “Who are you?” I croak, and instantly regret it. How about thank you first?

            I think I hear a sigh of relief. “James, Ma’am. At your service.” 

            I can’t understand the disappointment that grips me even in current state. I knew it was not him—even if he was my last thought under water—but who else was I expecting? Maybe a Jazzman or Callahan or Hendrix or Benson: one of his many Marines? I’ll deal with myself later.

            “Thank you,” I rasp again. “Thank you for saving me.”

            “You’re welcome,” he sighs and sinks on the ground next to me. A few brain cells register that I’m alone with a stranger in the middle of the night, but I can’t feel the right kind of fear. All I feel is the fear for what happened in the dream. For what I’ve done. And for what’s still ahead. 

            “Quite a time for a swim,” James says casually but kindly, I think. I don’t answer. What would I say? That I intentionally mixed several substances to make my sleepwalking dreams longer so I could redirect them to find the answers that my ex-boyfriend wants me to see so badly, only so that I can finally forget him? So I can kill my love for him before it kills me? These are not reasonable things to tell a stranger.

            “Well, thanks again,” I mutter, rising from the ground, legs shaking. 

            “Hey, hey, take it easy!” James sounds alarmed, standing with me. “No rush! You were down for almost two minutes.”

            That’s all? It felt like a whole life. Like a whole death. It almost was. Abruptly, I feel exhausted, tired to the bone. “Good night, James,” I tell him, and start stumbling in the general direction of the cottage. 

            “Wait! Hey, wait!” James is next to me in one stride. “Where are you going?”

            “Home.”

            “I’ll walk with you. I promise I won’t hurt you,” he says, raising up his arms, as though in surrender. “I’ve got three sisters. I’d want someone to walk ‘em home. You’re safe with me.” Three sisters. An American Javier. For some reason, I believe him. Besides, why would he hurt me if he just pulled me out of the river? I manage a nod and start plodding—crawling would be more a more appropriate description, if I weren’t upright. The American Javier matches his pace with mine. I register now how tall he is, but his height triggers memories of another tall man I was chasing in the dream. The terror returns so strong that I start shivering. Or maybe it’s because my clothes are drenched, even Mum’s parka. My breath hitches into a dry sob.

            “Here,” James says, handing me a light bomber jacket. It’s dry, unlike the rest of him that is soaked; he must have had enough presence of mind to take it off before rescuing me. I huddle under his jacket, inhaling the faint scent of tobacco to clear the fog in my brain. Where do I go from here? How do I safely stop the dreams and also find the answers? Because if I know one thing, know it instinctively, is that the two are related: if I solve the puzzle, the dreams will stop, and I will survive. If I don’t solve it, the cheater will continue the dreams until there is no American Javier to save me. Either way, a part of me dies. It just has to be the right part, his part. So the rest of me can heal.

            “You came out pretty far for a dip,” James brings me back, probably wondering how much further he has to walk with the strange, silent woman. The contours of the cottage loom ahead, as I realize I ran well past Elysium trying to shortcut straight across the river and onto the field. A throbbing headache hammers at my temples.

            “Hey, are you feeling ok?” James asks. “Is there something I can get you?”

            I shake my head—it’s a true answer to both questions. We’re crossing Elysium now, and memories of playing hide and seek here with Mum and Dad flash like a reel. They loved me so much. And look at the mess I’ve made of all their hopes and dreams.

            “You know,” James says, perhaps trying to help, perhaps bored of the one-sided conversation with the mute stranger. “If you were trying to get across the river, you could have just taken the bridge.”

            The bridge! Yes, that’s where he would have taken me if I had let him, if the drug hadn’t made me reckless. “Not that way” he had called behind me in terror. He would have kept me safe. If only I had let him. 

            “I should have,” I breathe to James. We’re at the cottage now, the rose garden silver as the sky starts to lighten. 

            I turn to James, and am able to make out his face for the first time. Or what can be seen of it. He has a full beard, maybe auburn, and wild curly hair that adds to the impression of his vast height. His beard reminds me of Javier again, the last time I saw him, being dragged back to his cell.

            “This is me,” I say, handing him back his jacket. “Thank you again…for everything.”

            “No problem,” he says, looking past me at the cottage and scanning the rose garden. Something about that action reminds me so forcefully of him, of the vigilance that would emanate from him when he entered public spaces.

            “You were out for a late stroll yourself,” I say. Maybe James has his own demons.

            He shrugs. “Not really. I’m camping. Was in my tent when I heard you scream.”   Camping! My loud gasp makes us both jump. That’s the solution! He has been trying to get me safely onto the field. If I camp out there, I’ll be already where he wants me to be, and he can lead me to whatever he needs me to see so desperately. It would be safe even for me. Flat grassy surface, no river to cross, no one around, no roads, no riverbanks. Yes! That’s it!

            “You ok?” asks James, clearly wondering if I’m mentally competent at this point.

            I nod, adding a silent thank you. He may have just saved my life again. We will see.

            “Well, night then,” he bows his head gently. “If you need anything, I’ll be camping around here for a while. Just turn on a flashlight or something in that top window. Better than whatever it is you were doing tonight.”

            He waits at the edge of the garden as I plod inside, my sneakers squishing, my clothes still dripping, Mum’s coat heavy with river water on my shoulders. All her last molecules, her scent spoiled and washed off. Another sob breaks through me. I lock the front door this time, despite friendly American saviors. That was what drew me most to that land, but thinking about that violates Rule Number Two. I take off my sodden clothes and leave them in a pile by the door but hang Mum’s coat. Maybe I can salvage it this weekend. Drained, I climb upstairs to my parents’ bed and curl into a ball, shivering under the covers. Images of the black river water and its earthy taste make me shiver harder. But I draw warmth from one fact. One way or another, it will be over tomorrow. I’ll camp on the field and finally I will know. I thank James again in my mind, realizing I didn’t even ask where in America he was from, how long he has been backpacking through England, or tell him my name. Yet I’ll always owe him. As I drift off, I think about how, despite the terror of this day, there was also hope. I faced Oxford, I got a summer job, a stranger saved my life and gave me a hint. Perhaps—change number four—luck happens. Even to me.

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©2020 Ani Keating

Ninety Days: Chapter 4 – Home (and a note)

Hello! Is this thing still on? It has been a long time, my friends; four years and two months to be exact. And what years they have been! I know that many, if not most, of you have faced tough, dark times this last year and maybe even before. I hope you and all your loved ones are safe, healthy, and finding joy and hope in whatever form it comes. As for me, we would need chapters, maybe a whole book, to cover the last few years. I will not do that. They have tested me in ways I did not know I could be tested, from the state of our world to my own health and that of my beloved husband. Every week or month has felt, and still feels, like a new war, some days for myself, other days for those I love. A couple wars on the health front are still raging. To be honest, I don’t know how or if we will come out of it. But I know that, slowly, my creative world went dark. The more I fought to be there for those who needed me in real life, the less my art, my characters, my joy, and eventually my self spoke back. And then for a long time, there was only fighting and silence, fighting and silence. Then today, for the first time in very long while, Elisa spoke right as I was in the middle of an ugly sob, the kind that I need two days in bed to recover from. “Hi,” she said. I almost didn’t hear it over my crying. But there it was again, the way she used to sound in my head back when I was writing. I lay there on the floor, by the window where I was supposed to watch the first snow Portland has had in a while, but was choking for air instead. And then I crawled over to this laptop, opened a file I had last accessed on February 2017–a whole different woman back then, full of joy, dreams, life. And it was like looking at a stranger. I sobbed some more–for a whole different Ani that feels now gone, maybe forever. For a whole different life. But through the tears, eventually I started reading the words that old me had written. It felt like I was reading someone else’s book. And I realized why Elisa’s voice came at such a dark, hopeless moment: because she too was left locked in her own hell. And I thought, maybe I can at least get her out. Maybe she can get me out too. So I started typing the last sentences of this chapter that old me had left unfinished. It took all day, instead of the ten minutes it would have taken the girl I used to be. And then I came here on this blog: forgotten passwords, forgotten how-to, forgotten file names, everything. That took hours too. I read through some of the comments you had left–again feeling like they were to someone who no longer exists. But then a sense of gratitude broke through. And I thought I’d give you this chapter. Maybe you still remember the story and will like it. Maybe you have moved on. That’s totally understandable. But if you read it, it might help to refresh the first three chapters in the last post I blogged. I hope this new chapter brings you a smile or some happiness. I don’t know if I can keep it up. If I can, I will be back and post more. If not, sending you lots of love and gratitude for every time you have read, commented, waited, messaged, liked, shared, tweeted, posted, wondered, hoped, laughed, cried, and lived with me and my characters. – xoxo, Ani

4

HOME

They say what doesn’t kill you makes you stronger, but that has never been true for me. In fact, as I trudge back down the hill toward Burford, I feel more fragile than ever, as though the flap of a butterfly’s wings will shatter me.  But my senses are sharper, ranging out in hyper-vigilance for any potential trigger of pain.  So perhaps what doesn’t kill you doesn’t make you stronger. Perhaps it only makes you wiser. I cannot endure more hurt, but I know my rules of survival.

Rule Number One: I will not think about him.

Rule Number Two: I will not think about the past.

Rule Number Three: I will not dream about future.  

I will think only about the present—here and now. Practicalities really. Things like, will the Internet be reactivated at the cottage by the time I get there if I called the utility company from Heathrow eight hours ago? Will the food I bought at the airport last me a few days before I have to face town?  What will I say to Mr. Plemmons who has taken care of the cottage these last four years when it should have been me? Should I email Oxford to look for a job in Dad’s chemistry department? If I do email, how will I explain my sudden reappearance? What will I say to my father’s colleagues? 

I spend the rest of the trek down the hill, rehearsing my lines in my head.

My name is Elisa Snow. My father was Peter Snow; he was the Chair of the Science Department—you may remember him. I am a chemist, too. I just graduated from Reed College in the United States. Yes, a very long way away.  I have invented only one nutrient component, which I do not own any more, but I am a fast learner. I will dedicate every hour of my day, and every day of my life, to your department’s research. To continue my father’s work. Please give me a job.  I have nothing else to do.  No one else left to save. 

It’s impossible to ignore the swipe of déjà vu, rehearsing a very similar speech for ICE thirty days ago.  But that breaches Rule Number Two so I force all my senses on the path ahead. At the end of the trail, a welcome sign boasts, “Cotswolds. Area of outstanding natural beauty.”  Even in my state, I cannot deny its truth.  Soft hills roll endlessly around me in every shade of green imaginable. Mint, moss, shamrock, jade. Their crowns are gilded orange from the setting sun, and River Windrush glistens between them like a silk ribbon. Beyond the welcome sign, the ancient road stretches for about a mile, framed by Burford’s medieval cottages, tucked closely together like fairytale books on a shelf.  The native nightingales are just starting their mating night song. And a sultry breeze swirls in the air, laced with the perfume of freshly mowed grass and sweet clover.  I inhale deeply, as though emerging from underwater.  And what felt forced a few seconds ago now feels like hunger.  I cannot widen my eyes enough to trace every thatched rooftop and swaying tree.  With a tight grip in my throat, I realize a very simple truth: I have missed this place.  Despite all my efforts to banish it into oblivion, it has lived in my blood. 

Abruptly, I feel late, very late—impatient to see my cottage while there is still some daylight. Worried that it has changed. That it is no longer the perfect nest of my childhood. No longer mine.  I throw my scarf over my head and scurry the opposite direction of the sign, taking a shortcut across the clover field under the protective tunnel of the primordial yews and oaks. The blisters on my feet rub against the canvass of my sneakers, slowing me down. I slip them off, and traipse along the grass.  The cool, dewy blades soak my socks and soothe the soles of my feet, like the moist air does with my chapped lips and parched throat.  Now and then, a leaf or branch brushes softly against my hair or cheek, and I can’t help but imagine that England is welcoming me back. Like the prodigal, even though I don’t deserve it. The sun is dipping lower in the horizon now, and I walk faster, wincing at the ache of my muscles. But I don’t want the first sight of my cottage to be in the dark. 

 Finally the town is behind and the hill ends, sloping into a tiny valley like a child’s cupped hand. I pause at the edge, my throat tightening at the sight. This is the valley of my childhood. From the moment I could walk, I was lurking in this grass so constantly that Dad named it Elysium.

My eyes skate over the meadow urgently, fixing on the grove of weeping willows at the far end, right on the riverbank. At the sight of their swaying garlands, I start running toward them, rolling like a pebble down Elysium’s bowl, not caring about the blisters in my feet or the spasms in my legs.

The willows have grown. Their branches drip down like a thick curtain, the tips brushing over the grass. I can’t see anything through the leaves, except a glimmer of river here and there, but the air is heavy, redolent with the smell of roses, and I know my cottage is right behind the leafy drapes.  My heart—so silent until now—starts pounding.  I pause and listen, cupping my ear, like I used to do when I was a child.

            Shhhhhhhh, the river babbles behind the branches. Shhhhhhhhh, whisper the willows. I try to find words in their murmur. Shhhhh…sssss….hhhh… I repeat the sound until it rings in English. She’s here. She’s here. I sweep aside the branches and step between the thick trunks into the most magical place I have ever seen. 

My Rose Cottage.

It stands there, gleaming silver under the twilight sky, swaddled between the river and the two ancient beech trees with my swing still hanging on the lowest branch. A third beech tree that Dad planted the day I was born has grown close to the huge trunks—healthy and strong, so very unlike me. But despite their vast heights, the trees seem dwarfed, overshadowed by the thousands of roses blooming underneath. Miniature pink blossoms have taken over the whitewashed stone walls, lacing around the black shuttered windows, covering every centimeter of the peaked rooftop with their vines. Bigger, fuller blooms shoot up from grassy beds, so many that the tiny handkerchief yard is blanketed with a petal-woven quilt, hiding the grass and path underneath.  Over the arched front door, a garland of magenta blooms has climbed like a crown. And the small reading bench by the river is braided with garden roses the color of ballet slippers. The rose fragrance infuses everything—there is no trace of river, grass, willow, or dirt in the air. Only roses as though the whole earth is soaked in their oil. It’s surreal—as though Mum never passed, as though her soul gives magic to the blooms. 

I don’t realize I’m crying until the cottage blurs in my vision. I wipe off the tears, resisting even a blink. Isn’t a blink too much to miss for something you suddenly realize you’ve missed for a long time?

I pad in a trance down the cobblestoned path covered in petals—it is soft, comforting under my socked feet, as though it knew I’d come back with blisters.  Trembling, I reach the ivory blooms below my bedroom window. TheElisa hybrid that Mum cultivated for me. I caress one of them, teardrops falling over the petals like dew.  Brutally, the memory of showing him a similar rose in the Portland Rose Garden on our first night together intrudes on this perfect moment.  “No!” I snarl, shaking my head forcefully to dispel the image.  But another memory—him waking me up with that same rose the next morning—breaks through with its force.  “No!” I  shout louder, pressing the tip of my thumb intentionally against a real Elisa thorn. It works.  A small bead of blood drips on an ivory petal, and I become absorbed with wiping it away, not wanting to taint any part of my cottage with him.  Then with shaking hands, I dig up my old key, slide it in the lock, and hold my breath as I turn the rose-shaped brass knob and open the door.   I’m home.

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